Movies

March 12, 2019 9:00AM PT “Sully” writer Todd Komarnicki has been tapped to write the international action thriller “Snow Dragon,” reuniting him with “Sully” producer Allyn Stewart. Development is being financed through a joint partnership between Xinhua Pictures, Shune River and producers Stewart and John Benitz. For Xinhua Pictures, Zhang Xiao Hong will produce. Gao
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After receiving a call at work that her son has suffered a severe playground accident, a cash-strapped single mother in Sante Fe, Argentina, criss-crosses an unsympathetic city in search of the hospital where he’s been taken, all the while trying to keep her own surging asthma attack under control. A trim, taut second feature from
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“Good Boys” is an easy elevator pitch: “Superbad” for ages 8-12 that maintains the sweet confusion of tweens but liberally uses curse words. Executive producer Seth Rogen must have had minimal pushback at distributor Universal Pictures, as the film has the stuff that classic coming-of-age comedies are made of (even an obligatory “Stand By Me”
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Those who find joy in 11-year-olds dropping the F-bomb, and otherwise talking smack they really don’t understand, will be in hysterics for the full hour and a half of “Good Boys.” Anyone looking for a little more in the way of comic inspiration is likely to be disappointed by this mediocre comedy from director Gene
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March 11, 2019 6:38PM PT Ethan Hawke plays a newly released ex-con in a slight drama as uncertain of where it wants to go as its hapless protagonist. “First Reformed” last year provided Ethan Hawke with an actor’s dream role in terms of character depth and meaningful conflicts — even if the Academy was practically
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“Mickey and the Bear” reps an assured feature debut for Annabelle Attanasio, who wrote and directed this straightforward but skillfully nuanced drama about a troubled father-daughter relationship. Camila Morrone plays the titular motherless small-town Montana teen who needs to decide if what she wants from life is more than just being the minder of her
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Disney’s “Captain Marvel” finally settled the score on one of Hollywood’s biggest misconceptions: Female superheroes can hold their own at the box office. That’s the big takeaway from the opening weekend of “Captain Marvel,” the studio’s first comic-book movie to put the spotlight on a female heroine. “Captain Marvel” — starring Brie Larson — debuted
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Saturday afternoon brought rising Latinx filmmakers and actors together at Variety’s 10 Latinxs to Watch brunch held in partnership with the 36th annual Miami Film Festival. The festive celebration, which took place at the JW Marquis Marriott’s Boulud Sud restaurant, featured a panel discussion moderated by Variety’s Malina Saval with the following five select individuals
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“The Ballad of Yaya,” “Where is Anne Frank?” and “Musketeers of the Tsar” proved the most-attended of industry presentations among 66 feature projects pitched at this year Cartoon Movie, Europe’s top animated feature co-production forum which ran at the French port city of Bordeaux over March 5-7. A production of Blue Spirit Productions, the company
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Steeped in the smell of tacos and burning sugar cane, the sights and sounds of Pahokee, Florida, are portrayed with humid specificity in Ivete Lucas and Patrick Bresnan’s documentary — yet its story will be entirely familiar to anyone who is, or was, a small-town teenager yearning for a bigger pond. Taking the form of
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March 11, 2019 10:43AM PT John Friedberg has been tapped as president of STX’s international division for films, the company announced Monday. His promotion comes after David Kosse, the executive who STX tapped in 2016 to oversee its oversea efforts, was poached by Netflix. Friedberg previously served as the company’s president of international sales since
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Over a single opening weekend, composer Pinar Toprak smashed all previous box-office records for women composers in film. She scored “Captain Marvel,” which made $153 million domestically. Until now, the top-grossing films by women composers were Rachel Portman’s “The Vow,” which made $125 million domestic in 2012, and Deborah Lurie’s “Dear John,” $80 million back
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