Movies

Australian production and distribution firm Arcadia has begun development of non-fiction best-selling book “Stephanie Alexander and Maggie Beer’s Tuscan Cookbook” as a feature film. Envisaged in the style of “The Best Exotic Marigold Hotel” or “Under the Tuscan Sun,” the feature film is currently in development and is being written by Australian film and television
0 Comments
Veteran Italian auteur Marco Bellocchio returned to Cannes this year with “Exterior Night,” a limited TV series about the 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists that, prior to playing on pubcaster RAI, is now on release in two installments via Lucky Red in Italian cinemas where
0 Comments
Empreinte Digitale, the thriving Paris-based production company behind Disney +’s “Parallèles,” has hired Thomas Saignes, a well-established producer whose track record includes “Bad Banks” and “Parlement.” Joining from Cinétévé, Saignes will be in charge of producing drama series and one-offs for streaming services and traditional TV channels, as well as spearheading Empreinte’s international co-productions. Saignes,
0 Comments
Varun Agarwal’s bestseller “How I Braved Anu Aunty and Co-Founded a Million Dollar Company” is being adapted as young-adult comedy-drama film “Bas Karo Aunty!” The project is backed by some of the biggest names in Bollywood, including the “Dangal” director Nitesh Tiwari and “Break Point” filmmaker Ashwini Iyer Tiwari’s Earthsky Pictures, Ronnie Screwvala’s RSVP, Siddharth
0 Comments
Portuguese helmer João Pedro Rodrigues returned to Cannes this year with his new film “Will-O’-the-Wisp” (“Fogo Fátuo”), which screened in Directors’ Fortnight and is his first feature since the well-received 2016 madcap journey of self-discovery, “The Ornithologist.” The film begins in 2069, with Prince Alfredo on his deathbed, who begins to reminisce about his childhood
0 Comments
Amazon Prime Video India has signed a worldwide exclusive multi-film licensing deal with Sajid Nadiadwala’s Bollywood production house Nadiadwala Grandson Entertainment (NGE). NGE’s upcoming slate includes “Bawaal,” starring Varun Dhawan (“Coolie No. 1”) and Janhvi Kapoor (“Gunjan Saxena: The Kargil Girl”), directed by Nitesh Tiwari (“Dangal”). Dhawan also stars in “Sanki” alongside Parineeti Chopra (“Saina”),
0 Comments
Coming only three years after the Palme d’Or for “Parasite,” the two Cannes prizes for Park Chan-wook as best director and for Song Kang-ho as best actor are further proof of the strength of Korean cinema’s originality, its elevated skills and its resilience. Korean movies have been temporarily overshadowed by K-pop and Korean TV dramas
0 Comments
Versus Entertainment has brought on board Decentraland and Lumiere to develop metaverse and NFT angles for its ongoing film project “The Infinite Machine.” “The Infinite Machine” is a film adapted from Camilla Russo’s book of the same title which is now being produced by Versus with Ridley Scott’s production company Scott Free. It tells the story
0 Comments
CANNES — Ruben Östlund won his second Palme d’Or for “Triangle of Sadness,” a biting satire of the rich and (Insta-)famous, bringing the 2022 Cannes Film Festival to a close. Östlund’s follow-up to his 2017 Palme-winning “The Square” takes a boat full of shallow models, millionaires and their trophy partners, then abandons them in deep
0 Comments
As genre makes much of the running in sales at this year’s Cannes Film Market, Filmax, traditionally one of its biggest vendors, has swooped on “32 Gats,” the next feature from Hèctor Hernandez Vicens who broke out with the 2015 SXSW premiere, “The Corpse of Anna Fritz.” Filmax will handle distribution in Spain as well
0 Comments
Just hours before this year’s Cannes Palme d’Or prize announcement, the International Federation of Film Critics (Fipresci) has awarded “Leila’s Brothers” its International Critics’ Prize for best film inCannes main competition.   The title is pointed. Leila has four brothers, but it is Leila, played by Iranian star Taraneh Alidoosti (“The Salesman), who dominates proceedings,
0 Comments
Pedro Almodóvar has put his considerable weight behind Spaniard Alauda Ruiz de Azúa’s first feature, ”Lullaby” (“Cinco Lobitos”) as it has initiated a spirited run at Spain’s box office. “It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the
0 Comments
Playing Directors’ Fortnight, Fabián Hernández’s “A Male” (“Un Varón”) underscores just how much Colombian cinema has evolved in recent years, in both technique and kind of storytelling.  A meditation on manhood sold by Dubai-based Cercamon and seen at San Sebastian’s WIP Latin last year, it turns on 16-year-old Carlos (Dylan Felipe Ramírez Espitia), glimpses of
0 Comments
Millions of people have watched Penney Azcarate, the chief judge of the Fairfax County (Va.) Circuit Court, as she has presided over the defamation trial between Johnny Depp and Amber Heard for the last six weeks. Azcarate has maintained a low-key presence, accepting or rejecting evidence and occasionally admonishing witnesses to focus on the question.
0 Comments
Premiering as a Special Screening at Cannes was a documentary co-directed by Houda Benyamina, Anne Cissé and subject Melanie Diam’s, the former French rapper and music sensation who stepped away from public life in the early 2010s after converting to Islam. “Salam,” meaning “peace” in Arabic, follows Diam’s new life as a philanthropist and mother,
0 Comments
In order to return somewhere, you first have to leave it. So it’s arguable whether the initial visit in Davy Chou’s strange, deep, changeable and wise “Return to Seoul” even qualifies in a meaningful sense as a return. 25-year-old Freddie (Park Ji-min), the film’s charismatic, mercurial protagonist, was adopted by French parents as a baby,
0 Comments
Jean Dujardin, best known for his roles in light-hearted films such as the Oscar-winning “The Artist,” plays the fierce boss of a highly-secretive police brigade that tracked down the assailants of the 2015 Paris attacks in Cedric Jimenez’s “November.” Written by Olivier Demangel (“Atlantics”), the fast-paced and tense thriller world premiered at the Cannes Film
0 Comments
Nobody who has lived their entire life in one country can fully understand the strange, intimate disruption of emigrating as a family. For a time, parents and children are united and equal in disorientation, the adults’ authority on hold as all parties mutually wander and fumble their way through new cultures, geographies and social circles
0 Comments