Movies

Lola (Valerie Pachner) wakes with a start. She has what we’ll soon learn is an uncharacteristic smudge of mascara beneath her too-bright, too-awake eyes. But then this is the Lola of later, not the woman to whom Marie Kreutzer’s nervy, nuanced drama “The Ground Beneath My Feet” first introduces us — not the ambitious, high-performance
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February 9, 2019 7:41AM PT Revolutionary playwright Bertolt Brecht gets the standard-issue TV biopic treatment in this two-parter saved only by ‘Reds’-style interviews. Buried within Heinrich Breloer’s superficial and plodding two-part TV movie about Bertolt Brecht are old and new interviews with the playwright’s collaborators that hold a fascination light years away from the fictionalized
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Anyone trying to do justice to the jaw-dropping scenery of Western Norway could do worse than Preikestolen, the iconic rock face that soars high above the Lysefjord gorge. Known as Pulpit Rock, the dramatic formation is one of the country’s most popular tourist destinations. It’s also known to movie buffs as the setting for the pulse-pounding
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Berlin Film Festival director Dieter Kosslick on Saturday signed the gender-parity pledge aimed at achieving an even gender ratio in the organization’s top management, something Berlin has already well surpassed. Opening the Gender, Genre and Big Budgets event hosted by Women in Film and Television Germany and the Dortmund Cologne Intl. Women’s Film Festival, Kosslick
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Brendan Fraser is certainly a busy actor. After a string of recent buzzy television performances (“The Affair,” “Trust” and “Condor”) and a role in “Doom Patrol,” an upcoming series for DC Universe. His latest feature film, “Line of Descent,” launches sales at the European Film Market via Storyboard Media. The Dehli-set crime thriller is written
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February 9, 2019 1:11AM PT Gerard Butler (“London Has Fallen”, “The Phantom of the Opera”) is in negotiations to play the lead role in the disaster thriller “Greenland” about one family’s fight for survival in the face of a cataclysmic natural disaster. STXinternational is handling international distribution and pitching the film at the Berlin Film Festival’s European
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Jacqueline Zünd’s Swiss documentary “Where We Belong” world premieres as part of this year’s Generation Kplus selection at the Berlinale, a section dedicated to kids and family content, although the film’s selection in that particular category came as a surprise to the filmmaker. Herself a single parent, Zünd’s documentary tells, from a kids’ POV, the
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BERLIN — Towards beginning of the decade, Guido Rud’s FilmSharks brought onto Berlin’s European Film Market “Rodencia and the Princess Tooth 3D,” Peru’s first 3D movie, helmed by David Bisbano. An ebullient about a clod-footed mouse-come-sorcerer’s apprentice who sets off to find a magical princess’ tooth and defeat a horde of invading rats, “Rodencia” went
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For Jakob and Jonas Weydemann, “Systemsprenger” (“System Crasher”), a social drama about a troubled young girl caught in the revolving door of Germany’s child welfare services, is exactly the kind of film the sibling producer duo is keen to make. Nora Fingscheidt’s feature film debut, which screens in competition in Berlin, explores the difficult and
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Noomi Rapace has boarded Valdimar Jóhannsson’s supernatural drama “Lamb,” which New Europe Film Sales is selling at Berlin’s European Film Market. The pic marks Rapace’s return to Scandinavian moviemaking following Hollywood movies like Guy Ritchie’s “Sherlock Holmes: A Game of Shadows,” with Robert Downey Jr. and Jude Law, Ridley Scott’s “Prometheus,” with Michael Fassbender, and
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In today’s film news roundup, a Joni Mitchell documentary generates solid business and indie films “Cristina” and “Dreamcatcher” are moving ahead.  BOX OFFICE Trafalgar Releasing is reporting a strong box office of $568,000 at 414 North American locations for its one-night screening on Feb. 7 of “The Music Center Presents Joni 75: A Birthday Celebration.”
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Ana de Armas says she’s still trying to find the right words to describe her latest project, a cinematic collaboration with Italian liqueur brand Campari that has catapulted the Cuban-born actress into a conversation about diversity, creativity, and taking risks. “I don’t think I can even describe the feeling,” De Armas says of becoming the
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The Newport Beach Film Festival U.K. Honors evening celebrated its fifth anniversary on Thursday with several honorees and the presentation of Variety’s 10 Brits to Watch at the Langham Hotel in London. The star-studded celebration marks the kickoff of BAFTA Awards weekend and included icon award honors for Julian Fellowes, Lesley Manville, and John Lloyd. Artists
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February 8, 2019 4:41PM PT Following stops in Paris, New York, and Rio, the ‘Cities of Love’ series finds its way to Berlin, where a global mix of talent invent stories that could have taken place anywhere. If you truly love Berlin, and belong to the film industry, chances are you’re there right now attending
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February 8, 2019 4:24PM PT Alexander Payne has found his next feature, as the “Sideways” and “The Descendants” filmmaker is attached to direct the comedic horror-thriller “” with Gary Sanchez Productions. Will Tracy and Seth Reiss penned the script with Adam McKay, Will Ferrell, and Betsy Koch producing under the Gary Sanchez banner. The pic
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As debate continues to rage over Liam Neeson’s racially-charged remarks, many in Hollywood are wondering anxiously what the fallout might mean for his upcoming films and the future of his career. Some observers even think the interview could permanently damage his career. After he shared this week that, decades ago, a close friend revealed she was
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At the very end of Wang Quan’an’s enchanting seventh feature, a droll title appears: “Based on True Stories.” It’s amusing because it’s unnecessary; this is the kind of cinema that makes its stories true by telling them, that puts eccentric, real, cyclical life — calf births and lamb slaughters — before its camera and generously
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Three women trapped by circumstances and thrown together by fate set out on a cross-country journey of self-discovery in South African director Jenna Bass’ contemporary Western, “Flatland,” which opens the Panorama section of this year’s Berlin Film Festival. Bass returns to Berlin a year after taking part in the Generations program with the satirical thriller
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