Movies

“Okinawan kindness leaves no one behind!” goes the chirpy sign-off on a political radio commercial halfway through Japanese director Masaaki Kudo’s artful and affecting Karlovy Vary competition title, “A Far Shore.” Already it plays like the bitterest irony. Aoi, a 17-year-old mother working illegally as a nightclub hostess in Okinawa, the poorest prefecture in Japan,
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SPOILER ALERT: This interview contains discussions about some scenes and storylines in “Thor: Love and Thunder.” In “Thor: Love and Thunder,” Tessa Thompson’s Valkyrie is now King Valkyrie of New Asgard. However, she has not found her queen. “You know, she’s flirty,” Thompson tells me on this week’s episode of the “Just for Variety” podcast.”
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Content Partners has hired Vine Alternative Investments executive Rob Amir as senior vice president at the media company, Variety has learned exclusively. In his new role, Amir will oversee “augmenting” the content business’ “sourcing of new film, television, music and other entertainment intellectual property assets,” per the company, which is the owner of films including
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Vertigo Releasing has acquired Canadian auteur David Cronenberg’s body-horror film “Crimes of the Future” for U.K. and Ireland distribution. The film stars Oscar nominees Viggo Mortensen (“Green Book”) and Kristen Stewart (“Spencer”) and Palme d’Or winner Léa Seydoux (“No Time To Die”). The film, which bowed in competition at Cannes earlier this year, explores the
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After soldiering through COVID with hybrid editions, South Korea’s Bucheon International Fantastic Film Festival (BiFan) is getting ready to hold a scaled-up, largely in-person festival beginning Thursday, complete with a red-carpet opening ceremony and foreign visitors. But BiFan organizers say that the ground has moved under their feet. Variety spoke to producer Shin Chul, who
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E. Gunnar Mortensen, a camera assistant on “Transparent” and the Apple TV+ series “The Morning Show,” died on Monday from injuries sustained in a motorcycle accident. He was 39. Mortensen was a member of Local 600 for 13 years. In that capacity, he served on the National Executive Board of the International Cinematographer’s Guild since
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Reese Witherspoon and Will Ferrell are headed to the altar in a new wedding comedy for Amazon Studios. Amazon has landed rights to the untitled movie, from writer-director Nick Stoller, in which Witherspoon and Ferrell will star and produce under their respective banners. Jessica Elbaum and Ferrell will produce for Gloria Sanchez, with Witherspoon and
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“America” is a burdensome title for Israeli director Ofir Raul Graizer’s bright, frangible new film, casting expectations of continent-sized import onto a more individual, interior study of immigrant unrest. Visually iridescent and unexpectedly buoyant even when dealing with matters of plunging personal tragedy, this study of a Chicago-based swimming coach returning to his native Israel
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“Clerks III” is finally coming to the big screen, 28 years after the original film latched onto the hearts of millions. The third installment to Kevin Smith’s cult classic film series has released its first trailer from Lionsgate, teasing the newest chapter to Smith’s “View Askewniverse.” “Clerks III” is set to follow Randal, played by
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Netflix’s newest YA rom-com, “Hello, Goodbye and Everything in Between,” required stars Jordan Fisher (“To All the Boys 2,” “Work It”) and Talia Ryder (“Never Rarely Sometimes Always”) to dig deep within themselves — and their past relationships — for the film. Based on Jennifer E. Smith’s 2015 novel of the same name, the film
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The Hulu original unscripted series “Captive Audience” has lived up to its name, earning record-breaking viewership for the streamer. Hulu documentary chief Belisa Balaban told Variety exclusively that the show — which explores the harrowing kidnapping of 7-year-old Steven Stayner and its resulting media frenzy — has set a record for most-viewed nonfiction TV program in its first
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With eternal respect to Virginia Woolf, whose “A Room of One’s Own” clearly inspires the title of Ioseb ‘Soso’ Bliadze’s beautifully articulate miniature, even before a woman needs money and her own space to be able to pursue self-fulfillment, she needs to know she needs those things. Bliadze’s superbly performed, remarkably immersive Karlovy Vary competition
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There are considerable ethnic, economic and geographical inequalities across the U.K. cinema exhibition workforce, a new survey has revealed. The survey was conducted by the Independent Cinema Office (ICO), the U.K.’s national body that supports independent cinemas through programming, training, consultancy and cultural distribution and the Bridge Group, a non-profit consultancy that uses research to
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Brussels-based sales company Be For Films has picked up international sales rights to two world premiere titles at the upcoming 75th Locarno Film Festival: Delphine Lehericey’s Piazza Grande entry “Last Dance” and Julie Lerat-Gersant’s Cineasti del Presente player “Little Ones.” Lehericey’s third film, the dramedy “Last Dance,” is a Switzerland-Belgium co-production, teaming Lausanne-based Box Productions
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Energetic Italian sales agent Open Reel has closed world sales rights to Valentin Merz’s “De noche los gatos son pardos,” which will world premiere in this year’s Locarno Festival International Competition.  One of two first features in Locarno’s main competitive section, “De noche los gatos son pardos” (“At Night All Cats Are Black”) returns to
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Switzerland’s Locarno Film Festival has revealed the lineup for its 75th edition, sticking to its promise of discovering new talent. A slew of debuting filmmakers will showcase their works, from Italy’s Nicola Prosatore with “Piano Piano” to Caterina Mona, focusing in “Semret” on an Eritrean single mother working at a Zurich hospital and dreaming of
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