Movies

Bill Murray, Adam Driver, and Chloe Sevigny are bespectacled — and deadpan — small-town sheriff’s deputies battling an army of zombies in the first trailer for Jim Jarmusch’s “The Dead Don’t Die.” “In this peaceful town, on these quiet streets, something terrifying, something horrifying is coming,” a voiceover intones, followed by the town’s cafe getting
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As it prepares to launch a fully staffed Paris office and beefs up its roster of French series and movies originals, Netflix commissioners Sara May, Damien Couvreur, Dominique Bazay and Diego Buñuel discussed the particularities of their development process and deal-making with the French industry, as well as their diversity-friendly approach, at Series Mania. Although
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British actress and model Tania Mallet, who played Tilly Masterson in the 1964 James Bond classic “Goldfinger,” has died. She was 77. The official James Bond Twitter account announced her death on Sunday. “We are very sorry to hear that Tania Mallet who played Tilly Masterson in ‘Goldfinger’ has passed away,” the tweet reads. “Our
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In the era of “Black Panther” and “Crazy Rich Asians,” it’s clear that Hollywood has finally begun to prioritize making entertaining, big-budget films that acknowledge the cultural diversity of U.S. moviegoers. A 2017 CAA study found that across every budget level, films with diverse casts outperformed films with less diversity, and nonwhite moviegoers now account
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March 31, 2019 5:51PM PT SAG-AFTRA has announced support for the Writers Guild of America in its acrimonious battle to tighten restrictions on talent agents. “We congratulate the Writers Guild of America on their successful membership vote and applaud the Guild for taking steps in the best interests of their members,” SAG-AFTRA said. “We stand
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For more than a century, movies as a medium have served to reinforce a certain view of female sexuality that served to benefit … whom? Not the female sex, really, but men — or a male-dominated culture that wanted women to be more receptive to their advances, on one hand, even as it reinforced the
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“Dumbo” took flight this weekend, landing atop both domestic and international box office charts. Overseas, the high-flying elephant generated $71 million when it debuted in 53 foreign territories. “Dumbo” launched below expectations in North America with $45 million for a global start of $116 million. The film saw the best start in China ($10.7 million),
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Disney’s “Dumbo” had an underwhelming liftoff at the domestic box office. Tim Burton’s live-action remake of the 1941 cartoon debuted with $45 million from 4,259 North American theaters, below expectations heading into the weekend. While that was easily enough to top the domestic box office, it marks the lowest start among the studio’s recent live-action
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Maintaining Chile’s protracted awards honeymoon with international festivals, Jorge Riqeulme’s “Some Beasts,” starring Alfredo Castro and Paulina Garcia, swept Toulouse’s 35th Films in Progress, a pix-in-post competition which also serves as a traditional launch-pad for selection at the Cannes Festival. “Some Beasts” won three of the four prizes on offer: Toulouse Films in Progress Prize;
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Beyonce was named Entertainer of the Year, and “Black Panther” nearly swept the film categories at the 50th NAACP Awards on Saturday night. During her speech at the Dolby Theatre in Hollywood, Beyonce graciously thanked her fellow nominees in the category, including NBA superstar LeBron James, “Black Panther” director Ryan Coogler and star Chadwick Boseman,
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“Romancing the Stone” looks like a fun adventure romp onscreen, but making the Michael Douglas–Kathleen Turner movie that turns 35 this week was no stroll through the jungle. There were alligators, mud and plenty of back-and-forth with the studio — not to mention a tragedy after it opened. The romantic comedy adventure opened March 30,
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When you watch the silent-screen star Louise Brooks in one of the films that made her a legend, most spectacularly the glittering femme-fatale drama “Pandora’s Box” (1929), it’s shocking to see how contemporary she looks. Haircuts that were once cutting edge — punk spikes, a ’50s ducktail, Jane Fonda’s “Klute” shag — look, almost inevitably
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