Movies

October 1, 2018 12:09PM PT Sam Claflin is set to star in Sony’s “Charlie’s Angels” reboot, sources tell Variety. Claflin is reteaming with his “Hunger Games” co-star Elizabeth Banks, who is directing and starring as one of the Bosley characters. Patrick Stewart and Djimon Hounsou will play the other two Bosleys. Kristen Stewart, Naomi Scott, and
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Halloween is on the horizon, and Netflix is getting ready by adding a host of new horror flicks to the streaming platform this October. “The Shining” will be available starting Oct. 1. Later in the month, “Truth or Dare” with Lucy Hale and Tyler Posey, along with “The Haunting of Molly Hartley” and the Netflix
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October 1, 2018 10:57AM PT Members of the Hollywood Teamsters and four other Basic Crafts Unions have ratified a three-year successor deal to the current master contract. “Teamsters Local 399 are pleased to announce that the Membership covered under the “Black Book” Agreement have ratified their contract,” the union said on its web site. “We
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Studiocanal has acquired the library of Quad, the Paris-based production company behind Eric Toledano and Olivier Nakache’s French comedy blockbuster “The Intouchables.” Besides “The Intouchables,” Quad’s library includes other films by Nakache and Toledano, such as “Samba” with Omar Sy and Charlotte Gainsbourg and “Nos Jours Heureux,” as well as Alexandre Coffre’s “Eyjafjallajökull” starring Dany
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Zhang Yimou’s moody, monochrome, action drama “Shadow” is the strong favorite in the annual Golden Horse Awards race. The awards, operated from Taiwan, celebrate the best films in Chinese language variants. “Shadow,” which premiered in prestigious slots in the Venice and Toronto film festivals last month, collected 12 nominations. These included nominations for best film
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October 1, 2018 3:43AM PT L.A.-based indie distributor Cinema Epoch has acquired U.S. rights to “Penance,” the English and Irish-language movie about a priest confronting his past as a firebrand preacher promoting violence against British rule in Northern Ireland. Tom Collins helmed the picture, which is produced by his Derry-based De Facto Films and Edwina
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When Christians use cinema to share the conviction of their beliefs, we get what is known as a “faith-based movie.” But what do we call the opposite? What can be made of a film born of skepticism, which approaches religious institutions from a place of fundamental doubt, further complicating the matter through the inclusion of
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“Free Solo,” National Geographic’s exhilarating adventure documentary about the first free solo rock climb of Yosemite’s El Capitan, notched the best screen average of the year to date. It picked up $300,804 when it debuted this weekend on four screens, translating to $75,201 per location. That distinction previously belonged to Bo Burnham’s “Eighth Grade.” The
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Even an adorable Yeti was no match for the comedic team of Tiffany Haddish and Kevin Hart. Universal’s comedy “Night School” topped the domestic box office with $28 million from 3,010 locations. Fellow newcomer “,” Warner Bros.’ animated family film, came in close behind with $23 million when it launched in 4,100 venues. The two
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From Vietnam to the Iraq War, Hollywood has struggled to find the appropriate way to depict ongoing wars, typically taking years, if not decades, to put the proper perspective on modern political quagmires. In the case of such conflicts as the Arab Spring and the Syrian civil war — front and center in “A Private
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SAN SEBASTIAN — Isaki Lacuesta’s “Between Two Waters” won big at San Sebastian Saturday night, taking its top Golden Shell, the second time the Catalan director has won the award, after 2011’s “The Double Steps.” Otherwise, the big winner of the night was Benjamin Naishtat’s covert violence thriller “Rojo,” which took director, actor (Dario Grandinetti) and cinematography
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