Movies

Austin Butler will not sound like Elvis in “Dune: Part Two,” and he will soon not sound like Elvis in real life. The 31-year-old Oscar nominee announced on an episode of BBC One’s “Graham Norton Show” (Entertainment Weekly) that he is getting rid of the accent that has mystified, confused and enthralled social media for
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Dissident Iranian director Jafar Panahi has been released from Tehran’s Evin prison, his wife Tahereh Saeidi has announced in an Instagram post. Panani was released on Friday two days after announcing he was going on a hunger strike to protest still being incarcerated after Iran’s supreme court had overturned a six-year sentence issued against the
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Sarah Michelle Gellar confirmed during a recent visit on “Watch What Happens Live” that 2002’s live-action “Scooby Doo” movie shot and cut a “steamy” gay kiss between her character, Daphne, and Linda Cardellini’s Velma. The film also starred Matthew Lillard as Shaggy and Freddie Prinze Jr. as Fred. Gellar said all four actors signed onto
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Director M. Night Shyamalan’s newest twisty thriller “Knock at the Cabin” is barging into its opening weekend with $1.45 million in previews at the domestic box office. The previews came from from 3,000 domestic theaters, and the film will expand to 3,643 locations on Friday. Shyamalan’s most recent movie, 2021’s “Old,” opened slightly higher with $1.5 million
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Taylor Lautner said on a recent episode of “The Toast” podcast that his relationship with Robert Pattinson was “definitely” impacted by the rivalry between their “Twilight” characters, the vampire Edward Cullen (Pattinson) and the werewolf Jacob Black (Lautner). The “Twilight” fandom created a massive frenzy over the rivalry, with “Team Jacob” and “Team Edward” merchandise
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Nino Rota’s soundtrack for Federico Fellini’s 1976 film “Il Casanova,” which is getting a re-release via Italian record label CAM Sugar, has been a favorite of Alexandre Desplat’s ever since the Oscar-winning French composer first listened to it at 15 years old. The magnificently staged film stars Donald Sutherland as the legendary 18th-century Venetian adventurer
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The theatrical market across the Nordics recovered in 2022 without reaching pre-pandemic levels, driven predominantly by U.S. fare, such as “Top Gun: Maverick,” the biggest hit in Denmark, Finland and Sweden, “Minions: The Rise of Gru” No 1 in Iceland, and “Spider-Man: No Way Home” No 1 in Norway.  As always Danish movies secured the
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India’s Reliance Entertainment, a producer on Steven Spielberg’s “The Fabelmans,” has pacted with T-Series and Anubhav Sinha’s Benaras Mediaworks to distribute Sudhir Mishra’s “Afwaah,” Sinha’s “Bheed” and Hansal Mehta’s “Faraaz” internationally. First up is Mehta’s hostage drama “Faraaz,” starring Zahan Kapoor, Aditya Rawal, Juhi Babbar Soni, which releases Feb. 3. The film, which had its
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The Joburg Film Festival defiantly went ahead with a screening of Ousmane Sembène’s “Black Girl” on Thursday, refusing to bow to political pressure after South Africa’s Film and Publications Board (FPB) denied it permission to hold a public screening of the Senegalese director’s groundbreaking debut. In a decision that shocked festival organizers and many of
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“” stars Alison Brie and Danny Pudi, who recently reunited for rom-com “Somebody I Used to Know,” are ready to get started on the sitcom’s much-anticipated film extension. At the “Somebody I Used to Know” premiere on Wednesday, Brie told Variety she hopes the film shoots this year. “I’m clearing that schedule,” Brie said. Pudi
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“The fortune you’re looking for is in another cookie,” reads one of the many custom fortune cookie messages featured in “Fremont,” a lovely, low-budget mood piece with a hypnotically deadpan temperament, which flew largely below the radar at the 2023 Sundance Film Festival. While Iranian filmmaker Babak Jalali’s easygoing fable-like movie serves up such oracular
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As a producer on Amazon Prime Video’s “The Boys,” Seth Rogen has a hand in one of television’s most popular comic book properties. In a new interview with Total Film magazine, Rogen admitted that “The Boys” would “not exist or be interesting” without the Marvel Cinematic Universe, but that doesn’t mean he watches Marvel movies.
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It’s not Andrea Riseborough’s fault that zero Black women were nominated for best actress this year. Still, with no such representation for the second consecutive year, the “To Leslie” star’s surprise inclusion is far more pronounced. Through a grassroots effort made up of predominantly white acting peers, Riseborough’s managing and publicity teams orchestrated a concentrated
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Yellow Veil Pictures announced it has boarded world sales on Larry Fessenden’s upcoming horror film “Blackout,” and also released the film’s first teaser poster. The film, which is currently in post-production, will begin the festival circuit later in 2023 after finishing its photography in Hudson Valley, New York this past fall. “Blackout” depicts a painter
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Xavier Legrand, whose 2017 feature debut “Custody” won two prizes at Venice and swept four Cesar Awards, is back with “The Successor.” The anticipated sophomore outing has been boarded by mk2 films (“Portrait of a Lady on Fire”) which will launch sales at the European Film Market. “The Successor” will star Marc-André Grondin (“C.R.A.Z.Y.”) as
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James Cameron teased in December he had performed a scientific study to prove once and for all that the ending of “Titanic” made sense. Fans have debated for over two decades whether or not Leonardo DiCaprio’s Jack could have survived by floating on the makeshift door raft with Kate Winslet’s Rose. The scientific study is
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HanWay Films is launching worldwide sales at the upcoming European Film Market (EFM) at Berlin on gothic horror film “Virtue.” The film stars Emmy-winning actor Nikolaj Coster-Waldau (“Game of Thrones”) and BAFTA nominated Romola Garai (“Becoming Elizabeth”). It is directed by Joanna Coates, who won best British feature at the Edinburgh Film Festival for “Hide
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The cringe-inducing rushes comprising the documentary portrait “Rewind and Play,” carefully stitched together from a decades-old French TV interview with American jazz pianist Thelonius Monk, are supposed to make your skin crawl with discomfort. And it’s supposed to not fit inside the neat little pre-packaged format box for consumer-ready documentaries.  In his 65-minute film which
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