Movies

Warner Bros. has bought the RatPac-Dune Entertainment library, consisting of 15% to 25% stakes in each of 76 films that the RatPac co-financed, including 2017’s “Wonder Woman” and 2013 Oscar winner “Gravity.” The library was generated by RatPac with the studio through a five-year slate deal. Other notable titles included in the deal include “It,”
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2018’s movie business hit all-time benchmarks of $11.9 billion in North America and $41.7 billion globally, with Disney taking in nearly a fifth of that figure. ComScore announced the official 2018 final figures Wednesday with Disney taking in $7.33 billion globally last year — the second-biggest year for a studio in industry history, behind only
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[SPOILER ALERT: The following interview contains some details about the end of “Transformers” prequel “Bumblebee.”] Christina Hodson could be one of the busiest young screenwriters in Hollywood. Her “Transformers” prequel “Bumblebee” has generated $157 million at the global box office during a crowded holiday frame. After fears of franchise fatigue for a saga that seemed
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Kevin Smith has launched pre-production on his long-promised  “Jay and Silent Bob” reboot with Jay Mewes and producer Jordan Monsanto. Smith, who first announced the project in August, 2017, made the announcement in Jan. 1 tweet: “Spent the first day of 2019 having a #JayAndSilentBobReboot pre-pre-production meeting.” Smith and Mewes made their film debut in
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Spain’s box office dipped slightly last year, edging down 1.9% in theatrical revenues and 2% in admissions, according to a Comscore report published Wednesday. In all, Spain’s B.O. gross came in at €585.7 million ($673.1 million), with 97.7 million cinema tickets sold. “Jurassic World: Fallen Kingdom” from Universal Pictures Intl., which dominated last year in
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Theatrical box office in Hong Kong grew by nearly 6% in 2018. Gross takings hit HK$1.96 billion, compared with HK$1.85 billion in 2017, in local currency terms, according to data from Hong Kong Box Office Ltd. As the Hong Kong dollar is closely pegged to the American currency, most of that gain can be translated
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Director Bi Gan’s dreamy pseudo-noir “Long Day’s Journey Into Night” defied the odds stacked against art house fare at China’s commercial-leaning box office to take in a whopping $37.9 million on its opening day December 31. That beat even superhero blockbuster “Venom” in both pre-sales and first day mainland box office tallies. The haul — achieved
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How much difference a year makes! Early last December, around the time critics’ groups do their annual awards voting, if you’d asked me to make a list of the 10 best Netflix original films of 2017, I could’ve named two contenders — Sundance winner “I Don’t Feel at Home in This World Anymore” and Noah
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There may not be any more eggnog to drink or mistletoe to stand under, but don’t despair — Hulu is coming in clutch with over 200 new titles arriving to the streaming service next month. Ease into the new year by rewatching classics like “Beetlejuice,” “Heathers” and “Rain Man,” or snuggle up with a bowl of
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December 31, 2018 2:10PM PT The French Revolution gets a stultifyingly formulaic treatment in this star-filled re-creation of the momentous years from the fall of the Bastille to the death of Louis XVI. It’s impossible to imagine a more ploddingly old-fashioned account of the French Revolution than “One Nation, One King,” a film desperate to
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The holidays might be over, but Netflix has a quick fix for the back-to-work blues. Sing along to your favorite Beatles songs in “Across the Universe” or laugh along with the Joker as he tries to thwart Batman in “The Dark Knight” when both arrive to the streaming platform next month. A couple classics are
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“…the curious feeling swam through him that everything was beautiful there, that it would always stay beautiful there…” At one point in Francesco Rizzi’s coolly assured, impressive debut “Cronofobia,” which picked up a first feature competition jury prize in the Tallinn Black Nights Film Festival, a raspy but sonorous voice reads out Charles Bukowski’s poem “Nirvana”
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Don Lusk, an animator behind “Alice in Wonderland,” “Peter Pan,” and many more classic animated Disney movies, died Sunday morning, according to a Facebook post by Ed Asner’s daughter, Navah Paskowitz-Asner. He was 105. Lusk’s 60-year career touched countless classic works from Disney, where his career began in 1933. There he worked his animation magic
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December 31, 2018 10:53AM PT Simon Lereng Wilmont’s deservingly Oscar-shortlisted doc evocatively filters Russo-Ukrainian conflict through the shifting perspective of a pre-adolescent boy. There’s rueful misdirection in the title “The Distant Barking of Dogs,” even if it isn’t strictly inaccurate: For much of Danish docmaker Simon Lereng Wilmont’s stoically compassionate fly-on-the-wall wartime portrait, a steady
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Alfredo Calvino’s Habanero Film Sales has snapped up two dramas by Bolivia’s Gory Patiño, “The Goalkeeper” and “Pseudo,” after spotting them at Ventana Sur. “Habanero’s motto is ‘Awesome stories from Latin American & Caribbean filmmakers.’ We are always looking for films anchored in great storytelling; fresh and unusual perspectives that touch on important issues that
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Film-score buffs had a bonanza of riches to choose from in 2018 — notwithstanding the fact that the soundtrack business is almost unrecognizable from what it was even a decade ago. Instead of farming out their new scores to the traditional soundtrack labels, most studios now retain them for their own in-house labels and generally
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With its jury prize at the Cannes Film Festival, Nadine Labaki’s “Capernaum” made history, and with its current Golden Globes nod for best foreign language motion picture, the film is on its way to marking further milestones. “Capernaum” is on Oscar’s shortlist for foreign-language film, with nominations to be unveiled Jan. 23. The Globes ceremony
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