Movies

A group of 40 crew members that worked on the production of “Don’t Worry Darling” issued a joint statement on Saturday, disputing a report that director Olivia Wilde and lead Florence Pugh got into an argument on the set of the film. The coalition of signees, which includes writer and producer Katie Silberman, cinematographer Matthew
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We live in an age when all kinds of behavior that was once not thought of as scandalous is now scandalous. Yet the mentality of “calling people out” can extend to less serious and sometimes even trivial things. That’s been the drama of “Don’t Worry Darling” — and by drama, I don’t mean the story of
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Julia Roberts broke the glass ceiling for A-list female movie stars when she commanded $20 million for 2000’s “Erin Brockovich.” Until then, no woman actor had been getting as much pay as male counterparts such as Tom Cruise or Tom Hanks, who ruled the ’90s box office alongside Roberts. At Saturday’s A+E Networks and History
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Sony Pictures Classics presidents Michael Barker and Tom Bernard offered sound advice to U.S. theater chains, while explaining the reasons behind their continued success, during a discussion at the Zurich Film Festival on Saturday about their colorful and storied partnership that has spanned more than four decades. Zurich is honoring the duo for their services
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It’s been a rambling, rocky odyssey to the release of “Don’t Worry Darling” — one involving canceled late-night appearances, rumors of production rivalries and conspiratorial frame-by-frame analysis of red carpet body language and an alleged loogie trajectory. But there was always going to be an opening weekend at the end of this road. And the
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Warning: This post contains numerous spoilers about the ending of “Don’t Worry Darling.” Do not read unless you have seen the film. “Don’t Worry Darling” had plenty of publicity before it was released, from director Olivia Wilde’s remarks about Shia LaBeouf to the Harry Styles-Chris Pine “spitgate” incident and various other dramas. But through all
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Liam Neeson and Diane Kruger turned out at the San Sebastian Film Festival on Saturday to support the world premiere of Neil Jordan’s “Marlowe,” which closes the festival tonight. Jordan and William Monahan’s adaptation of John Banville’s novel “The Black-Eyed Blonde” centers Raymond Chandler’s famous detective Philip Marlowe, and – like Chandler’s books – is set
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Finnish helmer Tiina Lymi has found the cast for her upcoming period drama “Stormskerry Maja,” set in the 19th century. “Thin Blue Line” star Amanda Jansson will play the headstrong lead, with Linus Troedsson cast as Maja’s husband Janne. Jonna Järnefelt, Tobias Zilliacus, Amanda Kilpeläinen Arvidsson will also star, joined by Tony Doyle and Desmond
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“Don’t Worry Darling” star Florence Pugh took to Instagram to write a heartfelt tribute to the film on its release date, as well as share a group of pictures from behind the scenes of the shoot, including one with director Olivia Wilde. “It’s here.. and ready to be seen,” Pugh wrote. “@dontworrydarling is in cinemas!
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The dream child of 10 Basque businessmen who hoped to prolong San Sebastián’s summer season into late September, the San Sebastian Film Festival was born on Sept. 21, 1953.  Presented by bullfighter Mario Cabré, who romanced Ava Gardner, and comprising just 19 films, won by “La guerra de Dios,” directed by Rafael Gil., rescued from
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Otmara Marrero (“Start-Up”) and Katie Clarkson-Hill (“Hanna”) are set to star in Catalyst Studios actioner “Switch & Bait.” Directed by Michelle Saledo, the pic is the first project of Catalyst Studios to begin physical production. Catalyst launched its banner in May with an initial slate of six feature films directed, produced and centered on female
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Billy Eichner’s “Bros” will be making history upon its release as the first R-rated gay rom-com ever made by a major studio, but that historical record certainly won’t include the Middle East. The Universal movie, which hits the U.S. box office on Sept. 30, is set to roll out across most international markets in October
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Murky blue- brown images, bringing to mind a Lorca play developed for today’s premium TV audience, fill the screen in the trailer for “The Gypsy Bride,” from “Penny Dreadful” director Paco Cabezas, which world premiered at the San Sebastián Film Festival. The fiction is produced by ViacomCBS International Studios (VIS), with the participation of Atresmedia
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Charlize Theron revealed to Harper’s Bazaar a “belittling” experience from her early days as an actor, in which an unnamed male director made repeated attempts to have her look more “fuckable” on set. The “Monster” Oscar winner said one of her biggest pet peeves when she was just starting out as a professional actor was
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Wrapping San Sebastian’s Culinary Zinema sidebar Sept. 23, Alfred Oliveri’s “Virgilio” tracks chef Virgilio Martinez, the genius behind one of the world’s top restaurants, Central, in Lima. Doc traces how the 45-year-old chef decides to embark on an expedition through the length and breadth of his native Peru to investigate the origins of its ingredients
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Disney Music Group has teamed up with Deaf West Theatre, a Tony award-winning company, to release an American Sign Language version of the hit song “We Don’t Talk About Bruno” from Walt Disney Animation’s “Encanto” in celebration of Friday’s International Day of Sign Languages. The video features an all-deaf Colombian and Hispanic cast, utilizing both
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“H2: The Occupation Lab,” a documentary by Israeli filmmakers Idit Avrahami and Noam Sheizaf, chronicles the impact Jewish settlers and military occupation have had on the Palestinian city of Hebron and how the repressive methods of control there are being widely adopted in other areas of the occupied territories. The film screens in the Zurich
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The Finnish Film Affair, an annual industry event running parallel to the Helsinki International Film Festival, handed its top prize Thursday night to “Je’vida,” a historical drama about memory, survival and personal growth from director Katja Gauriloff. “Je’vida” was one of seven fiction feature works in progress that were pitched to an audience of industry
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