Movies

One of the biggest crowdpleasers of the Toronto International Film Festival has arrived. “,” a high-class horror comedy written by Seth Reiss and Will Tracy and directed by Mark Mylod, held its rollicking world premiere at the Royal Alexandra Theatre on Saturday. Mylod, the in-demand TV director who has helmed key episodes of “Game of
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Consider “Glass Onion” another triumphant case for detective Benoit Blanc. As evidenced by the enthusiastic reaction to the premiere screening Saturday, Rian Johnson has again charmed the masses at the Toronto Film Festival with “Glass Onion: A Knives Out Mystery,” the hotly anticipated sequel to the 2019 hit whodunit. Johnson briefly addressed moviegoers before the
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Jennifer Lawrence brought serious starpower to the Toronto International Film Festival on Saturday, appearing at the world premiere of her new film “Causeway.” But despite the big, Hollywood name “Causeway” was a quieter character study. Lawrence stars in and produces the film, in which she plays a soldier returning to civilian life in New Orleans.
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It isn’t that people’s first instincts are bad in “Victim,” Slovak director Michal Blaško’s compelling, apprehensive feature debut. A distraught Ukrainian mother travelling back to her adopted home in the Czech Republic to be by her injured son’s hospital bedside, for example, will find someone willing to drive her when her bus is delayed. It’s
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Who didn’t have a crush on Michael Moscovitz in 2001’s “The Princess Diaries”? Mia Thermopolis’s sweet, slightly awkward love interest — played by Robert Schwartzman — liked her well before she was ever Genovian royalty, had a cool band (Schwartzman’s actual band, Rooney), and even knew how to fix cars. Fans will recall the devastation
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In his Toronto International Film Festival premiere “,” Ralph Fiennes plays Slowik, a celebrity chef who runs an exclusive restaurant that caters to the ultra-rich. And while the darkly comic horror film eventually reveals some macabre twists regarding what’s on Slowik’s menu, Fiennes says he got into the character via more mundane inspirations. “One of
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With its seventh edition coming to an end, Venice’s Book Adaptation Rights Market (BARM) is already eyeing the future. The three-day event – taking place during the Italian fest – is now recognized as the third most important annual rendezvous by the publishers, states Pascal Diot, head of industry sidebar Venice Production Bridge. “It’s starting
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The white men speak in subtitles, while the proud members of various African tribes express themselves in English in “The Woman King,” a clear sign of where our allegiances belong in director Gina Prince-Bythewood’s sweeping early-19th-century war movie — an Africa-set epic of the kind not seen since “Zulu,” only this time, the task of
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Veteran Italian auteur Gianni Amelio rose to prominence with Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which won the 1992 Cannes Grand Prix. He won the Venice Golden Lion in 1998 with period drama “The Way We Laughed” and competed again in Venice with “A Lonely Hero” in 2013. Amelio’s more recent work comprises
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The wealth of Spain’s attractions as a big-shoot locale are in the details. To that end, below are the 37 Film Commissions or Film Offices that form part of the nationwide Spain Film Commission network, as well emblematic shoots, locations and initiatives: ALICANTE FILM OFFICEIt was launched in 2008 to support shoots at Alicante’s Ciudad
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Britain’s free and eternally beleaguered National Health Service has long been both a boost and a burden to the country’s political leaders. The present-day Conservative administration is only the latest to congratulate themselves on the progressive social generosity the NHS stands for — never more cynically than during the global pandemic — while cutting its
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American filmmaker Laura Poitras’s acclaimed documentary on photographer Nan Goldin, has emerged as the surprise winner of the Golden Lion at the Venice Film Festival, with Cate Blanchett, Colin Farrell, Luca Guadagnino and Martin McDonagh also taking top prizes from Julianne Moore’s jury. Full report to follow. FULL LIST OF WINNERS COMPETITIONGolden Lion for Best
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SPOILER ALERT: Do not read if you have not seen “Barbarian.” “Barbarian” is one of the year’s most-discussed horror films, largely because of some wild twists that were not spoiled in the trailers. That said, many of the movie’s biggest moments merit discussion beyond screams of “WTF!,” and director Zach Cregger broke them down for Variety.
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The Toronto Film Festival has programmed one of its strongest Canadian feature slates in recent years — films with head-turning performances, eye-catching artistry, and global market and audience appeal, from filmmakers who are subverting stereotypes, challenging or bypassing power structures, or transforming the industry ecosystem from the grassroots on up.  “Right now in our industry,
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Robert Schwartzman is part of one of Hollywood’s great filmmaking dynasties, but when he ventured into directing himself, he discovered that the world of distribution for up-and-coming filmmakers was broken. The multihyphenate, who is Francis Ford Coppola’s nephew, has acted in movies like “The Princess Diaries” — where he played Anne Hathaway’s love interest Michael
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Ulrich Seidl’s “Sparta” has been pulled from the Toronto International Film Festival amid allegations of impropriety and child exploitation against the director, but its premiere at next week’s San Sebastian Film Festival will continue as planned, Variety can reveal. A spokesperson for the Spanish festival tells Variety on behalf of festival management that “Sparta” will
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If you’ve seen the British satire “Toast of London,” chances are that voiceover engineer Clem Fandango’s name still rings in your ears. Now Shazad Latif, the man behind Fandango, Ash Tyler on “Star Trek: Discovery” and Dr. Jekyll/Mr. Hyde on “Penny Dreadful,” has nabbed his first romantic lead in  “What’s Love Got to Do With It?”  The
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With “Chiara,” Susanna Nicchiarelli’s portrait of Saint Clare of Assisi – the 13th century saint born into a wealthy family who at age 18 became a nun after hearing St. Francis preach – the Italian director completes her trilogy of female biopics, segueing from “Nico, 1988” and “Miss Marx,” which both launched from Venice’s Horizons
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“The Good Nurse” director Tobias Lindholm wasn’t interested in making a why-dunnit. The Netflix drama, which premieres at the Toronto International Film Festival, tells the horrifying true story of Charles Cullen, the serial killer who used his position as a nurse to murder up to 40 patients. But the film isn’t a psychological study. “I’m
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