Movies

“Emily” star Emma Mackey has joined the cast of “Hot Milk,” the adaptation of the bestselling novel by Deborah Levy. The BAFTA winner will lead the cast alongside Fiona Shaw (“Killing Eve”), Vicky Krieps (“Corsage”), Vincent Perez (“Shantaram”) and Patsy Ferran (“Living”). HanWay Films has worldwide sales rights and will shop the pic to buyers

Film Soho, official partners of the Cannes Film Market and Cannes Next, has revealed the speakers for the fireside chat at this year’s Global Virtual Production Summit. The opening event, to be held on May 18, will feature “1899” cinematographer Nik Summerer, BAFTA-winning and Oscar-nominated visual effects supervisor at ILM, David Vickery (“Avatar: The Way

Sarah Snook is pregnant in real life — and in HBO’s “Succession” — but in “Run Rabbit Run,” she plays a mother and fertility doctor who is frightened by her young daughter’s inexplicable memories of a past identity. The Australian thriller from director Daina Reid and writer Hannah Kent released its first trailer as the

Warwick Thornton’s “The New Boy” has been set as the opening title of next month’s Sydney Film Festival, which will celebrate its 70th edition, June 7-18. The film, a tale of sprituality and survival in 1940s Australia, starring Cate Blanchett, Deborah Mailman, Wayne Blair and Aswan Reid, will also play in the festival’s competition section.

Does chronic Lyme disease exist? That’s the question that haunts “The Quiet Epidemic,” Lindsay Keys and Winslow Crane-Murdoch’s worthy and provocative documentary about the highly controversial syndrome. (The movie premieres on VOD on May 16.) The filmmakers argue, with unflinching advocacy and some very good reporting, that chronic Lyme disease most definitely exists. Among other

Larry Poland, the founder of Mastermedia International, died on May 3 in Illinois after suffering a stroke. He was 83. Poland founded Mastermedia to serve as “a trusted voice of faith to the mainstream media leaders.” Mastermedia teams in Hollywood and New York cultivate relationships with industry pioneers through conversation, consulting and support. The organization

Endeavor has big financial plans for the rest of the year as the company announced Tuesday it will declare its first dividend and begin its first stock buyback program as it awaits its acquisition of WWE and sale of IMG Academy. Endeavor delivered solid first quarter results on Tuesday, powered by growth in its owned

In a leadership shakeup, Sister Global CEO Stacey Snider is stepping down from her role at the media company. It’s a surprise move given Snider’s high profile, her extensive relationships throughout the entertainment industry and the fact that she was prolific in getting projects off the ground during her nearly four years (many of them

Few films at Cannes this year have indie pedigree and star power behind them like “May December,” Todd Haynes’ examination of a cross-generational couple who caused a tabloid scandal and the actress studying their family to portray the woman in a forthcoming movie about their lives. Julianne Moore and Natalie Portman lead the way, but

Whether or not you say his name three times, Beetlejuice is returning to movie theaters next year. Warner Bros. has announced that “Beetlejuice 2” will be released on the big screen on Sept. 6, 2024. It opens on the same day as Marvel’s “Blade,” a comic book adventure starring Mahershala Ali. Otherwise, there’s not much currently set

Negotiators for the Directors Guild of America on Tuesday gave a video preview of their upcoming talks with the studios, saying they are “fighting to receive our fair share of the new, global future.” The DGA begins its round of bargaining on Wednesday with the Alliance of Motion Picture and Television Producers. The guild is

“Those About to Die,” AGC Television’s upcoming gladiator series from Roland Emmerich, stars Anthony Hopkins and boasts a cast drawn from across Europe and the Middle East. It’s also financially innovative.  Rather than rely on a single, deep-pocketed streamer to write the check for the pricey series, budgeted at $145 million for the first season,

To this day, Stuart Ford’s mother would prefer that her son had used his Oxford University degrees to build a career as a top lawyer or as a member of the U.K. parliament, representing the left-leaning Labour Party.  But if the career choice of the founder of indie powerhouse AGC Studios is a source of

The birth of the hip and naughty Irish-language rap group Kneecap will be portrayed in a raucous anti-establishment comedy penned and directed by Rich Peppiatt (“One Rogue Reporter”). The film, which wrapped shooting this month, features the eponymous trio (Mo Chara, Móglaí Bap and DJ Próvaí) who play heightened versions of their own lives against

Joe Russo is sounding the alarm about artificial intelligence. Six days before the Writers Guild of America (WGA) called for a strike, I spoke to Joe Russo at the Los Angeles premiere of “Citadel” about his concerns regarding AI. The use of AI has become a major point of contention between the guild and Alliance

Paris-based company Indie Sales has acquired Teddy Lussi-Modeste’s topical third feature, “The Good Teacher,” co-written by “Happening” filmmaker Audrey Diwan. François Civil, the French star of “The Three Musketeers” and “The Wolf’s Call,” stars as a young teacher wrongfully accused of sexual misconduct by a teenage girl from his class. As he faces mounting pressures

“My Life As a Zucchini” director Claude Barras has set up his latest stop-motion animated feature, “Savages!” Production company Gebeka International — a Hildegarde-Goodfellas company formed in 2021 — and production, financing and sales studio Anton are behind the project, which will be written by Barras and Catherine Paille (“Magnetic Beasts”). The project will be

Mantícora Distribución has acquired the vampire story “While the Masters Sleep” by Santiago Alvarado Ilarri for international sales.  The film – which will also mark the debut of Spain’s La Mala Compañia, the result of a partnership between Magno Entertainment and MSP –will be presented in Cannes as one of the Gala Screenings at the Fantastic Pavilion,

The Fantastic Pavilion, a new hub for the genre community set to make its debut at this year’s Cannes’ Marché du Film, has revealed its seven Gala screenings. Over May 16-21, industry professionals will get to “appreciate the diversity of genre offerings coming from all over the world,” tease the organizers. They will also be able to

On Wednesday, the Directors Guild of America will begin negotiations with the major Hollywood Studios. We’re going to fight — no matter what it takes — for a strong contract that treats our members fairly and allows us to share in the success of an evolving entertainment industry. We know this will be a difficult

MARKET The Cannes Film Market has launched Cannes Investors Circle, which will commence with a keynote introduction by Liesl Copland, Participant’s executive VP, content and platform strategy, who will offer her perspective on the modern media landscape. The initiative will also feature a panel discussion titled Navigating Film Finance in a Changing World that aims to offer insights on

Berlin-based sales agency M-Appeal has closed a deal for German distribution rights for “Let Me Go” with Alamode Film, ahead of the film’s world premiere as the opening film of Cannes ACID sidebar next week. “Let Me Go” (Laissez-Moi), the debut feature by Swiss director Maxime Rappaz, is set in a remote Swiss mountain village,

Australia, already one of the world’s biggest hubs for international film and TV production, has increased and streamlined the ‘Location Offset’ scheme that is at the heart of its ability to attract runaway productions. The Location Offset will be increased from its current 16.5% rebate of Australian qualifying production spend, to 30%. At the same

Paul Mescal and Sharon Horgan were among the winners at the Irish Film and Television Awards. Despite Colin Farrell losing out the best actor award to Mescal, “The Banshees of Inisherin” beat out competitors to win best film. In the international category “All Quiet on the Western Front” took home the top award on Sunday

U.S. director and artist Harmony Korine, whose films include “Gummo,” “Spring Breakers” and “Beach Bum” – which stars Matthew McConaughey as a stoner poet named Moondog – is being honored by the Locarno Film Festival with its Pardo d’onore Manor lifetime achievement award. Born in Bolinas, California, in 1974, Harmony Korine broke out in the

Madrid-based Latido Films has snagged international sales rights to Isaki Lacuesta’s “Saturn Return” (“Segundo premio”) and plans to kick off pre-sales at the Cannes market. Currently shooting in Granada, the semi-biopic is set during the ‘90s when the Andalusian city was ground zero for an outburst of cultural effervescence, with the pioneering rock band Los Planetas at

Los Angeles-based sales agency MultiVisionnaire Pictures has acquired worldwide rights, outside of Japan, to “Samurai Ninja Onimanji.” The picture is a gory-fantasy-action film by Japanese VFX master, artist, and director Nishimura Yoshihiro. Nishimura is a prolific special effects artist with over 100 film credits ranging from effects work to writing and directing. Credits across the

Audiences have made their first trip under the sea for Disney’s live-action remake of “The Little Mermaid” starring Halle Bailey. With the film’s Los Angeles premiere now concluding, first reactions to the musical have begun to hit social media. Ahead of its May 26 debut in theaters, Disney unveiled footage of “The Little Mermaid” at

President Joe Biden commented on the ongoing strike by the Writers Guild of America on Monday evening, offering remarks ahead of a screening of the new Disney+ series “American Born Chinese” at the White House. President Biden’s comments drew a round of applause from the crowd, as he called for a “fair deal” to be

The desert will again be a hotbed of deceit and larceny in luxurious black-and-white as the Arthur Lyons Film Noir Festival returns to Palm Springs this Thursday through Sunday, with the quintessential noir classics “The Killing” and “Double Indemnity” bookending a marathon weekend that otherwise tends toward more rarely screened ‘40s and ‘50s titles. Several