Movies

Jason Blum scored at the Golden Globe nominations on Thursday. The super producer’s projects picked up seven nominations, including a best motion picture, drama nod for “BlacKkKlansman” and a best limited series nod for HBO’s “Sharp Objects.” “It’s been a great morning for us,” Blum told Variety. “At Blumhouse, we focus on making relevant stories that
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December 6, 2018 11:11AM PT 20th Century Fox Film producer Kira Goldberg is departing the West Los Angeles lot leading up to Disney’s upcoming takeover of the studio. Goldberg, who has a long-standing relationship with departing Fox Film CEO Stacey Snider, is moving to a production role in Netflix’s original film group, two individuals familiar
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Nominations for the 76th annual Golden Globes were announced on Thursday morning, and going hand in hand with nods for the year’s best in film are the five contenders for original song in a motion picture. The star-studded category is comprised of Kendrick Lamar (“Black Panther”), Dolly Parton (“Dumplin’”), Annie Lennox (“A Private War”) Troye Sivan (“Boy Erased”),
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Since Bill Duke the Sundance Special Jury-prize winning film “The Killing Floor” (1984), the multi-hyphenate talent has rarely been out of sight on screens big and small. In the ’90s, Duke directed acclaimed crime films focused on black themes and characters, including the Cannes Fest competitor “A Rage in Harlem”; “Hoodlum,” with an enviable cast
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Below-the-line department heads who have the opportunity to work together on more than one film often develop a kind of communications shorthand. For production designer Franco-Giacomo Carbone and costume designer Lizz Wolf, “Creed II” marks their fourth collaboration — a relationship that began with 2008’s “Rambo.” This worked to the great advantage of the eighth
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Once upon a time, the quintessential foreign-language film submission was a sweeping epic or something to do with WWII. No longer. More challenging and topical pictures have been entered and ultimately rewarded. Think of last year’s Chilean winner, “A Fantastic Woman,” centered on a transgender character.Among this year’s submissions from 87 countries are at least
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Reality series aficionados may recognize drag performer D.J. “Shangela: Pierce from his tenure as a two-time contestant on the Emmy Award-winning hit “RuPaul’s Drag Race,” as well as “RuPaul’s Drag Race All Stars,” but thanks to a small but plum role as a drag bar emcee-cum-bar owner in “A Star Is Born,” he’s drawn in
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December 6, 2018 10:01AM PT Timothee Chalament is on board to play one of the leads in Wes Anderson’s next live action feature, “The French Dispatch.” Bill Murray, Tilda Swinton, Frances McDormand, Benicio del Toro and Jeffrey Wright are also on board. Murray, McDormand and Swinton have appeared in several Anderson films. Anderson is writing and
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A breakout star in “Roma,” first-time actress Yalitza Aparicio went from small-town schoolteacher-in-training to snagging a lead role in director Alfonso Cuarón’s autobiographical movie about his formative years in Mexico. Aparicio plays Cleo, based on the director’s childhood nanny. “It’s kind of incredible that I’ve had this experience,” she says, “because not everybody starts this
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December 6, 2018 2:12AM PT ‘Sweet Country,” the tale of an Aboriginal man who shoots a white man in self defense, swept the major awards at the Australian Academy of Cinema and Television Arts (AACTA) Awards. The film collected the best film award, and the best director award for Warwick Thornton. In other major categories,
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Chinese production and distribution company, HY Media has picked up mainland China distribution rights to blockbuster Indian film “2.0.” Starring South Indian superstar, Rajinikanth, the film was by some measures the highest grossing movie in the world last weekend. “2.0” is understood to be the first Rajinikanth-starring film released in China in recent times. Indian
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Singapore firms, Aurora Media and Darpan Global have teamed to set up best-selling Indian novel “Pilgrims in the Dark” (“Timirpanthi”) as a feature film. The companies previously optioned film rights to the Gujurati-language novel by Dhruv Bhatt. Award-winning playwright and director Dakxin Bajrange is now attached to direct the thriller from a screenplay written by
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December 5, 2018 5:04PM PT Twentieth Century Fox has partnered with New Regency to buy supernatural horror project “The Patient Who Nearly Drove Me Out of Medicine” and set it up with Ryan Reynolds and Vertigo Entertainment. Reynolds will produce through his Maximum Effort production company along with Roy Lee and Jon Berg through Vertigo.
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Boutique distribution company Juno Films has acquired exclusive U.S rights to “Ever After” (“Endzeit”), a feminist zombie apocalypse road movie hailed as delivering a fresh take on the walking dead cannon. The deal was negotiated between Elizabeth Sheldon, Juno’s CEO and co-founder, and Andreas Rothbauer, founder of Berlin-based Picture Tree International, “Ever After’s” sales agent.
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“Sicario: Day of the Soldado” director Stefano Sollima is in talks to direct Paramount’s adaptation of the Tom Clancy novel “Without Remorse” with Michael B. Jordan starring as operations officer John Clark. Paramount hopes to launch a franchise with Jordan based on the Clark character. Jordan is currently attached to “Without Remorse” and “Rainbow Six,” which
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FILMS AND PERFORMANCES (antiquated) Augmented Reality (Director and screenwriter: Christine Marie, Producer: Nion McEvoy) — Visual intimacy, ontological form, in real-time. Pioneering the use of a non-digital, reinvented, pre-cinematic stereo imaging technique, the exquisite ensemble of dancers seems to do the impossible — reach out. The vivid choreography and score leave a lasting impression within
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Hassen Ferhani’s “Kilometers 60” won the €20,000 ($22,700) post-production prize Wednesday at Marrakech Film Festival’s Atlas Workshops, a four-day fast-track program for 14 projects from Africa. The Atlas Workshops, one of the key innovations of this year’s festival, were sponsored by Netflix and coordinated by Remi Bonhomme (pictured), program manager of the Cannes’ Critics’ Week.
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For the first 10 minutes of dystopian sci-fi saga “Mortal Engines,” a blessedly enjoyable interval before you start to realize just what a long slog you have in store, director Christian Rivers stages a most unusual chase sequence. In this chase, the pursued is a small mobile mining town called Salthook, constructed to fold itself
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