Movies

“You’ve got to know when it’s time to leave,” Cannes Festival head Thierry Frémaux joked to laughter at a packed farewell cocktail on Monday to Jerôme Paillard. “Thanks to you all for being here, the old guard, getting older every year, including myself. And again, one word for you, Jérôme: Merci.” Meanwhile Paillard, looking young for
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The Film Development Council of the Philippines launched the FDCP Channel streaming platform at the Cannes Film Market on Tuesday. Available at launch will be 140 films, including 100 Filipino titles from the country’s masters including Lino Brocka, Ishmael Bernal, Kidlat Tahimik, Chito Rono, Brillante Mendoza and Dodo Dayao. In addition, there will be 41,000
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Michelle Pfeiffer drama “Wild Four O’Clocks” has sold out internationally for Protagonist Pictures, which has closed a major deal with Sony Pictures-backed Stage 6 Films for a host of markets. The film marks the directorial debut of Peter Craig, who wrote Robert Pattinson’s “The Batman.” The story centers on two young brothers who, after their
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For the latest edition of Focus COPRO’, a program launched in 2018 by Cannes’ Short Film Corner to give a boost to first-time feature directors, the organizing team decided to give the event a reboot, scrapping the formal pitches and giving the selected filmmakers a chance to mingle and network in a more casual setting.
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“CODA” producer Philippe Rousselet’s next movie “Maestro” has been sold to major territories by Orange Studio which hosted a market screening at Cannes. “Maestro” is adapted from Joseph Cesar’s Oscar-nominated, Cannes-prizewinning Israeli film “Footnote.” The movie is directed by Bruno Chiche and stars Yvan Attal, Pierre Arditi, Miou-Miou and Pascale Arbillot. “Maestro” follows a father
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As the boundaries in cinema become increasingly fluid, emerging filmmakers whose films have been selected at the Cannes Film Festival have been discussing their journey from documentary to fiction at the Cannes Market’s Cannes Docs sidebar. Curated by the Documentary Assn. of Europe, the panel on Sunday brought together Ukrainian director Maksym Nakonechnyi, the director
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Polish-born Dagmara Domińczyk, who stars in “Succession” as Karolina Novotney, the head of PR for Waystar Royco, embraces her Eastern European heritage in the upcoming animation “My Love Affair With Marriage.” Directed by Signe Baumane, also behind 2014’s “Rocks in My Pockets,” the film – inspired by Baumane’s turbulent past relationships – will premiere at
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David Cronenberg attended the Cannes press conference for his film “Crimes of the Future” and called the United States “completely insane” for potentially overturning Roe v. Wade, which has kept basic abortion rights legal since its 1973 ruling. The director’s new film, which is a return to his body horror roots, addresses “who owns who’s
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The European Genre Film Foundation (EGFF), aimed at restoring and raising awareness of classic genre films in Europe and globally, launched at Cannes on Tuesday. The non-profit organization, headquartered in Stockholm, will work with film libraries, archives, rights holders, academics, film festivals and other institutions. It is modelled on Martin Scorsese’s Film Foundation and the
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Paris-based Les Films D’Ici (“Waltz with Bashir”) has boarded Chilean doc “El Porvenir de la Mirada,” produced by Santiago-based Storyboard Media and associate produced by Academy Award winner Sebastian Lelio (“A Fantastic Woman”). The feature-length doc chronicles the trauma of young protesters shot in the eyes by Chilean riot police during the massive demonstrations that
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101 Films Intl., the U.K.-based sales division of Amcomri Entertainment, has boarded worldwide sales for comedy sci-fi fantasy film “This Is the Night Mail.” Written by Joanne Reay (“MindGamers”), “This Is the Night Mail” stars a plethora of well-known talent including Stephen Fry (“Bright Young Things”), Jennifer Saunders (“Absolutely Fabulous”) and Matt Lucas (“Little Britain”).
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Premiere Digital to Distribute Mental Health Documentary ‘The Girl on the Bridge’ in the U.S. and Globally Premiere Digital has acquired global distribution rights, including the U.S., for “The Girl on the Bridge,” a mental health documentary directed by New Zealand filmmaker Leanne Pooley. “The Girl on the Bridge” tells the story of 22-year old
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In David Cronenberg’s “Crimes of the Future,” characters can feel no pain. Unfortunately, the same wasn’t true for the dozens of attendees at the Cannes premiere of the horror-drama that walked out midway through the film, unable to stomach just exactly what was happening onscreen. The movie also earned a seven-minute standing ovation, suggesting that
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Most filmmakers who want to unsettle you in a horror movie will reach for a familiar set of tools: slashers, demons, shock cuts, soundtracks that go boom! in the night. But in “Crimes of the Future,” the writer-director David Cronenberg is out to provoke and disturb us with something far more traumatic than mere monsters.
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After winning the Palme d’Or with “The Square,” Ruben Östlund has shocked Cannes audiences again with “Triangle of Sadness,” an equally provocative social satire starring Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super-rich. “Triangle of Sadness” is so far the most buzzed-about movie in competition and a
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Welcome back, Park Chan-wook. The South Korean auteur returned to Cannes six years after “The Handmaiden” with his new detective thriller “Decision to Leave” and earned a five-minute standing ovation. Although the ovation matched the amount of time celebrating “The Handmaiden,” the reception was notably more muted. While the camera the festival uses that normally
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Swiss filmmaker Lionel Baier (“Stealth,” “Longwave”) has completed the third movement in his sweeping film tetralogy concerning Europe with “Continental Drift (South).” The film, which debuts at the Cannes Directors’ Fortnight, sees Baier shifting his focus southward to Sicily in 2020, just prior to the COVID-19 pandemic and deep within the European migrant crisis. Isabelle
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It’s a gross oversimplification of Jane Austen’s gift to suggest that her novels reduce to heteronormative matchmaking exercises, though all six end with their heroines getting hitched. (Austen herself never wed. Make of that what you will.) Gay movies have their formulas, too, few of which end in marriage. Exasperatingly, the vast majority center on
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“The Bob’s Burgers Movie” knows its recipe and sticks to it. For 12 seasons, show creator Loren Bouchard, who here co-helms with longtime producer and supervising director Bernard Derriman, has served up the cartoon sitcom antics of the daffy, working-class Belcher family who live in an unnamed town with the vibe of Pittsburgh-by-the-Sea. Hijinks hinge
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Nonfiction filmmaker Brett Morgen has taken on icons in his previous films including Jane Goodall (“Jane”), the Rolling Stones (“Crossfire Hurricane”) and Kurt Cobain (“Cobain: Montage of Heck”). With “Moonage Daydream,” he turns his lens on David Bowie. It may be Morgen’s biggest project yet — he combed through 5 million assets that the Bowie
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