Movies

Newcomers were no match for Disney’s “Captain Marvel” at the domestic box office The superhero blockbuster soared past the competition, bringing in $69 million in its second weekend of release. Starring Brie Larson, Marvel’s first comic-book tentpole to spotlight a female superhero has now surpassed $265 million in ticket sales domestically. Its second weekend decline
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Zhang Yimou’s highly stylized period epic “Shadow” was the numerical winner at Sunday’s Asian Film Awards in Hong Kong. It bagged four technical awards. But the major prizes went to Japanese and Korean filmmakers. Kore-eda Hirokazu’s “Shoplifters,” a Japanese drama about a family surviving on shoplifting, was named best picture. The film had been the
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In Stephen King’s “Pet Sematary,” the big-city Creed family moves to rural Maine, inadvertently buying a plot of land that includes an ancient Indian burial ground. If you inter a beloved feline correctly in the creepy pet cemetery behind their house, it’s liable to come back … different. Same goes for cadavers of the non-cat
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Things go bump in the night — and, as an occasional change of pace, in the middle of the afternoon — with a frequency that will neither surprise nor disappoint genre fans throughout “The Curse of La Llorona,” an efficiently formulaic shocker inspired by the centuries-old Mexican legend of the titular bogeywoman. It’s set in
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March 15, 2019 11:58PM PT A tea-cosy “Ghostbusters,” Irish writer-directors Mike Ahern and Enda Loughman’s first feature is a winningly off-kilter comedy. A first feature for the writing-directing duo of Mike Ahern and Enda Loughman, whose prior work has encompassed shorts, music videos, and commercials, “Extra Ordinary” is a kind of tea-cosy “Ghostbusters” that’s consistently
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March 15, 2019 11:50PM PT Bratty Millennial and ornery boomer square off in a cartoonishly satirical horror-comedy that’s not nearly as clever as it thinks it is. Intergenerational conflict is only likely to get worse as Millennials grasp a problem-filled future for which they already blame baby boomers, while boomers hone their dislike of what
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March 15, 2019 8:44PM PT Warner Brothers’ “Shazam!” will hit Chinese theaters on April 5, the same day it premieres in North America. The studio’s last superhero flick to wow mainland audiences was the James Wan-directed “Aquaman,” which made a super-sized $298 million in the country, making it the studio’s top-grossing title in the Middle
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’Petra,’ ‘Midnight Family ‘ Win Big at Guadalajara The 34th Guadalajara Int’l Film Festival (FICG), boasting a new general director, Estrella Araiza, wrapped March 15 with a bevy of cash prizes spread out among several categories. Documentaries ruled, led by Premio Mezcal best film and best director winner “Midnight Family” by Luke Lorentzen, who also lensed
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March 15, 2019 10:53AM PT Chris Evans narrates this Imax original documentary about heroic dogs trained for rescue missions, emotional support, and sniffing out crime. In a world constantly thirsting for wholesome dog-centric content, the hook of director Daniel Ferguson’s “Superpower Dogs” is an insanely catchy one. Running a museum- and science-center-friendly 47 minutes, this
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The romantic drama “Five Feet Apart” has opened with $715,000 on Thursday night, barely beating previews for the animated film “Wonder Park,” which earned $700,000. Focus Features’ sci-fi movie “Captive State” generated $300,000 on Thursday. The trio of wide openings is expected to be dwarfed by the sophomore frame of Brie Larson’s “Captain Marvel,” which
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When it comes to name recognition, few American detectives rank as high as Nancy Drew with audiences, owing to the fact that millions devoured the yellow-spined novels, and no small number of celebs (including executive producer Ellen DeGeneres) went on to credit the character with inspiring them at a young age. As a result, it’s
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Given the allusions to literal and thematic Trojan Horses that pepper its third act, one probably shouldn’t be surprised that “Captive State” — which opened cold on March 14 after Focus mysteriously canceled screenings for critics — actually is something of a purposefully camouflaged interloper. Although the TV ads and other promotional material appear to
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March 14, 2019 7:22PM PT A “imaginary” childhood friend returns with malignant intent in this inventive psychological-horror thriller. An alter ego gets a little too altering in “Daniel Isn’t Real.” Based on co-writer Brian DeLeeuw’s novel “In This Way I Was Saved,” this strong second feature for director Adam Egypt Mortimer centers on an unhappy
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Though his books were seldom issued by major publishing houses, recently deceased author Jack Ketchum has become one of the big screen’s more frequently adapted U.S. novelists. “Darlin’” isn’t based on a Ketchum tome, per se, but it does have a through line to his work: It’s a sequel to Lucky McKee’s 2011 “The Woman,”
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March 14, 2019 1:57PM PT Thief-turned-teacher Zequi competes to save his relationship, and his school, at a beach-resort competition in this dreary sequel. For proof of American cinema’s global reach, look no further than “No Manches Frida 2,” which like its 2016 predecessor hews to a tried-and-true Hollywood comedy formula, albeit one embellished with distinctly
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As guests filed into Austin’s Paramount Theatre for the world premiere of “Us” at South by Southwest on the evening of March 8, there was audible whispering about whether Jordan Peele’s latest film would win over fans, critics and, ultimately, Academy voters. His freshman effort, “Get Out,” not only took in $255 million worldwide but
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