“The Green Knight” is dense, to say the least. Based on an anonymously written poem from the 1400s now known as “Sir Gawain and the Green Knight,” David Lowery’s film weaves together myths of lords and ladies who love little mind games, beheaded young women who may or may not turn into foxes and, of
Movies
Hello from Provincetown, Massachusetts. As I write this week’s column, Fabian and I are enjoying a week on Cape Cod. In addition to spotting “White Lotus” star Murray Bartlett riding his bike on Commercial Street and seeing Billy Eichner at the legendary daily afternoon “T-party” at the Boatslip hotel, I finally got to meet David
Women are finally claiming their right to desire, argued Sweden’s Ninja Thyberg at Karlovy Vary Film Festival, where she showed her Cannes-labelled debut “Pleasure” on the big screen following its successful Sundance bow. Even though mainstream entertainment like “Fifty Shades of Grey” or “365 Days” still caters to fantasies about submissive women and dominant men
Returning to Karlovy Vary Intl. Film Festival, where his documentary short “Views of a Retired Night Porter” was awarded in 2006, Austrian helmer Andreas Horvath decided to focus on his fiction feature debut “Lillian” when addressing the participants of European Film Promotion’s Future Frames during an exclusive masterclass. The showcase, now in its seventh edition,
BET is closing out the summer with a block of original feature films, including the Taryn Manning lightning rod “Karen.” Titled “Summer of Chills,” the slate of suspense thrillers includes three BET original movies and the linear debut of two titles from streaming service BET Plus. Stars including Paula Patton, Lauren London, LisaRaye McCoy, Loretta
John Fithian, the chief of the National Association of Theater Owners, is here to reiterate one thing: Moviegoing is not dead. Yes, it’s been a bleak 28 months since CinemaCon, the exhibition trade show held annually in Las Vegas, last took place. In that time, the pandemic brought on unprecedented challenges for the industry, including
Scott Budnick’s has tapped Ameet Shukla to serve as head of content. In his new role, Shukla will oversee the company’s slate of film and television projects and will report directly to Budnick. “Ameet’s vision and passion for making content that can change the world bowled us over,” One Community CEO Scott Budnick said, announcing
Jake Gyllenhaal is set to star in “Oblivion Song,” an adaptation of Robert Kirkman and Lorenzo De Felici’s graphic novel. New Republic Pictures announced on Tuesday it optioned the rights to the story, with plans to turn it into a feature film. Gyllenhaal’s production company Nine Stories will produce the film with Riva Marker and
Mimi Plauché, the artistic director of the Chicago International Film Festival, has been named Knight of the Order of Arts and Lettres from the French Minister of Culture, Roselyne Bachelot-Narquin. Plauché will receive the honorary distinction, one of the four ministerial orders of the French Republic, at a gala event held on Sept. 13 in
The Production Guild of Great Britain (PGGB), in partnership with the British Film Commission, has revealed the participants for its inaugural Diversity and Inclusion Mentor Scheme. The program has has matched 15 emerging talent mentees with experienced industry mentors working in U.K. film and high-end TV production. Professor Lyndsay Duthie, PGGB CEO, said: “This first
French actor-turned-director Stéphane Freiss started shooting in Italy Monday on “Face à Toi,” a drama toplining emerging French star Lou de Laâge and Italy’s Riccardo Scamarcio (“Three Floors”), set against the backdrop of the Jewish harvest festival of Sukkot. De Laâge plays the 25-year-old Esther who has always lived in a very close-knit Jewish Orthodox
Oscar-winner Tilda Swinton is the narrator of “Goliath: Playing With Reality,” a virtual reality experience about a schizophrenic man who finds human connection by playing video games, which is set to have its world premiere at the 78th Venice International Film Festival. Directed by Barry Gene Murphy and May Abdalla, “Goliath” is a 25-minute animated
Orange Studio, the Paris-based film and TV arm of France’s leading telco operator Orange, has poached Charlotte Boucon, SND’s longtime international sales topper. Boucon will be head of world sales for Orange Studio starting on Sept. 1 and will report to Kristina Zimmermann, managing director of the French studio. Under the newly-created role, Boucon will
Since 2011, the Edinburgh Film Festival’s Talent Lab has nurtured a number of rising filmmakers through an assortment of masterclasses, workshops and individual mentoring sessions: Talents like Ben Sharrock (“Limbo”), Eva Riley (a recent winner BIFA winner for “Perfect 10”) and Rob Savage (“Host”) are alumni of the program. In 2019, however, the program yielded
Two internationally-acclaimed documentaries from the Nordic region – “Flee” and “Gunda” – are among the five films nominated for a Nordic Council Film Prize. This is the most prestigious film award in the Nordic region, celebrating films with unique artistic visions that actively engage with Nordic culture. It’s the eighteenth year the Nordic Council Film
In between an Adventist Church and a parish church belonging to the Church of Norway in the coastal town of Haugesund lies the Haugesund Public Library which proved the setting for the first major panel discussion at this year’s Haugesund Festival, which turned on Feminism and Religion. In this Christian-dominated environment, the conversation turned in
Marion Cotillard, the Oscar-winning French actor whose latest film “Annette” won a prize at Cannes, will receive a Donostia Award at the 69th edition of the San Sebastian Festival during the opening ceremony on Sept. 17. Cotillard, who won an Oscar, Golden Globe and BAFTA award for her performance as Edith Piaf in “La Vie
FESTIVAL Taliban hostage drama “And Tomorrow We Will Be Dead,” by Swiss filmmaker Michael Steiner (“The Awakening of Motti Wolkenbruch”) will open the 17th Zurich Film Festival (Sept. 23 – Oct. 3). The film follows the story of Daniela Widmer (Morgane Ferru) and David Och (Sven Schelker), the Swiss couple were kidnapped and handed over
Samuel Goldwyn Films has acquired U.S. rights to the anticipated Danish epic period drama “Margrete-Queen of the North,” helmed by Charlotte Sieling (“The Bridge,” “The Killing,” “Homeland”). The upscale feature, produced by Birgitte Skov and Lars Bredo Rahbek for Scandinavian major SF Studios, is screening at this week’s Norwegian International Film Festival in Haugesund (Aug.21-27).
Hong Kong is to introduce a new film censorship law that could send anyone responsible for illegal screenings to jail for up to three years. Offenders could also be liable to a HK$1 million ($128,000) fine. The new law is intended to codify national security concerns that were introduced into the city’s film classification ordinance
“Burn All My Letters,” Swedish filmmaker Björn Runge’s follow up to his Glen Close starrer “The Wife,” has just started shooting “Burn All My Letters.” The decade-spanning love drama stars Bill Skarsgård (“Deadpool”) and is based on Alex Schulman’s bestselling novel of the same name. Sverrir Gudnason (“Borg vs. McEnroe,” “Gentlemen,” “A Serious Game”) has
Jennifer Ngo was working as a journalist in London when massive protests broke out in her native Hong Kong in 2019. She watched news feeds and live streams with a mixture of “heartbreak” at the violence and “hope” that Hong Kongers were taking to the streets in the name of democracy once again. “After 2014
Film can provide a vital lens for documenting histories which have otherwise been overlooked or swept away in the wake of a dominant narrative. During a panel at the Edinburgh International Film Festival, titled “The Whole Picture: Adjusting the Lens of History,” a quartet of filmmakers, artists and archivists gathered to discuss how we document
Director Douglas Mackinnon, whose credits include “Doctor Who,” “Sherlock” and Neil Gaiman’s “Good Omens,” still recalls the moment he realized that London was no longer the center of the universe in terms of U.K. film and high-end TV production. He was in his native Scotland, where he was directing a few episodes of “Outlander,” when
Being your own boss sounds like a dream. But for gig workers, that very premise has turned into a nightmare, as Shannon Walsh makes clear in her latest documentary, “The Gig Is Up.” “I’ve been interested in questions around capitalism and exploitation, and technology has always interested me as well,” says Walsh. “And I’m really
Production of “Taiwan Trilogy,” billed as the biggest film project originated from Taiwan, has been put on indefinite hold due to the COVID-19 pandemic and financial problems, the film’s director Wei Te-sheng (“Cape No. 7,” “Seedig Bale”) said on Monday. Filming of the ambitious movie trilogy, that aimed to retell the history of Taiwan starting
Disney’s “Luca” is the first Hollywood picture to get a release in China in weeks, but its opening figures didn’t make that big of a splash — at least, not close to enough to douse the continued reign of Donnie Yen action film “Raging Fire.” The animation directed and co-written by Enrico Casarosa swam to
“Bullet Train” went off with a bang at CinemaCon in Las Vegas on Monday. The first-ever footage from the Brad Pitt action thriller was screened at the annual convention of movie theater owners during an opening night presentation from Sony Pictures. Directed by “Atomic Blonde” helmer David Leitch, the movie follows five assassins on a
The official trailer for Marvel’s highly anticipated “Spider-Man: No Way Home” is finally here, following a Sunday night leak on social media. Sony Motion Pictures Group CEO Tom Rothman introduced the trailer, with remarks from Tom Holland and Benedict Cumberbatch. The clip sees Peter Parker face his most brutal foe to date — the past.
Spike Lee said he still has “questions” about exactly what happened on 9/11. The New York director — whose new docuseries “NYC Epicenters: 9/11 – 2021½” explores New York City’s darkest day and provides access to those involved — said in a new interview with The New York Times that “people [are] going to make