Movies

Documentary “The Most Beautiful Boy in the World,” about the teenage actor in Luchino Visconti’s “Death in Venice,” has been sold to numerous territories by Berlin-based sales agency Films Boutique. The Swedish film, directed by Kristina Lindström and Kristian Petri, premiered in Sundance in the World Cinema Documentary Competition. It receives an online market screening
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The Academy Award-nominated animated feature “Wolfwalkers,” from Kilkenny-based studio Cartoon Saloon, has won Best Film at the Irish Film and Television Awards this evening. It is the second time an animated feature has won in the category, the first being Cartoon Saloon’s “Song of the Sea” in 2015. “Avengers: Endgame” star Josh Brolin presented the
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Documentaries from Afghanistan, Bangladesh, India, and Nepal will compete for the €10,000 ($11,866) docs-in-progress grand prize and other awards at the 2021 edition of Cannes Docs. From Afghanistan, prolific short filmmaker Hezbullah Sultani’s feature documentary debut “Birds Street” explores Kabul’s showcase for avian life, a corner of the city tucked away behind a mosque untouched
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In a career that spans more than seven decades, Eva Marie Saint has won an Oscar, played Superman’s mom, and acted alongside screen legends such as Paul Newman, Montgomery Clift and Marlon Brando. A versatile performer, she appeared in comedies (“The Russians Are Coming, the Russians Are Coming”), historical epics (“Raintree County”), social dramas (“On
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While it’s not uncommon for an animation director to make the leap into live-action filmmaking, it is rather rare for that first at bat to be a massive sci-fi blockbuster that isn’t based on any pre-existing properties. That’s the opportunity presented to Chris McKay, who transitioned from directing nearly four dozen episodes of “Robot Chicken”
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The documentary “Beyond the Raging Sea” will make its European premiere July 4 as the centerpiece presentation of the Monaco Streaming Film Festival. The screening will take place in Monte Carlo’s Grimaldi Forum prior to the Festival’s Gala Awards evening. The film’s writer-director, Marco Orsini, will attend. The Streaming Festival debuts this year, running July
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MK2, the venerable family-owned film group which operates a leading arthouse multiplex chain in France and Spain, is emerging from the pandemic stronger, cooler and more ambitious than ever. Nathanaël and Elisha Karmitz, who succeeded their father Marin at the helm of the company in 2005, have galvanized the MK2 brand with activities ranging from
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When “Fear Street” writer-director Leigh Janiak recruited Christopher Allen Nelson as special makeup FX designer and department head for Netflix’s trilogy based on the R.L. Stine books, she knew she had the right person to pay homage to ’90s slasher flicks such as “Scream.” Janiak’s goal was that the “skull mask” killer in the first
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DreamWorks Animation’s “The Boss Baby: Family Business” and Blumhouse and Universal’s “The Forever Purge” both netted $1.3 million each in Thursday previews. The two sequels, which appeal to vastly different segments of the moviegoing audience, will likely be overshadowed by the second weekend grosses of “F9,” which is expected to earn roughly $28 million over
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The British Film Institute (BFI) has revealed a one-year fund worth £500,000 ($690,000) to support the U.K. distribution of international titles. The funding comes by way of the National Lottery and will be administered by the BFI Audience Fund. It is aimed at supporting exhibitors and distributors in the wake of the pandemic and aims
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Paris-based international sales and production company Totem Films has added Gábor Fabricius’ “Erasing Frank” to its Cannes market lineup. Set in 1983, behind the Iron Curtain of Eastern Europe in Budapest, the film follows Frank, the charismatic singer of a banned punk band that carries the voice of their generation against a totalitarian regime. Taken
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Brazilian audiovisual promotion group Projeto Paradiso and Argentina’s Cannes-backed market-festival Ventana Sur are launching a new $10,000 award to be handed out at the Buenos Aires event, earmarked for the best Brazilian fiction projects in post-production. The announcement was made by Projeto Paradiso’s Josephine Bourgois – executive director of the Olga Rabinovich Institute – and
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