Movies

The slow-motion footage in “Every Little Thing” of hummingbirds captured in flight, or beak deep in a flowering bud or hovering at 50 beats per second are awe-nudging. Director Sally Aitken’s nature documentary comes as a balm in a season aching for uplift. Since 2008, hummingbird sage Terry Masear has run a hotline, answering the
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Ambition outstrips expertise in writer-director Phil Blattenberger’s “Laws of Man,” whose serpentine plot winds up seeming a wild goose chase — one whose execution should have been, well, wilder. Action and atmosphere are too poorly supplied for this stab at a noirish retro thriller to emerge as anything but talky, awkward and unconvincing. Set in
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Alec Baldwin has filed a civil rights suit against the district attorney and other officials in Santa Fe, N.M., alleging that he was wrongfully prosecuted for manslaughter in the accidental shooting of “Rust” cinematographer Halyna Hutchins. In the 73-page complaint, Baldwin accuses D.A. Mary Carmack-Altwies, special prosecutor Kari Morrissey, and investigators on the case of
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There have been relatively few biopics about choreographers, but it’s hard to think of a better one than “John Cranko,” about the late South African who made his name in England and Germany. Steering well clear of “Eureka!” moments and other clichés within the portrait-of-an-artist genre, Joachim A. Lang’s feature finds unusually vivid means of
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Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual
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On the surface, Harper Steele and I are very different. I love musical theater and bubble tea; she loves dive bars and stock car racing. She grew up in Iowa, while I’ve lived my whole life in New Jersey. I transitioned as a young person with my parents as my biggest supporters, while Harper came
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Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual
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Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual
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Indian director Payal Kapadia is developing two additional features set in Mumbai, potentially forming a trilogy with her acclaimed fiction feature debut “All We Imagine as Light.” Kapadia, who just attended the Golden Globes where “All We Imagine as Light” was nominated for best non-English language film and director, revealed she has begun writing her
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Selton Mello and Fernanda Torres have known each other for decades. Mello had a guest arc on Torres’ Brazilian show “Normal People,” which ran from 2001-2003, before achieving massive fame as both an actor and filmmaker. He had also worked with her brother, filmmaker Cláudio Torres, and her mother, legendary actor Fernanda Montenegro — perhaps
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Sandro Aguilar’s “First Person Plural,” which screens at International Film Festival Rotterdam in the Tiger Competition, has launched its trailer with Variety. The film is produced by O Som E A Fúria, the company behind Miguel Gomes’ “Tabu” and “Arabian Nights,” Eugène Green’s “The Portuguese Nun” and Lucrecia Martel’s “Zama.” [embedded content] “First Person Plural”
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International Film Festival Rotterdam has revealed its Cinema Regained program, which showcases restored classics, documentaries on cinema and works by filmmaking masters. This year’s Cinema Regained selection shines a light on filmmakers whose contributions have shaped cinema history, both celebrated and overlooked. After a 30-year hiatus, Burkinabé director Drissa Touré makes his return with the
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RaMell Ross’ “Nickel Boys” unearths the haunting realities of two boys, Elwood (Ethan Herisse) and Turner (Brandon Wilson), as they navigate a brutal reform school, blending visceral storytelling with an experimental approach. In adapting Colson Whitehead’s Pulitzer Prize-winning novel, production designer Nora Mendis explains Ross’ vision came from a conceptual place. She says, “It was more
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“No Other Land,” the Palestinian-Israeli doc which depicts the Israeli government’s efforts to force Palestinians from their homes in Masafer Yatta in the southern West Bank, has been steadily gaining accolades ever since it scored the best documentary prize at last year’s Berlin Film Festival. The timely piece, which shows the gradual demolition of houses
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Paris Hilton revealed on Instagram that she watched her Malibu house burn down on live television as she tuned into news coverage of the devastating L.A. fires. Hilton is one of many celebrities who have lost their homes in the wildfires. Others include Leighton Meester and Adam Brody, Anna Farris, Billy Crystal, James Moods and
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Of all the films vying for honors in this year’s awards season, only one heralds the return of not just one of cinema’s most iconic duos, but one of its most dastardly villains. “Wallace & Gromit: Vengeance Most Fowl” — longlisted in BAFTA categories for outstanding British film, children’s and family film and animated film, and
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Thomas Vinterberg‘s “Families Like Ours,” “Pressure Point” from the writer of “Black Crab” and Erik Poppe’s “Quisling” count among nominations for a high-powered Göteborg Nordic Series Script Award, the biggest plaudit for TV screenwriting in Scandinavia. Replacing the Göteborg Festival’s Nordisk Film & TV Fond Prize, the Script Award nominations also take in feminist porn comedy “Money Shot,” a Canneseries winner, and
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Emma Thompson, Anna Friel, Christopher Eccleston, Julian Ovenden and Rebecca Root have joined the cast of feature film “Hear Me Roar,” a drama about a groundbreaking British trans marriage case. The script is co-written by Lisa McMullin and Ashley Bayston, whose story it tells. The feature will be directed by Amy Coop and produced by
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The National Theatre production of Oscar Wilde’s “The Importance of Being Earnest,” starring Ncuti Gatwa, has unveiled a trailer ahead of its cinema release on Feb. 20. The trailer begins with Gatwa, dressed to the nines in a pink gown and matching gloves, playing a piano riff before leaning back to give viewers a sassy
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Studio 100 Film has added the action-packed animated feature “Rally – From Paris to the Pyramids” to its slate and will present the first footage from the film to buyers at next month’s European Film Market in Berlin. “Rally – From Paris to the Pyramids” is produced by Qvisten Animation, Scandinavia’s leading animation studio, known
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Jean Smart has a message for TV networks planning to air Hollywood award shows following the Los Angeles fires. Late Wednesday night, Smart took to Instagram to urge TV networks to “seriously consider” not airing any award shows during “Hollywood’s season of celebration,” and instead donate the revenue to first responders and L.A. fire victims.
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“Wicked: Part Two’s” official title, “Wicked: For Good,” prompted some mixed reactions online when it was first revealed in December. Director Jon M. Chu, however, believes the title of the second installment has certainly been changed for the better. “Who wants a movie called ‘Wicked: Part Two’?” Chu told Variety on the National Board of
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Will a gritty, globe-trotting police officer and an anthropomorphic chimpanzee pop star be able to kickstart the 2025 box office? The year’s first two new nationwide releases, Lionsgate’s “Den of Thieves 2: Pantera,” a heist thriller starring Gerard Butler as a caper-busting sheriff, and Paramount’s big-budget “Better Man,” a musical biopic in which a CGI monkey portrays
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James Mangold, who just picked up a Directors Guild of America nomination for “A Complete Unknown,” recently told MovieWeb that his upcoming “Star Wars” movie is deliberately set thousands of years before any other movie in the long-running franchise so that he doesn’t have to deal with the canon and can thus avoid angering fans.
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