Movies

Berlin-based M-Appeal has closed a flurry of deals across its slate, including Ash Mayfair’s “The Third Wife” and Michal Aviad’s “Working Woman” which were launched at Toronto. “The Third Wife” (pictured) sold to Potential Films for Autralia/New Zealand, and Crest International Inc. for Japan. Potential Films is planning a theatrical release next summer, while Crest
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Imagine a Jenny-from-the-block-goes-to-the-big-city comedy of corporate ambition, naïveté, and success — a movie in the tradition of “Working Girl” and “Baby Boom,” with Jennifer Lopez as Maya, the manager of a Queens superstore, who gets plucked from the outer boroughs like Cinderella to be an executive consultant for a high-end women’s cosmetics company. The trick
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In today’s film news roundup, Reese Witherspoon is collaborating with MGM, Jonathan Nolan gets an honor for visual effects, canine comedy “Patrick” finds a home and Forrest Films launches as a distributor. STUDIO ATTACHMENT Reese Witherspoon is teaming with MGM to produce a movie version of Gail Honeyman’s bestselling novel “Eleanor Oliphant is Completely Fine.”
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It’s been 15 years since the last “Lord of the Rings” film was released, and four years since “The Hobbit: The Battle of the Five Armies” premiered (stream, $3.99 on Amazon), yet the franchise remains a cultural touchstone. J.R.R. Tolkien’s universe of high fantasy adventure and epic battles continues to resonate with pop culture fans both
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BMG has named Jonathan Palmer senior vice president of creative synch, the company announced Wednesday. Based in Los Angeles, Palmer will lead the creative synch teams in both New York and Los Angeles, while working alongside the U.S. and international synch licensing teams. He will report directly to Patrick Joest, global EVP, marketing & licensing.
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December 19, 2018 12:42PM PT [embedded content] The forces of darkness meet some light comedy and Billy Idol’s”Mony Mony” in the latest trailer for Neil Marshall’s “Hellboy” reboot. Based on the graphic novels by Mike Mignola, “Hellboy” follows the powerful demon Anung Un Rama (aka Hellboy) as he fights monsters and other demonic creatures while working
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A collective sigh by critics greeted Monday’s announcement of the nine films shortlisted for this year’s foreign-language film Oscar. For once, though, it was a sigh of relief rather than exasperation, with few complaints arising over the chosen titles, which were broadly acclaimed. Controversy over prominent omissions is practically an annual tradition. Last year, critics
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Some were launched with mega-hype, only to wind up branded as financial disappointments. Others were indie-produced Cinderellas that got lost on their way to the ball. And one was a legendary film maudit that appears well on its way to becoming a footnote. What do they all have in common? Their inclusion on this list
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Aleksandra Terpinska’s “Other People” and Peter Dourountzis’s “Rascal” won the inaugural Arte Kino International Prize at the 10th edition of Les Arcs Film Festival’s Co-Production Village. The award was given by Remi Burah, who runs Arte France Cinéma and launched in 2016 ArteKino Festival, a European online festival in partnership with the digital service Festival
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Decapitation, broken bones and supernatural monsters were popular additions to many of this year’s scariest film and television moments. And with multiple scenes reportedly causing audience walk-outs, this year’s horror entries didn’t shy away from the gratuitous gore and disturbing deaths that have made the genre what it is today. See if scenes from your
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It’s not hard to see why Robert Zemeckis, a director who has often been drawn to finding the “human” side of technological flimflam (“Forrest Gump,” “The Polar Express”), would want to turn the eccentric and touching 2010 documentary “Marwencol” into a dramatic feature. Like the documentary, Zemeckis’ “Welcome to Marwen” tells the story of Mark Hogancamp,
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The best cinematography of 2018 has come in black and white. It’s come in vibrant color. It’s come as photochemical reaction and as streams of ones and zeroes. It’s crossed genres and approaches, from horror and satire to costume porn and blockbuster action. It’s taken us from the hearth to the moon and into the
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Most filmmakers dream of scoring a big studio deal, but not Gary Hustwit. The “Helvetica” director applies a “do it yourself” model to the release of his movies. “Rams,” his recent documentary about German industrial designer Dieter Rams, is Hustwit’s latest venture into self-distribution. “I don’t want to be paying someone else’s overhead,” said Hustwit.
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BUENOS AIRES — Mario Vargas Llosa, the great Peruvian novelist, once wrote that reality in Latin America is too compelling to ever be ignored in its fiction. Yet, as WWII raged, Jorge Luis Borges, perhaps the greatest of Argentine writers, pointedly published “Ficciones,” fantasy tales, often philosophical speculation given narrative form. If this year’s PCI
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Clément Cogitore’s “Braguino,” Meryem Benm’Barek’s (pictured) “Sofia” and Marie Losier’s “Cassandro the Exotico!” are among the 12 recent French movies which will play as part of the Young French Cinema Program organized by the Cultural Services of the French Embassy in the U.S. and UniFrance. “Braguino” is a documentary feature about two feuding families living
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In today’s film news roundup, Andy Garcia’s spy thriller is sold, “Battlestar Galactica” gets a screenwriter, and Brooklyn Decker gets an award. ACQUISITION Gravitas Ventures has acquired North American rights to spy thriller “Against the Clock,” starring Andy Garcia, Dianna Agron (“Glee”), and Justin Bartha, Variety has learned exclusively. The film, formerly titled “Headlock,” is
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