Movies

Most of the time, documentaries don’t get sequels, which is strange. Unlike their scripted fiction counterparts, the story doesn’t end when the cameras stop rolling. If you’ve ever attended a filmmaker Q&A after the screening of a great documentary, you know the first question from the audience is almost inevitably either “What’s happened since?” or

If the Sunday night world premiere of “The Whale” at the Venice Film Festival is any indication, Brendan Fraser’s return to Hollywood will be met with plenty of cheers — and even more tears. When the credits rolled on the Darren Aronofsky drama, in which Fraser plays a 600-pound gay man confined to a wheelchair,

When it comes to coffee-table books that survey the great album covers of the classic rock era, there are generally two kinds: those that include a lot of the work of the 1970s design team called Hipgnosis, and those that consist entirely of Hipgnosis’ work. Virtually any rock superstar who had the cachet to ask

The return of Brendan Fraser — not that he ever really went away — has been a reminder of how much affection so many of us had for him back in the ’90s, when he had his moment in movies like “School Ties” and “Encino Man” and “Gods and Monsters” and “The Mummy.” Yet let’s

Best-known for her role as Noemie in the hit French series “Call My Agent!,” Laure Calamy has emerged in recent years as one of France’s biggest stars and most versatile actors. After a busy career in theater and many notable supporting roles, she finally got a shot at leading roles, and kudos have followed, for

Although Florence Pugh will be attending the Venice Film Festival for the premiere of “Don’t Worry Darling,” the star is limiting her promotional activities at the festival. After arriving in Venice by private jet, Pugh will attend Monday’s red carpet premiere of “Don’t Worry Darling.” However, the actress will not be participating in the press

“L’Immensità” is director Emanuele Crialese’s first feature film in 11 years, and only his fifth in a quarter-century: The gifted Italian, best known to international audiences for his splendid, richly felt Ellis Island immigrant saga “Golden Door,” has never been one for unconsidered or impersonal projects. At first glance, then, one might wonder what drew

While waiting to pick up five-year-old Leila from judo practice, personable 40-ish schoolteacher Rachel introduces herself to another parent as Leila’s stepmom, before backtracking to awkwardly correct herself. Later, when a kindly stranger on a train remarks on the resemblance between the two, Rachel doesn’t bother clarifying, merely accepting the benign compliment. Her relationship to

On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with

Best Friend Forever has unveiled the trailer for “To The North,” Romanian Mihai Mincan’s feature debut which is world premiering in the Horizons section at Venice. [embedded content] Inspired by true events, the edgy thriller follows Joel, a religious Filipino sailor who finds a Romanian stowaway, Dumitru, hidden between some containers during his shift on

In Italian director Emanuele Crialese’s new drama “L’Immensità,” which is set in 1970s Rome, Penélope Cruz plays a mother of three who, while contending with a violent Italian husband, winds up in a psychiatric institution. “I don’t think my character is crazy at all,” Cruz said. “She is trapped in her family. Trapped in her

Brendan Fraser, the star of the Venice-premiering movie “The Whale,” says he needed to “learn how to move in a new way” in order to play his character Charlie, who weighs 600 lbs. Fraser takes on his most substantial role in a number of years with Darren Aronofsky’s latest, in which Charlie is slowly eating

Motion Picture Association CEO Charles Rivkin is at the Venice Film Festival with Stan McCoy, the org’s chief for Europe, to attend a panel on the economic impact of film and TV production in the U.S. and Italy, organized by the film unit of the Italian culture ministry. They spoke to Variety about the increasingly close

LevelK has boarded Icelandic crime drama “Cold,” directed by Erlingur Óttar Thoroddsen and based on the bestselling book “The Undesired” (“Kuldi”) by Yrsa Sigurdardóttir. Still in production, it was recently pitched at Venice Gap-Financing Market. The story centers on Óðinn, living alone with his daughter Rún. As he investigates decades-old deaths at a juvenile treatment

It’s fair to say that Abbey Road Studios is the most documented recording facility in the world, but only if you count the crosswalk outside. Otherwise, the nine-bedroom mansion turned studio hasn’t really had its day in the cinematic sun, the way that more modest studios like L.A.’s Sound City and Alabama’s Muscle Shoals have.

German helmer Alex Schaad takes on the body-swap trope in Venice Critics’ Week title “Skin Deep,” produced by Walker + Worm Film in co-production with Bayerischer Rundfunk and Donndorffilm. Beta Cinema, which handles the sales, has shared its trailer exclusively with Variety ahead of the film’s world premiere at the Italian fest. The intimate, character-driven

Following the Venice Film Festival premiere of her Biennale College Cinema title “Palimpsest” – about two people that start to age backwards – Finnish helmer Hanna Västinsalo will continue to play with sci-fi elements in “Space Hobos: How to Bum a Ride from Sector B12 to Module C9.”  “It’s about workers like plumbers, welders or

Some films spring from abundance, while others are born of a need. Premiering in competition in Venice, Rebecca Zlotowski’s “Other People’s Children” clearly falls into the latter camp. “I’ve often used cinema as a guide for living, only aspects of my own life hadn’t been told,” Zlotowski tells Variety. “I imagined a 40-year-old woman, nearing the

Could Sarah Polley join the ranks of Jane Campion, Chloe Zhao and Kathryn Bigelow by becoming only the fourth female filmmaker to win an Oscar for directing? Based on the rapturous reception that “Women Talking” received at the Telluride Film Festival on Friday, it certainly seems possible. Even if that doesn’t happen, the ambitious film,

In the era when content is king, Sam Mendes still believes in moving pictures. “Empire of Light” is the proof. While the world was in lockdown these past couple years, Mendes let his imagination run to his happy place: a grand old English movie palace he dubbed the Empire Cinema. Thousands pass through its art

Something’s not quite right with Pearl, who wields a pitchfork less like a tool than a sex toy when tending the family farm. Such macabre behavior will come as no surprise to fans of Ti West’s “X,” who met the character in her advanced years, horny and homicidal, killing the amateur adult film crew staying

Top international news agencies, including the Associated Press and Reuters, are up in arms against the Venice Film Festival over what they claim are restrictions to access footage of the fest’s star-studded red carpet activities and press conferences. In past years, the agencies have been able to give their clients more or less unlimited amounts

Ari Folman (“Waltz With Bashir”), Nadav Lapid (“Ahed’s Knee”) and Hagai Levi (“Our Boys”) are among a group of 250 Israeli filmmakers that has signed an open letter to protest against the recently launch of the Shomron (Samaria/West Bank) Film Fund. The Fund, which held its inaugural film festival in the occupied West Bank in

Rather like the arc of the moral universe, “Argentina, 1985” is long, but bends toward justice. Effectively dramatizing the country’s landmark Trial of the Juntas, history’s first instance of a civilian justice system convicting a military dictatorship, Santiago Mitre’s broad, sprawling, heart-on-sleeve courtroom saga may draw from the same nightmarish period of history that has

When “The Immaculate Room” cinematographer Rasa Partin was reading the script, he saw the line “giant white room” and thought nothing of it. “Sure, it’s a giant white room,” Partin says. As he continued to read through the pages and the story unfolded, he realized, “It is just a white room with a bed. There’s

The Indian government is in talks with France’s Annecy Animation Film Festival to hold a local version of the festival in the country. Senior Indian bureaucrat Ravinder Bhakar, who serves as CEO of India’s Central Board of Film Certification and Children Films Society of India, MD of the National Film Development Corporation and director general

A man who met writer-director Paul Schrader at a campus event at their Michigan alma mater has filed a lawsuit alleging that Schrader later stole his ideas and used them in the film “The Card Counter.” Mark Vanden Berge alleges in the suit that he met Schrader after a screening of “First Reformed” at Calvin

Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s

Over the course of three quietly devastating features, Italian-born, America-based art-house director Andrea Pallaoro (“Medeas,” “Hannah”) has shown just how inadequate words can be when it comes to expressing some of life’s most complicated emotions. In his latest, “Monica,” Pallaoro takes on the near-universal craving for parent-child connection, knowing full well that his two lead

In a new statement shared with the Venice Film Festival, imprisoned Iranian filmmakers Jafar Panahi and Mohammad Rosoulof have said the “hope of creating again” is a “reason for existence.” In the joint statement, distributed to journalists at a Saturday press conference, the directors said: “We are filmmakers. We are part of Iranian independent cinema.