Australian production and distribution firm Arcadia has begun development of non-fiction best-selling book “Stephanie Alexander and Maggie Beer’s Tuscan Cookbook” as a feature film. Envisaged in the style of “The Best Exotic Marigold Hotel” or “Under the Tuscan Sun,” the feature film is currently in development and is being written by Australian film and television
Movies
Veteran Italian auteur Marco Bellocchio returned to Cannes this year with “Exterior Night,” a limited TV series about the 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists that, prior to playing on pubcaster RAI, is now on release in two installments via Lucky Red in Italian cinemas where
Empreinte Digitale, the thriving Paris-based production company behind Disney +’s “Parallèles,” has hired Thomas Saignes, a well-established producer whose track record includes “Bad Banks” and “Parlement.” Joining from Cinétévé, Saignes will be in charge of producing drama series and one-offs for streaming services and traditional TV channels, as well as spearheading Empreinte’s international co-productions. Saignes,
Varun Agarwal’s bestseller “How I Braved Anu Aunty and Co-Founded a Million Dollar Company” is being adapted as young-adult comedy-drama film “Bas Karo Aunty!” The project is backed by some of the biggest names in Bollywood, including the “Dangal” director Nitesh Tiwari and “Break Point” filmmaker Ashwini Iyer Tiwari’s Earthsky Pictures, Ronnie Screwvala’s RSVP, Siddharth
Portuguese helmer João Pedro Rodrigues returned to Cannes this year with his new film “Will-O’-the-Wisp” (“Fogo Fátuo”), which screened in Directors’ Fortnight and is his first feature since the well-received 2016 madcap journey of self-discovery, “The Ornithologist.” The film begins in 2069, with Prince Alfredo on his deathbed, who begins to reminisce about his childhood
Amazon Prime Video India has signed a worldwide exclusive multi-film licensing deal with Sajid Nadiadwala’s Bollywood production house Nadiadwala Grandson Entertainment (NGE). NGE’s upcoming slate includes “Bawaal,” starring Varun Dhawan (“Coolie No. 1”) and Janhvi Kapoor (“Gunjan Saxena: The Kargil Girl”), directed by Nitesh Tiwari (“Dangal”). Dhawan also stars in “Sanki” alongside Parineeti Chopra (“Saina”),
Coming only three years after the Palme d’Or for “Parasite,” the two Cannes prizes for Park Chan-wook as best director and for Song Kang-ho as best actor are further proof of the strength of Korean cinema’s originality, its elevated skills and its resilience. Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas
Versus Entertainment has brought on board Decentraland and Lumiere to develop metaverse and NFT angles for its ongoing film project “The Infinite Machine.” “The Infinite Machine” is a film adapted from Camilla Russo’s book of the same title which is now being produced by Versus with Ridley Scott’s production company Scott Free. It tells the story
George Shapiro, producer and longtime manager of Jerry Seinfeld, Carl Reiner, Andy Kaufman and other comedy stars, died May 26 at his home in Beverly Hills. He was 91. Shapiro was co-founder and partner in Shapiro/West Associates, the prosperous talent management banner that helped assemble the mammoth NBC hit “Seinfeld” and numerous projects for Andy
Fifteen years in the game, English-born Carey Mulligan proves herself to be one of the best talented and exciting actresses working today. With two Oscar nominations to her name, she’s delivered an incredible array of characters and performances, many of which should have been recognized by the Academy. Many remember her film debut in Joe
CANNES — Ruben Östlund won his second Palme d’Or for “Triangle of Sadness,” a biting satire of the rich and (Insta-)famous, bringing the 2022 Cannes Film Festival to a close. Östlund’s follow-up to his 2017 Palme-winning “The Square” takes a boat full of shallow models, millionaires and their trophy partners, then abandons them in deep
As genre makes much of the running in sales at this year’s Cannes Film Market, Filmax, traditionally one of its biggest vendors, has swooped on “32 Gats,” the next feature from Hèctor Hernandez Vicens who broke out with the 2015 SXSW premiere, “The Corpse of Anna Fritz.” Filmax will handle distribution in Spain as well
Lola Quivoron wowed critics and audiences at Cannes with her bold first film “Rodeo” which picked up the Coup de Coeur prize at the Cannes Film Festival’s Un Certain Regard section. Following the world premiere of “Rodeo,” Quiveron started being courted by a flurry of U.S. agents while Les Films du Losange, which is selling
Just hours before this year’s Cannes Palme d’Or prize announcement, the International Federation of Film Critics (Fipresci) has awarded “Leila’s Brothers” its International Critics’ Prize for best film inCannes main competition. The title is pointed. Leila has four brothers, but it is Leila, played by Iranian star Taraneh Alidoosti (“The Salesman), who dominates proceedings,
MK2 Films has locked major territory deals on Leonor Serraille’s drama “Mother and Son” which world premiered in competition at the Cannes Film Festival and garnered strong reviews. “Mother and Son” charts the lives of a young African woman, Rose, and two of her four children, Jean and Ernest, who come to France from the
Indian filmmaker Shaunak Sen’s “All That Breathes” has won the Cannes Film Festival’s top documentary award, the Golden Eye. The film won the documentary grand jury prize at the Sundance Film Festival earlier this year and was acquired by HBO Documentary Films during Cannes, where it played as a special screening. Set in Indian capital
Pedro Almodóvar has put his considerable weight behind Spaniard Alauda Ruiz de Azúa’s first feature, ”Lullaby” (“Cinco Lobitos”) as it has initiated a spirited run at Spain’s box office. “It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the
Playing Directors’ Fortnight, Fabián Hernández’s “A Male” (“Un Varón”) underscores just how much Colombian cinema has evolved in recent years, in both technique and kind of storytelling. A meditation on manhood sold by Dubai-based Cercamon and seen at San Sebastian’s WIP Latin last year, it turns on 16-year-old Carlos (Dylan Felipe Ramírez Espitia), glimpses of
In Dmytro Sukholytkyy-Sobchuk’s Cannes title “Pamfir,” marking his feature debut, the carnival is fast approaching. His protagonist (Oleksandr Yatsentyuk) finally returns home, ready to do better this time. But when his child runs into trouble and there is no money, as always, there is no way but back. With Indie Sales on board and produced
Warner Bros. won a significant victory Friday in its legal battle with its longtime financing partner, Village Roadshow, as a judge agreed to send the dispute to arbitration. Village Roadshow has teamed with the studio on numerous blockbusters over the last 25 years, including “Joker,” the “Ocean’s” series, and “American Sniper.” But the relationship foundered
Audiences coming out of “Top Gun: Maverick” this weekend want to know one thing, are the actors really flying those fighter jets? The answer in short is, yes. Tom Cruise, who returns as “Maverick,” is renowned for doing his own stunt work, and he wanted his stars Miles Teller, Monica Barbaro and Glen Powell to
Millions of people have watched Penney Azcarate, the chief judge of the Fairfax County (Va.) Circuit Court, as she has presided over the defamation trial between Johnny Depp and Amber Heard for the last six weeks. Azcarate has maintained a low-key presence, accepting or rejecting evidence and occasionally admonishing witnesses to focus on the question.
My parents were born and raised in Kolkata, India, and experienced the golden age of Bengali cinema. They could see themselves in characters onscreen solving mysteries like Soumitra Chatterjee in “Feluda,” courting like legendary stars Uttam Kumar and Suchitra Sen, and living everyday village life as seen through the poignant lens of Satyajit Ray. As
Premiering as a Special Screening at Cannes was a documentary co-directed by Houda Benyamina, Anne Cissé and subject Melanie Diam’s, the former French rapper and music sensation who stepped away from public life in the early 2010s after converting to Islam. “Salam,” meaning “peace” in Arabic, follows Diam’s new life as a philanthropist and mother,
An Indigenous Canadian producer who was turned away from the Cannes red carpet for wearing traditional moccasins says he was made to feel like “a criminal” for representing his culture at the world’s foremost film festival. Vancouver-based producer Kelvin Redvers, who is a member of the Dene nation, was in line to walk the red
Predicting winners is always a fool’s errand in the Un Certain Regard section — the second-most prestigious competition of the Cannes Film Festival — and so it proved tonight, as the little-heralded French entry “The Worst Ones (Les Pires),” a debut feature from female directing duo Lise Akoka and Romane Gueret was handed the top
After six weeks of trial, attorneys for Amber Heard and Johnny Depp made their closing arguments to a Virginia jury on Friday, with each side making the case that their client was defamed in the wake of the couple’s divorce. Each side argued that the jurors had gotten to see the “real” Johnny Depp —
In order to return somewhere, you first have to leave it. So it’s arguable whether the initial visit in Davy Chou’s strange, deep, changeable and wise “Return to Seoul” even qualifies in a meaningful sense as a return. 25-year-old Freddie (Park Ji-min), the film’s charismatic, mercurial protagonist, was adopted by French parents as a baby,
Jean Dujardin, best known for his roles in light-hearted films such as the Oscar-winning “The Artist,” plays the fierce boss of a highly-secretive police brigade that tracked down the assailants of the 2015 Paris attacks in Cedric Jimenez’s “November.” Written by Olivier Demangel (“Atlantics”), the fast-paced and tense thriller world premiered at the Cannes Film
Nobody who has lived their entire life in one country can fully understand the strange, intimate disruption of emigrating as a family. For a time, parents and children are united and equal in disorientation, the adults’ authority on hold as all parties mutually wander and fumble their way through new cultures, geographies and social circles