Movies

A24 has greenlit “F*cking Identical Twins,” an R-rated musical comedy that puts a subversive spin on “The Parent Trap.” Comedians Aaron Jackson and Josh Sharp are adapting the film from their two-man stage show, which premiered at Manhattan’s Upright Citizens Brigade in 2014. In addition to writing the script, Jackson and Sharp will co-star as the
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Elvis has entered the building. The first trailer for Baz Luhrmann’s upcoming biopic starring Austin Butler (“Once Upon a Time in Hollywood”) as the King of Rock ‘n’ Roll was released Thursday, and the resemblance is uncanny. The trailer also confirmed that the previously untitled Warner Bros. film will be called “Elvis.” The film explores
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A beloved television powerhouse hailed for her keen comedic instincts on-screen as well as having a shrewd producer’s eye for nurturing behind-the-scenes projects and bolstering the talents of others — that’s the eternally iconic Lucille Ball in a nutshell. But it also aptly describes Amy Poehler, which may be why the true-life story of Ball
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The most shocking snub of the Oscar noms was Denis Villeneuve’s omission from the best directing category for his science-fiction epic “Dune.” The film’s 10-nomination haul includes best picture and adapted screenplay, the latter perceived to be its most difficult to attain. Yet, Villeneuve’s lack of recognition for directing could rally widespread support from Academy
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Fremantle and Italy’s Cinecittà have entered a five-year pact involving the continuous rental of six sound stages at the iconic studios, which are currently undergoing a major revamp. The deal “confirms Fremantle’s strategic decision to make some of its top international productions in Italy: a decision that finds the perfect and natural partner in Cinecittà,”
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Anyone who’s ever scoffed at a company referring to its employees as family will immediately hear alarm bells ringing when Zhanna (Lyudmila Vasilyeva), the matriarch who runs Produkty 24, tells her workers they aren’t just employees, they’re her children. It won’t take long for “Convenience Store” to justify that skepticism and then some: A highlight
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In the entertainment industry, the name WetaFX is synonymous with high-end visual effects. CEO Prem Akkaraju wants to make the firm, founded by filmmakers Peter Jackson and Fran Walsh, a marquee name for original content as well. As he explains on the latest episode of Variety podcast “Strictly Business,” Akkaraju has helped reorganize the company’s
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Welcome to this week’s “Just for Variety.” Matthew McConaughey hasn’t exactly shut the door on appearing in the third installment of Channing Tatum’s stripper franchise “Magic Mike.” But the actor, who appeared in the 2012 original (but said no to 2015’s “Magic Mike XXL”), is still waiting for his phone to ring about “Magic Mike’s
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Colombian-Canadian director Lina Rodríguez’s third feature, “My Two Voices”,  a 68 min documentary that through its short runtime  artfully orchestrates a polyphony of emotions, colors, textures and voices in its portrayal of three immigrant women. Produced by Canada’s Rayon Verde, the same production company behind her previous film “This Time Tomorrow,” Rodríguez’s meticulous approach interweaves
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David Duchovny (“Californication”) and Ron Livingston (“A Million Little Things”) round out the cast of Signature Films’ inheritance battle comedy “The Estate.” The actors join a star-studded cast that includes leads Toni Collette and Anna Faris, alongside Kathleen Turner, Rosemary DeWitt and Keyla Monterroso. Production is currently underway in New Orleans. Directed by Dean Craig,
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Forbes Entertainment and Entertainment One have partnered to produce multiple projects based on the alleged bitcoin laundering operation of Heather Morgan and Ilya Lichtenstein, the companies announced Wednesday. As reported by The New York Times, Morgan and Lichtenstein were arrested on Feb. 8 under charges relating to a 2016 hack of the Bitcoin virtual currency
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The Berlin Film Festival’s awards ceremony is under way, with M. Night Shyamalan’s jury soon to announce their selections from the festival’s official competition. Follow here for an updating list of the night’s winners below. DOCUMENTARY JURY AWARDS Berlinale Documentary Award: “Myanmar Diaries,” The Myanmar Film Collective Special Mention: “No U-Turn,” Ike Nnaebue GWFF JURY AWARD Best
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The 27th Critics Choice Awards are going global. The Critics Choice Association announced Wednesday morning that its upcoming awards ceremony’s telecast will unfold with broadcasts from events in both London and Los Angeles. “The role of the Critics Choice Awards in the entertainment world has grown exponentially over the past quarter century,” Joey Berlin, CEO
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WarnerMedia has partnered with Black Beauty Roster and its network of 10,000 vetted beauty professionals in an effort to advance diversity in hair and makeup on set. Through the new relationship, WarnerMedia and Black Beauty Roster (BBR) aim to address a problem that is twofold — first, addressing the concerns of talent of color who’ve
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Will Smith’s Westbrook Studios and David Oyelowo’s Yoruba Saxon have partnered with Netflix to produce the film adaptation of “Onyeka and the Academy of the Sun.” Based on the upcoming book by British-Nigerian author, journalist and hair care educator Tọlá Okogwu, “Onyeka and the Academy of the Sun” tells the tale of a teenager who
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Uzbekistan-born Michael Borodin makes a searing feature debut with the Russia-Turkey-Slovenia co-production “Convenience Store,” a story of modern slavery in Moscow, taking places under the noses of thousands of indifferent witnesses. Demonstrating his interest in pressing social issues, Borodin’s Berlinale Panorama selection was inspired by his personal experience as an illegal immigrant to Russia and
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The newly merged broadcaster TelevisaUnivision and Salma Hayek Pinault’s Ventanarosa Productions have forged a two year first-look pact in which the latter will produce Spanish-language films exclusively for TelevisaUnivision’s upcoming SVOD streaming service, ViX Plus. The first project under the deal is romantic fantasy pic “Quiero tu Vida” (“I Want Your Life”), which follows Nico,
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All great actresses of a certain age should get to anchor as many starring vehicles as the indefatigable Isabelle Huppert. Her prolific output and enduring marquee-name status are testament to French cinema’s continued interest in women past the age where Hollywood mostly confines them to secondary mom roles. But that doesn’t mean every project is
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