Movies

Variety has been given exclusive access to the international trailer for Vaclav Marhoul’s “The Painted Bird,” which world premieres in competition at the Venice Film Festival, and screens at the Toronto Film Festival in the Special Presentations section. The cast, led by Petr Kotlar, includes Udo Kier, Stellan Skarsgard, Harvey Keitel, Julian Sands, Barry Pepper,
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“The Lion King” is still ruling at North American multiplexes with about $80 million this weekend while Quentin Tarantino’s “Once Upon a Time in Hollywood” is heading for a solid $40 million opening, early estimates showed Friday. Disney’s photo-realistic remake of “The Lion King” raked in a massive $192 million during opening weekend — the
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July 26, 2019 9:43AM PT Disney’s live-action “Aladdin” is crossing the $1 billion worldwide box office mark, becoming the 41st title do so, Disney announced Friday. It’s also the fifth Disney-branded live-action release to do so alongside “Beauty and the Beast,” “Alice in Wonderland,” and the second and fourth “Pirates of the Caribbean” films. “Aladdin”
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Quentin Tarantino’s “Once Upon a Time in Hollywood” has opened with a solid $5.8 million at 3,318 North American locations in Thursday previews. Sony’s much-anticipated comedy drama, starring Leonardo Dicaprio and Brad Pitt, will expand to 3,659 sites against the second weekend of Disney’s blockbuster remake of “The Lion King.” “Once Upon a Time” is
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Meryl Streep will receive the Toronto International Film Festival’s Tribute Actor Award during this year’s festivities. “Meryl Streep is undoubtedly one of the most talented and versatile actors of her generation,” TIFF co-head Joana Vicente said in a statement. “Her tremendous contribution to cinema, television, and the stage spans five decades; from her early roles
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This weekend marks the 35th anniversary of the release of “Purple Rain.” But talking to the film’s writer-director Albert Magnoli, it seems like yesterday — at least in terms of the level of detail that he brings to his recollections of the development and production of Prince’s masterpiece. Not only does the filmmaker remember all
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July 26, 2019 1:36AM PT A censor working in a Turkish prison becomes obsessed with an inmate’s mysterious wife in this capable, low-key thriller debut. In Francis Ford Coppola’s “The Conversation,” Gene Hackman played a surveillance expert who insists that curiosity is beyond the purview of his job, only to become obsessed with the mystery
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Borne on the back of a juvenile performance of remarkable intelligence and spontaneity, Vardis Marinakis’ fine-boned “Zizotek” has an uncanny shimmer to its storytelling: It slips unnoticed from genre to genre like a quiet child moving between rooms trying not to disturb the adults. Starting out as a family drama of parental neglect and abandonment,
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“Queer Japan,” a documentary about the LGBTQ community as it exists today in Tokyo and several smaller (but still major) Japanese cities, is a movie that makes you realize that liberation movements have become more global, in spirit and in fact, than anyone might have expected. The director, Graham Kolbeins (who also co-shot and edited
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“Thor: Love and Thunder,” the fourth part of Marvel’s superhero franchise, will shoot in the Disney-owned Fox Studios in Sydney, Australia. The film is set to receive more than $16.7 million (A$24.1 million) in subsidies from the Australian federal government and the New South Wales state government. The announcement, made Friday by NSW minister for
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Veteran script supervisor Karen Golden, best known for her work on “Transformers,” died Tuesday after a seven year battle with Alzheimer’s. She was 78. Golden spent her career working alongside a long list of major film directors, including Michael Bay, John Huston and Ron Shelton. She collaborated with Bay on scripts for “Armageddon,” “Pearl Harbor,”
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July 25, 2019 6:33PM PT This debut feature by Chinese stop-motion animator Shengwei Zhou is as accomplished and inventive as it is conceptually bizarre. The recent demise of American animator Suzan Pitt reminded many that there had been nothing quite like her relatively few screen works — particularly 1979’s “Asparagus.” That 20-minute riot of ominously
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