Movies

France’s Tamasa Distribution has acquired a number of new films and classic titles, including works by Volker Schlondörff, Signe Baumane, Alain Cavalier and Jean-Louis Bertucelli. The Paris-based distributor secured Schlondörff’s new documentary “The Forest Maker,” a portrait of Australian agronomist Tony Rinaudo, who has found a way to grow trees in the most barren areas
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Brendan Fraser’s awards season with “The Whale” continued over the weekend at the Mill Valley Film Festival, where he was on hand for a screening of the film and to accept the annual event’s lifetime achievement award. Speaking to SFGATE on the red carpet (via Entertainment Weekly), Fraser issued a humorous apology to the city
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U.S. film writer and director James Gray (“Little Odessa”, “Two Lovers”, “The Immigrant”, “Armageddon Time”) drew several laugh-out-loud moments from a packed theatre during a masterclass at the Lumiere Film Festival in Lyon.   In a disarmingly honest conversation laced with humorous self-deprecation, the Venice Silver Lion Winner (“Little Odessa”, 1994) opened up about his love
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Buenos Aires-based FilmSharks Int’l has snapped up worldwide rights to Portugal’s first stop motion animated feature “My Grandfather’s Demons,” the debut animated pic by Nuno Beato. According to FilmSharks CEO Guido Rud, it was able to outbid other contenders for the toon, which had its world premiere at Annecy. “One of the hardest tasks for
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Homecoming, a patriotic rescue movie, dominated the mainland China box office for the third successive weekend. Overall numbers remained anemic in the first full week after the National Day holiday period, sometimes referred to as a ‘Golden Week’. “Homecoming” garnered $12.1 million (RMB85.6 million) between Friday and Sunday, according to data from consultancy and research
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The films of legendary Greek writer-director Theo Angelopoulos – whose “Eternity and a Day” won the Palme d’Or in Cannes in 1998 – are being screened at a two-month tribute in the Hammer Museum’s Billy Wilder Theater near the UCLA campus in Westwood. The career retrospective opened on October 14 and will continue through December
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While the Busan International Film Festival was busily hailing a return to normality the slump at South Korea’s commercial box office deepened dramatically over the most recent weekend. Cinemagoing nationwide was worth only $4.20 million between Friday and Sunday, the lowest weekend total since April and a time before Korean cinemas shed their COVID restrictions.
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Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s
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The 66th annual British Film Institute (BFI) London Film Festival announced winners Saturday evening for a competition group representing a diverse selection of stories ranging from period pieces to eerie thrillers. Writer-director Marie Kreutzer’s “Corsage,” was recognized with the festival’s highest honor — the best film award — continuing the historical drama’s festival praise after
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“Halloween Ends” slayed the box office competition, collecting $41.25 million from 3,901 North American theaters in its opening weekend. The movie had a softer start than expected (projections were closer to $50 million to $55 million) but it’s still impressive considering its simultaneous release on Peacock likely cut into ticket sales. It’s the first movie
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Jalmari Helander’s WWII action thriller “Sisu” has made good on its upbeat reception at Toronto Midnight Madness – Variety called it “outrageously entertaining” – winning the top award at this year’s Sitges – International Fantastic Film Festival of Catalonia which is showing, like genre itself, clear signs of expansion.  The over 70,000 tickets sold at 2022’s Sitges were 10%
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A restored version of Iván Zulueta’s ground-breaking 1979 film “Arrebato” (“Rapture”) is screening at the Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, thanks to Los Angeles distributor Altered Innocence and Madrid’s Mercury Films. The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how
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The Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, is celebrating its 10th edition this year with a wide-ranging program focusing on bolstering classic film distribution, the prospects of new commercial territories, film education and a focus on Spain’s heritage film sector. The MIFC, which runs Oct. 18-21, kicks off with a keynote
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Is there a better way to prove the virtue of the cinematic experience than to get 5,000 people on their feet giving a film a standing ovation?  Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.” 
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Italy’s storied Titanus studio, producers of myriad golden era Cinema Italiano works, is getting a reboot and reviving its production side with several projects in development, including a contemporary sequel of Dario Argento’s supernatural chiller “Phenomena.”  Established in 1904 by Gustavo Lombardo, Titanus was a true Italian major, which during the 1960s forged a partnership
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At a time when heritage cinema is booming – thanks to outstanding progress in conservation standards and a growth in demand – Lyon’s Lumière heritage film festival Lumière is playing a leading role in uncovering long-forgotten cinematic gems.  “Dans la Nuit” (“In the Night”), widely considered one of the last, if not the last major French silent
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Rome’s MIA, a market dedicated to international TV series, feature films, animation and documentaries, wrapped its eighth edition on Saturday on a positive note boasting a 20% rise in attendance compared with 2021, having attracted more than 2,400 registered industry execs from 60 countries, more than half of which from Italy. However, the pandemic was
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South Indian cinema A-lister Prithviraj Sukumaran is an integral part of the cast of “Salaar,” starring Prabhas (the Baahubali franchise) and directed by Prashanth Neel (the K.G.F. franchise). Though he was approached for the role more than 18 months ago, Sukumaran nearly could not do the film because he was busy with Jordan and Algeria
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“The Inspection” writer-director Elegance Bratton is living out a prayer. “I was in a homeless shelter on my way to joining the Marine Corps, give or take a few years. I didn’t even necessarily understand exactly what I was praying for,” Bratton tells Variety, thinking back to 20 years ago. “I had gotten the job
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After a 14-year uphill battle, Mexican auteur Guillermo del Toro was finally able to share his dream project with an audience as “Pinocchio” (officially titled “Guillermo del Toro’s Pinocchio”) had its world premiere at the BFI London Film Festival. Taking the stage before the premiere, del Toro spoke of his connection to the story: “I
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The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t
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Award-winning filmmaker and acclaimed visionary Jeff Barnaby passed away in Montreal on Oct. 13, following a year-long battle with cancer. The 46-year-old, who was born and raised on the Mi’gmaq community of Listuguj, is widely celebrated as redefining Indigenous cinema with elements of magical realism, body horror and sci-fi. According to a release announcing Barnaby’s
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Patrick McKay and J.D. Payne have found success as the showrunners of Amazon’s “The Lord of the Rings: The Rings of Power,” but before they resurrected Middle Earth it was the Starship Enterprise they tried to get off the ground. McKay and Payne wrote a “Star Trek Beyond” sequel for director S.J. Clarkson that would’ve
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