Movies

Prime Video has inked an overall creative deal with Italian writer-director Antonio Dikele Distefano, who is the originator of groundbreaking Netflix original series “Zero” that in 2021 marked Italy’s first show centered around the present-day lives of black Italian youth. Dikele, who was born in Italy to Angolan parents, is now making his feature film
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Rebecca (Margaret Qualley), a mysterious, mercurial careerist, enters Zachary Wigon’s “Sanctuary” with a determined knock on the door of an expensive hotel suite. The room — make that the entire 40-plus story hotel, and the 111 other hotels in the luxe Porterfield chain — belongs to Hal Porterfield (Christopher Abbott), the founder’s son, a self-loathing
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During a career of 16 years that spanned numerous East Coast hospitals since the late ‘80s, real-life nurse Charles Cullen confessed to murdering at least 29 patients with a fatal cocktail of drugs he dripped into his victims’ bloodstream. That figure was only his confirmed body count, however. As a title card suggests at the
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“Causeway,” starring Jennifer Lawrence as a U.S. Army soldier recovering from injuries that are physical, mental, and spiritual, is the furthest thing from a genre film. Yet it belongs to what I’ve come to think of as a genre: the slow-burn non-verbal indie gloomfest. In saying that, I don’t mean to make light of the
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Harry Styles has finally debuted his dramatic chops, charming the Toronto International Film Festival at the world premiere of “My Policeman.” An emotional, decade-spanning drama about a 1950s cop juggling an idealistic wife and a secret male lover, Styles turned up with his costars Emma Corrin and David Dobson to unveil the long-awaited project. The
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A visibly emotional Brendan Fraser fought back tears as “The Whale” received a passionate standing ovation at its Toronto International Film Festival premiere on Sunday. The crowd stood for roughly five minutes until festival organizers quieted the applause to begin a question and answer session with Fraser, director Darren Aronofsky, writer Samuel D. Hunter and
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In addition to her mega-successful career as an Oscar-winning actor and producer, Jennifer Lawrence is also famous as a “Housewives” franchise superfan. The actor has proclaimed her love for the Bravo series several times and has appeared on “Watch What Happens Live With Andy Cohen.” While at the Toronto International Film Festival for her film
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Almost 30 years after “The Nightmare Before Christmas” (1993), Henry Selick returns with “Wendell & Wild,” another stop-motion animated sensation that’s sure to generate acclaim throughout the industry. Co-written by Oscar-winning screenwriter Jordan Peele, the Netflix feature film debuted at the Toronto Film Festival and may have asserted itself as the new frontrunner for best
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The stars descended on Soho House in downtown Toronto on Saturday for Variety and Chanel’s Female Filmmakers’ Dinner during the Toronto International Film Festival. Guests in attendance included Tilda Swinton, star of Joanna Hogg’s “The Eternal Daughter”; Gina Prince-Bythewood, director of “The Woman King”; Darren Aronofsky, director of “The Whale”; and Anna Kendrick, who’s in
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  Five years after founding Capstone, Christian Mercuri arrives in Toronto with a restructured company, a Gala world premiere and a promising slate of upcoming features.  “As we’ve grown, we’ve separated our operations and rebranded, ” he says. “The worldwide sales side is Capstone Global, and the production and financing side is Capstone Studios.”  One
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Steven Spielberg has said that mining his family history to make “The Fabelmans” was a “very daunting experience” that was at times “very, very hard to get through.” The iconic filmmaker’s latest project world premiered at the Toronto International Film Festival on Saturday night to raves from critics and largely favorable reviews. The semi-autobiographical movie,
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“Allelujah,” Richard Eyre’s latest film, unfolds in a Yorkshire geriatric hospital, following a group of patients as they make peace with or rage against the indignities of old age. It’s a story that resonates with Eyre, a legendary stage and screen director. “I’m about to be 80,” he says. “So old age isn’t my consuming
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Independent Entertainment, the finance, sales and production company behind films including “We Need to Talk About Kevin” and the upcoming “My Policeman,” which is set to have its world premiere at TIFF, celebrates its fifteenth anniversary this year. Since its founding by CEO Luc Roeg in 2007, the film landscape has undergone unimaginable change, from
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Movies, at least the ones Hollywood has produced for over a century, frequently leave a lot of people out of the frame. But with the industry under pressure to tell more diverse stories, several of the movies that are premiering and screening at this year’s Toronto International Film Festival are highlighting protagonists who are Black,
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Few nations in the world have developed such a spread of film commissions as Spain, a country forged out of its regions, whose governments have energetically bought in to the benefits of foreign and local shoots. As the country moves ever more onto the big-shoot locations industry radar, the Spain Film Commission is experiencing rapid
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No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing
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Steven Spielberg brought his semi-autobiographical film, “The Fabelmans,” to the Toronto International Film Festival on Sept. 10, his first feature ever to debut at TIFF. To say that Spielberg is performing at the top of his game is no hyperbole. This dramatic opus, which pulls at the heartstrings, could bring Spielberg his third directing statuette
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One of the biggest crowdpleasers of the Toronto International Film Festival has arrived. “,” a high-class horror comedy written by Seth Reiss and Will Tracy and directed by Mark Mylod, held its rollicking world premiere at the Royal Alexandra Theatre on Saturday. Mylod, the in-demand TV director who has helmed key episodes of “Game of
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It’s in the nature of cinema that when a hugely popular and beloved movie is grand enough, the sequel to it almost has to try to top it in a go-big-or-go-home way. For a long time, each new James Bond adventure was more lavishly scaled, baroque, and stunt-tastic than the last. “The Godfather Part II”
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