Movies

There’s a reason so many horror films — specifically the classic slashers of the ’70s and ’80s — make teenagers their imperiled protagonists. It makes for fun, squirmy viewing to see the relatable vulnerabilities of that age, with its fumbling sexual encounters and peer-pressure anxieties, sliced open by whichever knife-wielding maniac or mask-wearing ghoul happens
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“Top Gun: Maverick” reunites filmmaker Joseph Kosinski with Tom Cruise after their work together on “Oblivion,” but that’s not the director’s only reunion in the film. Kosinski also re-teamed with Miles Teller, who earned acclaim for the director’s under-seen “Only the Brave” and has a role in his upcoming Netflix movie “Spiderhead.” Teller stars in
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“Framing Agnes,” a hybrid narrative and documentary feature film that explores trans lives and history, has sold North American distribution rights to Kino Lorber. Directed by Chase Joynt, the film closely and accurately depicts the journey of trans people past and present through reenactments of transcripts from a notable 1960s UCLA gender study. Based on
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Marvel fans are getting a streaming surprise this month as Disney has confirmed that its summer blockbuster “Doctor Strange in the Multiverse of Madness” is making a quicker jump from theaters to Disney+ than expected. With the “Doctor Strange” sequel’s June 22 streaming launch, Disney+ officially has the biggest streaming event of the month. It’s
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Louis C.K. is readying the release of “Fourth of July,” a new comedy-drama that marks the controversial comedian’s first feature directorial effort since admitting to sexual misconduct in 2017. The film, which C.K. also co-wrote with Joe List, centers on a recovering alcoholic from New York City who clashes with family on their annual July
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Cannes competition title “Pacifiction,” from “Liberté” director Albert Serra, has been acquired for the U.S. by specialty distributors Grasshopper Film and Gratitude Films. Serra won the Un Certain Regard section’s Special Jury Prize in 2019 for “Liberté” and cracked the festival’s official selection this year with “Pacifiction.” The film is set on the French Polynesian
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Adam Sandler, LeBron James and Queen Latifah were met with deafening cheers from hundreds of fans who lined the streets around Westwood’s Regency Village Theatre at the “Hustle” world premiere on Wednesday night. James produced the Jeremiah Zagar-directed Netflix sports drama which stars Sandler as Stanley “Sugarman” Beren, a washed-up basketball scout who sees a
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Her name is Roxy, but the village girls call her Toxic. With peroxide-blond hair and the Lolita-like naiveté of a vintage sexploitation-movie heroine, Roxy wanders through a post-apocalyptic world as unfamiliar to us as it is to her — for we have all stepped into the parallel dimension that is underground filmmaker Bertrand Mandico’s erotic
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Restored versions of Chinese language cinema classics Wong Kar-wai’s “Days of Being Wild” (1990) and Jia Zhangke’s first full-length feature “Pickpocket” (“Xiao Wu”) 1998) will lead the inaugural program of Hong Kong’s M+ Cinema, which will be opened to the public on June 8. The opening program also features the Hong Kong premiere of one
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A gleaming and delightful anime with a large appetite for tenderness and laughter, director Ayumu Watanabe’s mother-daughter saga “Fortune Favors Lady Nikuko” boundlessly adores its titular character even when it lingers a tad too long on her happy-go-lucky naiveté or ample love of food. We get introduced to Nikuko (Shinobu Ôtake), a charming thirtysomething living
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Years before “Uncut Gems,” you could see Adam Sandler was a good actor. He’d taken a step out of the ha-ha zone as early as “Punch-Drunk Love” (2002) — and going back as far as “The Wedding Singer” (1998), which he made after only two of his knockabout big-hit farces (“Billy Madison” and “Happy Gilmore”),
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The 21st edition of the Los Angeles Latino International Film Festival opened with “Mija,” a Disney original documentary film about Doris Muñoz and Jacks Haupt, two daughters of undocumented immigrants navigating the music industry. For Isabel Castro, who makes her directorial debut with the film, opening the festival is a perfect reflection of the themes
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Joseph Kosinski is flying high off the success of “Top Gun: Maverick,” which debuted to a record-breaking $160 million over the Memorial Day weekend frame. The sequel is the first bonafide box office success for the director, who started his feature directorial career with Disney’s “Tron: Legacy.” That sequel earned $400 million worldwide, but that
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The “Arachnophobia” remake has (eight) legs, with Amblin Partners announcing Thursday that it has closed a deal with Christopher Landon (“Paranormal Activity”) to write and direct the horror-comedy. The original 1990 film, directed by Frank Marshall, tells the story of a small California town that is invaded by a colony of deadly South American spiders
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The formula for many sports movies is classically simple yet satisfying. Step one: introduce an underdog. Step two: training montage. Step three: win the trophy. It’s a successful formula that has been used for decades. For “The Phantom of the Open” director Craig Roberts and screenwriter Simon Farnaby, though, they’re not interested in following that
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