Movies

“Caravaggio’s Shadow,” “Charlotte” and “Goya, Carrière and the Ghost of Buñuel” feature in the 15-film lineup of 2023’s second edition of ARCA Intl. Festival of Films on Arts, 2023, which opens Jan. 2 with the world premiere of “The Children of the Mountain,” a doc-feature portrait of Uruguayan sculptor Pablo Atchugarry from Mercedes Sader, director
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Neal Jimenez, a screenwriter and filmmaker whose credits include “River’s Edge” and “The Waterdance,” died of heart failure on Dec. 11 in Arroyo Grande, Calif. He was 62. His works were favorites on the awards circuit, attracting wins in screenwriting categories at ceremonies such as the Independent Spirit Awards and the Sundance Film Festival. Jimenez wrote
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“Avatar: The Way of Water” continues to dominate the holiday box office. James Cameron’s epic adventure has now hit the $1.17 billion mark globally, becoming the third highest-grossing film of the pandemic era, behind “Spider-Man: No Way Home” with $1.9 billion and “Top Gun: Maverick” with $1.5 billion. On Wednesday, “Avatar: The Way of Water”
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Ron Howard’s “Star Wars” prequel movie “Solo” was supposed to launch a new sector of storytelling for the long-running franchise. Young iterations of Han Solo (Alden Ehrenreich) and Lando Calrissian (Donald Glover) were introduced and intended for sequels and spinoffs, while the 2018 film also revealed that Darth Maul was still alive. None of these
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Ever since Rian Johnson’s acclaimed “Knives Out” sequel “Glass Onion” debuted on Netflix shortly before Christmas, social media users have spent a lot of time debating the Elon Musk of it all. Google “Glass Onion” and “Elon Musk” and you’ll get dozens of articles about how the “Knives Out” sequel is a “veiled dig” at
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India’s Zee Studios has revealed an extensive 2023 slate of 28 titles across languages, featuring some of the best-known names in their respective industries. The titles, which include 26 films for theatrical release, a direct-to-digital film and a streaming series, are Zee Studios productions, coproductions or acquisitions. Big ticket films include H. Vinoth’s Tamil-language heist
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A few minutes into “Alice, Darling,” audiences may be reminded of how 2020’s “The Invisible Man” opened: Anna Kendrick creeps out of bed at dawn, taking pains not to wake the partner we briefly assume she’s about to flee. But whereas that Elisabeth Moss vehicle was a monster movie given heft by its abusive-boyfriend backstory,
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Sean Astin’s performance as Samwise Gamgee represents the beating heart of Peter Jackson’s “The Lord of the Rings” trilogy. It’s an iconic performance for many fans, capped off by Astin’s powerful Mount Doom speech in which Samwise tells Frodo, “I can’t carry it for you, but I can carry you!” Suffice to say, Jackson’s “Rings”
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“Avatar: The Way of Water” has sailed past the $1.1 billion mark at the global box office. The film is also set to overtake “Top Gun: Maverick” to become the highest-grossing international release of 2022. James Cameron’s sci-fi epic added $70.4 million to its global bounty on Wednesday. That leaves it with a domestic haul
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The Mushroom Kingdom has finally hit Los Angeles, as Universal Studios Hollywood prepares to welcome visitors to Super Nintendo World, opening Feb. 17. Universal took Variety through the warp pipe for a sneak peek at the Mario land, featuring a restaurant, souvenir shop, meet-and-greet characters, interactive games and a signature ride: “Mario Kart: Bowser’s Challenge.”
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When it comes to his directorial output, James Cameron has been focused solely on the “Avatar” franchise for well over a decade now. In the 13 years since the original “Avatar” opened in theaters and became the highest-grossing film of all time, Cameron has developed four sequels and shot two of them in full (“Avatar:
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Courtney Love joined Marc Maron for an interview on the “WTF” podcast and said that David Fincher hired her to star opposite Brad Pitt and Edward Norton in 1999’s “Fight Club.” Love said she won the part of Marla Singer, eventually played by Helena Bonham Carter in the film. The “Hole” frontwoman was fresh off
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After a heartening rally in 2022 which saw Spanish movies punch some €75 million ($79.5 million) in its domestic market, after just €35 million ($37.1 million) in 2021, how will 2023 shape up for Spanish cinema? One hope is for more standout feature debuts, following on this year’s “Lullaby” and “Piggy.” Here one of the
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India’s Central Board of Film Certification (CBFC) has “advised changes” to Yash Raj Films’ “Pathaan,” the comeback film of superstar Shah Rukh Khan that also stars Deepika Padukone and John Abraham. Controversy erupted in India on Dec. 12 when the song “Besharam Rang” – literally shameless color – was released. A segment of the song
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Broadcast television is enough of a no-man’s-land right around the holidays that some old-school celebrate-the-arts programming manages to sneak in, offering the sight of very classy people in their tuxes for the benefit of those of us who haven’t gotten out of our pajamas in a couple of days. On the heels of last week’s
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Ed Helms was a familiar face from “The Daily Show” and “The Office” when he landed a role in “The Hangover” alongside Bradley Cooper and Zach Galifianakis. The 2009 comedy blockbuster launched a trilogy and, as Helms said on a recent episode of the “Conan O’Brien Needs a Friend” podcast, created a “tornado of fame”
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“Avatar: The Way of Water” not only expands the scope of Pandora’s ecological systems, it also depicts a renewed, vengeful human military with a bounty of deadly, new tools at its disposal. Between devising the culture of two warring civilizations, production designers Ben Procter and Dylan Cole had their work cut out for them on
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Paramount+ announced that “Top Gun: Maverick” became its most-watched movie globally in its opening weekend. From Dec. 22 to 25, “Top Gun: Maverick” broke records domestically as well, becoming the most-watched movie premiere for the streaming service and surpassing previous record holder “Sonic the Hedgehog 2” by 60%. The Tom Cruise-led sequel also increased viewership
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Damien Chazelle’s “Babylon” is one of the biggest box office bombs of the year, opening to just $5.3 million over the four-day Christmas weekend despite a production budget north of $80 million. Many box office pundits have cited the film’s gargantuan 189-minute runtime as one reason the Hollywood epic failed to connect with audiences. “Babylon”
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