Movies

“Evil Does Not Exist,” the new film by the Oscar-winning auteur Ryūsuke Hamaguchi, has sold to several additional territories. The film will world premiere in competition at the Venice Film Festival, will have its North America premiere as a special presentation at Toronto, and will go on to screen at New York and San Sebastian.
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Sisterly love ruled at Chile’s 19th Santiago International Film Festival (Sanfic), which wrapped on Aug. 27 where female directors and actors clinched the top prizes.    Israeli-Ukrainian drama “Valeria is Getting Married” by Michal Vinik and Kattia Zuñiga’s “Sister & Sister” snagged the preeminent Chilean festival’s best film plaudits, adding to their trove of accolades since their
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The Oscar race got a shake-up this week with Warner Bros. officially moving “Dune: Part Two” to 2024. It’s a game changing move that could benefit the summer’s second-highest blockbuster “Oppenheimer.” The two seemed destined to dance at the upcoming Academy Awards in several artisan races. I should note, I agree with the move by
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It’s official: Adam Driver, Caleb Landry Jones, Mads Mikkelsen and Jessica Chastain are among the stars set to attend the upcoming Venice Film Festival. Following multiple unsourced reports, the festival has confirmed that Driver is expected on the Lido’s red carpet to promote Micheal Mann’s “Ferrari,” in which he plays the titular character, Italian car
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There’s no stopping “Barbenheimer.” On Monday, “Barbie” will overtake “Harry Potter and the Deathly Hallows Part 2” as the highest grossing global release in the history of Warner Bros. Over the weekend, it earned $18.2 million from 12,852 screens in 75 international territories, to push its worldwide gross to a smashing $1.34 billion. And it’s
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How does one make a documentary about David Bowie, a prolific musician who frequently reinvented himself as a performer, sound great? That was the challenge facing the Emmy-nominated sound crew behind Brett Morgen’s “Moonage Daydream.” “He’s a unique artistic genius,” points out re-recording mixer David Giammarco. “How do you do something like we’ve never seen
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Miles Morales encounters an array of new Spider-People in “Spider-Man: Across the Spider-Verse,” including Daniel Kaluuya’s Hobart “Hobie” Brown (aka Spider-Punk). While Spider-Punk plays an integral part in the sequel, as well as became a fan-favorite due to his carefree attitude and spiky mohawk, writer-producers Phil Lord and Chris Miller revealed in an interview with
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Move over “Barbenheimer”: Spain has a new box office phenom: Javier Fesser’s “Championext” (“Campeonex”), his sequel to “Champions,” Spain’s biggest hometurf box office hit of the last seven years which sparked a Woody Harrelson U.S. remake directed by Bobby Farrelly. Produced by Luis Mansó for Películas Pendleton and Alvaro Longoria for Morena Films, “Championext” is
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Tuesday Weld’s 80th birthday on August 27 is a valid excuse to remind all cinephiles of the wondrous work of one of American cinema’s most gifted and enigmatic actresses. And a reminder is desperately needed because over the six decades of her original, fearless, often lacerating performances in film and television, Weld’s reluctance to promote
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“You’re So Not Invited to My Bat Mitzvah” is the sophomore feature from “Crush” director Sammi Cohen, but the film is very much focused on a specific junior high experience familiar to Jewish kids and their friends: the Bat Mitzvah, a coming-of-age ceremony (usually accompanied by a big party) to mark the transition into adulthood.
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The classic Harold Lloyd comedy “Safety Last” is turning 100 years old this year. But with its heavy dollops of action and a superstar’s real-life derring-do, it doesn’t seem a day over 10, even if it does date back to the silent era. The film screens this Sunday as the climax of the Academy Museum’s
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It takes place on a sugar plantation, but Ena Sendijarević’s magnificently composed, eerily satirical “Sweet Dreams” has something more like acid flowing through its veins. Acid — or maybe formaldehyde, given the embalmed pallor of the dysfunctional Dutch colonial family whose values are so elegantly dissected within it. In only her second feature, after the
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Chilean cinema continues to see traction on Prime Video with “S.O.S. Mamis 2: Mosquita Muerta” bowing Aug. 2 to become the most-watched movie of any nationality on the streamer in Chile. The comedy, available worldwide to 240 territories, builds on the success of the original, “S.O.S. Mamis,” the most seen title on Prime Video in
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Altered Innocence has acquired distribution rights for a new 2K restoration of the late French director Paul Vecchiali’s 1972 giallo “The Strangler” (“L’Étrangleur”). The company will release the film in the United States for the first time this fall following screenings at the Austin genre event Fantastic Fest and the New York Film Festival. The
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On a football field somewhere in New Orleans, a thunderstorm was brewing, and the cast and crew of the lesbian teen sex comedy “Bottoms” grew worried as they watched each other’s hair point skyward from the electric charge in the air. “Okay, we should get off the field because I feel like lightning may strike,”
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First Hand Films has taken international sales rights to German director Julia Fuhr Mann’s documentary “Life Is Not a Competition But I Am Winning,” which will premiere in Critics’ Week at the Venice Film Festival. Variety is debuting its trailer exclusively. The film is about gender in athletics – including the issue of transgender athletes
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Veteran actor Patricia Clarkson thinks it’s time for her “Monica” co-star Trace Lysette to play the love interest of the “hot guys in Hollywood.” “The next big step is to play opposite Brad Pitt,” she tells Variety. “It’s time for her to be the love interest of these stars. It’s where she belongs.” The two
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Memento International and Anonymous Content have boarded “Woman Of,” a bold Venice competition entry written and directed by Małgorzata Szumowska and Michał Englert. The film is a pioneering trans drama set in against the landscape of the Polish transformation from communism to capitalism. “Woman Of” stars Małgorzata Hajewska-Krzysztofik as Aniela Wesoły, who lived more than
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Growing up in Israel, Guy Nattiv knew one narrative about Golda Meir, the country’s prime minister from 1969-1974. “She was the pariah of Israel,” says Nattiv. “Everyone treated her like she’s a monster.” Unlike other historical figures, there were no parks or schools named after Israel’s first (and only) female prime minister. The vitriol stemmed
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