Movies

Barcelona production-distribution outfit Filmax has picked up international rights to director-producer Ibon Cormenzana’s “Guilt” ahead of its presentation at the Pre-Cannes Screenings, which run June 21-25. The Basque helmer directs his long-time partner Manuela Velles (“Muse,” “Kidnapped”) who co-developed the topical drama with him and was actually pregnant at the time of the shoot. Velles plays a
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A Columbia U. doctoral student grapples with cultural expectations, demands and pressures while carving out her own path in “Queen of Glory,” writer-director-star Nana Mensah’s inviting and understated indie about immigrant identity anxieties. With a lived-in feel for the Bronx community in which her story takes place, the filmmaker generates endearing pathos from a story
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Mother Nature might be predator, prey or another supernatural being altogether in “Gaia,” infiltrating her targets with unfurling shoots and roots and sudden fungal outcrops, until she’s eventually growing from within them. Or so it seems in first-time feature director Jaco Bouwer’s cool, taciturn ecological horror, which isn’t in any kind of hurry to show
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Rita Moreno is defending Lin-Manuel Miranda and “In the Heights” following criticism over the film’s lack of Afro-Latino representation. On tonight’s episode of “The Late Show With Stephen Colbert,” Moreno appeared to promote her documentary, “Just a Girl Who Decided to Go for It,” and later brought up the “In the Heights” controversy. “Can we
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Substitute “virus” for “tornado,” as the initial external threat and slot in “mandatory self-isolation” for “fallen tree that makes escape impossible” and it would seem Sean King O’Grady’s “We Need to Do Something” has instant allegorical relevance. It hardly takes a PhD in advanced semiotics for the pandemic-battered soul to identify with the plight of
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Julia Butters — the young actor who stole scenes outright from Leonardo DiCaprio in “Once Upon a Time…in Hollywood” — will play a character inspired by Steven Spielberg’s sister in the filmmaker’s untitled semi-autobiographical film about his childhood. She’ll join Michelle Williams, Paul Dano and Seth Rogen, who are playing characters loosely based on Spielberg’s
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The weathered, storied face of rapper-actor Saul Williams does the heaviest lifting in “Akilla’s Escape,” an exceedingly solemn crime drama from Canadian filmmaker Charles Officer that benefits from every ounce of his natural gravitas. As a Toronto drug trader facing the ugly roots of his underworld life in the wake of a botched deal, Williams
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“Queen of Glory,” a new indie drama about a doctoral student whose plans are upended when her mother dies unexpectedly and leaves her the family’s Christian bookstore, is a remarkable feature film directing debut for Nana Mensah. Not only does its premiere at this year’s Tribeca Festival herald the arrival of a compelling new cinematic
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When Lauren Hadaway was working on “Justice League” in the sound department, she had time to kill between arduous reshoots on the gritty superhero adventure. With years of experience finessing sound and dialogue on a range of blockbusters and indies, including the jukebox musical “Mamma Mia: Here We Go Again,” Damien Chazelle’s “Whiplash,” Quentin Tarantino’s
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California Gov. Gavin Newsom celebrated the full reopening of the state during a news conference on Tuesday at Universal Studios Hollywood, with Shrek and the Minions appearing to help herald his arrival. “I want to thank everybody who worked so hard to work through the misinformation and politics,” Newsom said, emphasizing the state’s high 70% vaccination
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“The Lobster” co-stars Rachel Weisz (“The Favourite”) and Colin Farrell (“The Gentlemen”) are reuniting for Todd Solondz’s “Love Child.” Solondz (“Welcome to the Dollhouse”) will direct from his own script. In a darkly comic twist on the classical Oedipal story, “Love Child” will follow a precocious child who schemes to rid himself of his brutish
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In 2016, Oscar-winning filmmaker Guillermo del Toro first announced his plans with DreamWorks to produce the animated series “Trollhunters” in a presentation at the Annecy Animation Festival. Now, five years later, he returns – although virtually – to discuss the franchise’s feature film finale “Trollhunters: Rise of the Titans,” and share a trailer ahead of
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Paris-based outfit Silex Films is teaming up with Charades (“Mirai,” “I Lost My Body”) for “In Waves,” a California-set tale of unconditional love and surfing, adapted from American illustrator AJ Dungo’s critically acclaimed graphic novel of the same name. “In Waves” will mark the feature debut of Phuong Mai Nguyen, a graduate of the Gobelins
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“Julia’s Eyes” helmer Guillem Morales is readying 1980s-set psychological thriller “Brother,” with WestEnd Films set to launch sales at the Cannes virtual market later this month. Morales, one of Spain’s top genre auteurs, is best known for 2010 Spanish horror “Julia’s Eyes” (pictured), which was produced by Guillermo del Toro. The director recently won a
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Belgian director Felix van Groeningen (“Beautiful Boy”) and Charlotte Vandermeersch have started shooting in the Alps on “The Eight Mountains,” an Italian drama based on a bestseller about male bonding set against a mountainous backdrop. Vision Distribution will launch international sales of the film at the upcoming Cannes virtual market. The film will be released
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Top French animation studio TeamTO is presenting at Annecy a trio of cosy winter story animation projects, collectively known as Winter is Here, after nabbing TV, film and licensing rights to three popular children’s books. TeamTO aims to produce three individual specials for the 2022-2023 winter season suitable for both at-home TV or platform viewing,
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Didier Brunner – producer of “The Triplets of Belleville,” “The Secret of Kells” and “Ernest and Celestine” – is readying his next production, ’Prends Garde à toi!,’ an adaptation of the ‘Carmen’ story led by one of France’s freest creative spirits: Sébastien Laudenbach. Laudenbach’s feature debut, “The Girl Without Hands,” an adaptation of a Brothers
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