Movies

After piloting the “Hunger Games” franchise to more than $2 billion at the worldwide box office, Francis Lawrence is taking on another dystopian text — Philip K. Dick’s novel “Vulcan’s Hammer,” directing and producing the movie with New Republic Pictures and Electric Shepherd Productions. Lawrence will produce the adaptation under his About:Blank banner alongside veteran
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Disney Animation’s newest feature, “Encanto,” centers on the extended Madrigal family, who possess magical powers and live in an enchanted house. Only teenager Mirabel, voiced by “In the Heights” actor Stephanie Beatriz, lacks the gift of incantation. The movie, which debuts in theaters Nov. 24, is rooted in Colombian culture, so filmmakers Byron Howard and
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Kenneth Branagh’s semi-autobiographical film “Belfast” is opening in theaters this week and has already attracted an immense amount of Oscar buzz, currently sitting as the frontrunner for best picture, director and several other categories. With honors and audience awards from various festivals, the Focus Features black-and-white drama has the famed filmmaker on a path to
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New York-based Cohen Media Group has acquired all U.S. rights to Javier Bardem-starrer “The Good Boss” (“El Buen Patrón”), Spain’s submission to the international feature film Oscars race at the 2022 Academy Awards. The deal was negotiated by CMG senior VP Robert Aaronson and Fionnuala Jamison, managing director, MK2, which is handling international sales on the film.
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Ventana Sur’s Blood Window Works in Progress sidebar, along with the event’s Screenings and project pitchings, have firmly cemented the annual event as one of the standout dates for genre cinema in Latin America and abroad. This year, six works in progress will screen as part a hybrid Ventana Sur market which will run Nov.
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Cinematographer Ayinde Anderson set out to film the coming-of-age skate punk story “North Hollywood” with a rich, cinematic style that would be the last thing viewers would expect from an authentic cast pulling off real stunts in the community where they live. Because he’d had so much time invested in writer-director Mikey Alfred’s world of
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While Hollywood blockbusters such as “Dune” and “No Time to Die” are dominating the U.S. box office, foreign-language specialty titles are proving their theatrical mettle in the early post-pandemic era. Driven by Bong Joon Ho’s historic best picture win for “Parasite” in 2019, U.S. awards season has never been more open to non-English-language fare, with
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Alibaba co-founder Joe Tsai and business partner Arthur Wang are facilitating the expansion into Asia of London and Los Angeles-based independent studio The Ink Factory. The Ink Factory has previously delivered adaptations of author John le Carré’s novels including “The Night Manager” and the “The Little Drummer Girl.” It is currently working on a series
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Fast-rising Philippines-based director Mikhail Red has gained a dedicated following after delivering a succession of powerful films in just a few years. In addition to establishing Red on the festival circuit – he has been consistently programmed by the Tokyo International Film Festival – his pictures have been acquired by Netflix. And Red is filming
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