Movies

Motion Picture Association of America CEO Charles Rivkin helped wake the early-morning crowd at the start of CinemaCon 2019 on Tuesday — by simultaneously welcoming a digital disruptor into his Hollywood lobby and reassuring theater owners that moviegoing isn’t really going anywhere. Addressing theater chain and indie cinema owners from around the world at the
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“Akira,” produced by Leonardo DiCaprio for Warner Bros., will shoot in California and receive an $18.5 million tax credit, the California Film Commission has announced. “Akira” was by far the biggest of the 18 tax credit allocations unveiled Tuesday under the state’s Film & TV Tax Credit Program 2.0, which include eight independent projects. The
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CinemaCon kicked off with a subtle dig at Netflix and other streaming services. In his introductory remarks during the opening night presentation, Neon co-founder Tom Quinn lauded studios dedication to cinema with a slight jab at the streaming giant. “Cinema,” Quinn started as he took the stage at Caesar’s Palace in Las Vegas. “It’s a
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If the events recounted in “Tread” had not occurred in real life, you might mistake any synopsis of its storyline for a treatment written by some grindhouse-cinema aficionado as a tribute to ‘70s rural-revenge thrillers. Indeed, Paul Solet’s remarkably absorbing and suspenseful documentary often plays like the dark flip side of that audience-stoking subgenre —
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April 1, 2019 11:17AM PT Ai Weiwei follows ‘Human Flow’ with a second, shorter documentary on the European migrant crisis that aims squarely for the heart. Something that tends to get lost in the political discourse around the European migrant crisis — as right-wing gatekeepers promote myths of hungry foreign invaders, countered by left-wing checking
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Bill Murray, Adam Driver, and Chloe Sevigny are bespectacled — and deadpan — small-town sheriff’s deputies battling an army of zombies in the first trailer for Jim Jarmusch’s “The Dead Don’t Die.” “In this peaceful town, on these quiet streets, something terrifying, something horrifying is coming,” a voiceover intones, followed by the town’s cafe getting
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As it prepares to launch a fully staffed Paris office and beefs up its roster of French series and movies originals, Netflix commissioners Sara May, Damien Couvreur, Dominique Bazay and Diego Buñuel discussed the particularities of their development process and deal-making with the French industry, as well as their diversity-friendly approach, at Series Mania. Although
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British actress and model Tania Mallet, who played Tilly Masterson in the 1964 James Bond classic “Goldfinger,” has died. She was 77. The official James Bond Twitter account announced her death on Sunday. “We are very sorry to hear that Tania Mallet who played Tilly Masterson in ‘Goldfinger’ has passed away,” the tweet reads. “Our
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In the era of “Black Panther” and “Crazy Rich Asians,” it’s clear that Hollywood has finally begun to prioritize making entertaining, big-budget films that acknowledge the cultural diversity of U.S. moviegoers. A 2017 CAA study found that across every budget level, films with diverse casts outperformed films with less diversity, and nonwhite moviegoers now account
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March 31, 2019 5:51PM PT SAG-AFTRA has announced support for the Writers Guild of America in its acrimonious battle to tighten restrictions on talent agents. “We congratulate the Writers Guild of America on their successful membership vote and applaud the Guild for taking steps in the best interests of their members,” SAG-AFTRA said. “We stand
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For more than a century, movies as a medium have served to reinforce a certain view of female sexuality that served to benefit … whom? Not the female sex, really, but men — or a male-dominated culture that wanted women to be more receptive to their advances, on one hand, even as it reinforced the
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“Dumbo” took flight this weekend, landing atop both domestic and international box office charts. Overseas, the high-flying elephant generated $71 million when it debuted in 53 foreign territories. “Dumbo” launched below expectations in North America with $45 million for a global start of $116 million. The film saw the best start in China ($10.7 million),
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