Movies

Tomas Alfredson, the Swedish director of “Tinker Tailor Soldier Spy” and “Let the Right One In,” is set to direct a TV series adapted from “Faithless,” a 2000 film written by Ingmar Bergman and directed by Liv Ullman. Miso Film, a Fremantle company, is producing with Swedish broadcaster SVT. Sara Johnsen (“July 22”) is writing
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Following the success of Ofir Raul Graizer’s debut feature “The Cakemaker,” acquired by Netflix in the U.S. and already optioned for a Hollywood remake, securing financing for his second film “America” was much easier. But then the pandemic came. “This made things extremely complicated,” he tells Variety. “We shot in 2020. There were still no
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Even upon its release 52 years ago, Lionel Jeffries’ adaptation of “The Railway Children” was something of a throwback: a kindly, low-conflict family entertainment, faithfully drawn from E. Nesbit’s 1905 children’s novel, that hearkened back to an Edwardian-era England of steam trains, rolling green fields and close-knit village communities. At the time, it caught a
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Georgian-German drama “A Room of My Own,” about a young woman looking for a female roommate in Tbilisi after her personal life implodes, has its team thinking about future reactions in the Republic of Georgia. But director Ioseb “Soso” Bliadze and actress/co-writer Taki Mumladze are “ready” to address subjects considered controversial in their home country,
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Tommy Morgan, a harmonica soloist who contributed to hundreds of movie and TV shows including “Roots” and “Dances With Wolves,” died June 23. He was 89. Morgan played on film soundtracks and record dates going back to the early 1950s. His estimated 7,000 recording sessions, according to statistics on his website, suggest that more people
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Although “Nope” is only three weeks away from hitting theaters, Universal has been keeping a lid on plenty of the details of the film, beyond distributing some intriguing images of unidentified flying objects and ranch living in the movie’s trailers. Now, director Jordan Peele is offering a deeper look at the world of the film,
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In recreating Elvis Presley’s famous ’68 Comeback Special, “Elvis” cinematographer Mandy Walker spent hours watching and examining old footage to faithfully reproduce certain shots and lighting changes for Baz Luhrmann’s biopic. Walker’s set replicating the Vegas showroom at the International Hilton, where Presley had his residency, is her proudest accomplishment from the film. “That set
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Xavier Henry-Rashid’s sales agency Film Republic has acquired Anna Kazejak’s “Fucking Bornholm,” ahead of its international premiere Saturday in the Crystal Globe competition of the Karlovy Vary Film Festival. The Polish comedy drama potrays the generation of today’s 40-year-olds from the perspective of a woman who is in need of profound changes in her life.
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With the death this week of Ralph “Sonny” Barger, national president of famed motorcycle club the Hells Angels, a piece of vibrant American pop culture history recedes farther into the past. It’s hard to appreciate today, but when Barger founded the Oakland chapter in 1957, the mythology of the outlaw biker had already been emblazoned
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Future Frames is a next generation showcase comprised of short works by students and recent graduates of European film schools, curated by the Karlovy Vary Fest in cooperation with European Film Promotion. The selected directors and their films will be introduced on-site to Karlovy Vary audiences. American indie director Tim Sutton (whose new film “Taurus”
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Do you ever think about the narrative that governs your everyday life? You certainly will after watching the idiosyncratic German tragicomedy “The Ordinaries,” which fizzes with remake potential. For her debut feature, premiering in the main competition at Karlovy Vary, German director-writer Sophie Linnenbaum and her co-scripter Michael Fetter Nathansky create a high-concept, meta-cinema world
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As its 56th edition – running July 1-9 – kicks off, Karlovy Vary Intl. Film Festival is ready to party like it’s 2019. “We can’t predict how many people will come, as some still don’t want to travel, but it’s supposed to be as close to [pre-pandemic] 2019 as possible,” says artistic director Karel Och,
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The Karlovy Vary Intl. Film Festival roared back to life Friday following the disruption of the pandemic years. And the opening ceremony kicked off with a bit of digital disruption: the audience was invited to pull out their mobile phones and follow festival dancers online before they burst onto the stage with a real-life fire
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