Movies

China’s Dalian Wanda group has denied reports that it is seeking to sell a minority stake in Legendary Entertainment, the production company behind “Pacific Rim” and the revived “Godzilla” and “Jurassic World” franchises. The Reuters news agency reported on Friday that the beleaguered Chinese group was exploring the possibility of selling a minority stake in
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Lila Avilés snagged the top prize at Friday night’s Morelia Intl. Film Festival closing ceremony with her debut feature, “The Chambermaid” (“La Camarista”), which world premiered at Toronto. It also took the Warrior of the Press award. “Llegamos! Llegamos!” (“We made it! We made it!”), screamed Avilés all the way from her seat to the
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Despite waves of critical adulation in the wake of its Venice Film Festival premiere two months ago, Alfonso Cuarón’s latest film “Roma” — the director’s most personal work to date — admittedly has a few on-paper hurdles to clear on its way to potential Oscar glory. First, it’s a foreign-language film; only 10 such films
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“A Bread Factory,” written and directed by Patrick Wang, is a drama that tickles your spirit in a special, buoyant way. It’s set in the small town of Checkford, N.Y. (it was shot in the picturesque historical village of Hudson), and though Wang has conceived the film as an epic — it’s four hours long,
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October 26, 2018 2:35PM PT Saho Sasazawa (1930-2002) could well be the Japanese writer whose work has been most adapted to TV and film. He’s had over 380 production credits in Japan related to his writing and help define the samurai cum western genre that saw its fulfillment in “The Magnificent Seven,” a remake of
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One of the many tall, slender, handsome guys who populate (and in some cases over-populate) Japanese TV dramas and films, Hiroki Hasegawa is also not the usual model-turned-actor. After graduating from Tokyo’s Chuo University, he joined the famed Bungei-za theater company, an incubator of acting talent for generations, and appeared in productions by renowned stage
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Calls for greater female representation and advancement are being made loudly in the West, and latterly in Japan. The Tokyo International Film Festival claims to be listening. Major film festivals have long been male-dominated, with relatively few women among the top ranks of festival directors, programmers and, in the competition sections, filmmakers. Tokyo is no exception:
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October 26, 2018 1:46PM PT Heather Tsui’s impressive debut tells an uplifting, family-friendly tale from the indigenous Tao community of Taiwan Ethnography and entertainment are neatly mixed in “Long Time No Sea,” an uplifting drama set among the indigenous Tao community from Orchid Island in Taiwan. Based on life experiences of first-time feature writer-director Heather
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MORELIA, Mexico – Miami-based FiGa Films has sold Berlinale Teddy Award-winning docu “Bixa Travesty” to French arthouse distributor Arizona Films at Morelia. The Brazilian docu-feature world premiered at this year’s Berlinale before participating in more than 100 festivals. It opened the 16th Morelia Int’l Film Fest’s Sexual Diversity+ Program, curated by Antonio Harfuch. “With this first
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Animation Guild members have ratified a three-year successor deal to their film and TV contract by a vote of 868-213, for an approval rate of more than 80%. Of the guild’s 3,695 eligible members, 1,081 cast ballots. Terms of the contract, which are retroactive to July 29, 2018, are equivalent to those in the new
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The jury of the Tokyo International Film Festival expressed warm greetings and happy feelings about a week of movie-watching in the Japanese capital. But the tone changed noticeably when confronted with the question of the position of women at film festivals, and what are festivals’ responsibilities towards women. Comprised of Philippines director Brillante Mendoza, Iranian
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MORELIA, Mexico – “Chivas – the Movie,” the first full-length feature documentary about Mexico’s 112-year old Chivas soccer team held its world premiere Thursday, Oct. 25, at the 16th Morelia Int’l Film Festival. Chivas fans, some wearing the iconic red and white striped Chivas jerseys, crowded the Cinepolis theatre complex in downtown Morelia to cheer
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Despite its selection as Germany’s entry for the Oscars and a glitzy premiere at the Venice Film Festival, Florian Henckel von Donnersmarck’s “Never Look Away” is struggling to get viewers to look at it on home ground. Henckel von Donnersmarck won an Oscar in 2007 for his freshman feature outing, the critically acclaimed East German
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Some movies obsess about saving the world — from natural disasters, supervillains, and other things that might destroy us all. In its own modest but no-less-ambitious way, Antonio Méndez Esparza’s “Life and Nothing More” narrows that concern to a single individual, detailing what it would take to rescue a 14-year-old boy from being swallowed up
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