Movies

Most years, the Oscars media room is as intimate and pedestrian as an award show gets. Agents and publicists drink warm diet coke and pound cocktail shrimp with the global press and a throng of photographers. Movie stars and filmmakers glide through, gossip is shared, Wi-Fi is terrible, a good time is had. But as
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Movie theaters started to gradually reopen in Italy on Monday, serving up Oscar-winning titles such as “Minari” and “Mank” in a fraction of the country’s venues, just as COVID-19 restrictions begin to ease. For the moment, it’s a few mostly arthouse venues in Italy’s biggest cities that are becoming active again, while Italian multiplexes remain closed
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“Nomadland” led the 93rd Academy Awards with three wins out of its six nominations, including a historic best director victory for Chloé Zhao, who became the second woman and the first woman of color to win an Oscar in the category. Mia Neal and Jamika Wilson became the first Black women to be awarded an
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Linda May and Swankie, two of the featured performers in “Nomadland,” are attending the Oscars. The two nonprofessional actors are the plus-ones of Chloé Zhao (nominated for four Academy Awards) and the movie’s nominated cinematographer, Joshua James Richards (who is also Zhao’s partner). “Nomadland,” based on Jessica Bruder’s 2017 nonfiction book of the same name,
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Let the glamour flow! The 2021 awards season wraps up on the Oscars red carpet with a final chance for the Hollywood elite to deliver their fashion prowess. The undefined dress code leaves the door wide open for a spectrum of looks that could speak to the escapism of high fashion or the relaxed trends that have emerged during the COVID-19 pandemic.   Because the Academy Awards is an
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Almost 50 years ago, another disease was ravaging Europe and called for enforced quarantine measures and mass vaccinations to save lives: Smallpox. The last epidemic in Europe occurred in spring 1972 in communist Yugoslavia. The docu feature project,  “Another Spring” by Mladen Kovačević, pitched at this year’s Visions du Réel’s Industry platform, explores this other spring
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Premiered simultaneously in Vision du Réel’s International Competition and at CPH: DOX, “Holgut” is a documentary-fiction hybrid which takes viewers on an immersive double journey deep within the Siberian tundra. Prague-based Filmotor is handling international sales. The film follows the journey of two brothers who travel north upriver to hunt the last wild reindeer and
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Among the 16 projects pitched at this year’s Visions du Réel is “Science Fiction” – a genre-busting documentary about Argentine filmmaker Ezequiel Yanco’s flight of imagination during the confines of quarantine. Yanco and producer Ana Godoy first visited the Swiss festival three years ago when “La Vida en Común,” their hybrid documentary about a group of
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Mexico-based, El Salvador-born Tatiana Huezo has quickly emerged in the world of documentary as one of its most talented and thought-provoking directors of her generation. As she finally jumps from documentary to fiction with the upcoming “Noche de Fuego,” a strong big fest candidate, the director delivered a three-hour masterclass at this week’s Swiss doc
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Germany’s Deckert Distribution, a world sales agent on two-time Oscar nominee “Honeyland,” has confirmed first deals on “The Bubble,” “Bellum – Daemon of War” and “Les Enfants terribles,” three world premiere standouts in International Competition at Nyon Switzerland’s Visions du Réel. “Les Enfants terribles” shared the prestige Swiss doc fest’s Special Jury Prize, announced at
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Natalia Almada, who won best director at Sundance this year for her mesmerizing film “Users,” is eager to continue the cinematic journey she began in that work with plans to next explore the boundaries of human endurance and the desire to discover the unknown. “Users,” which is screening at the Copenhagen Documentary Film Festival (CPH:DOX)
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Copenhagen documentary film festival CPH:DOX sees the world premiere of “Children of the Enemy,” which captures the journey of a Swedish-Chilean man to a Syrian prison camp to rescue his grandchildren, after their parents – members of the Islamic State terrorist group – are killed. Director Gorki Glaser-Müller spoke to Variety about the film, and
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