Movies

Production designers from the Oscar-nominated films “The Father,” “Ma Rainey’s Black Bottom,” “Mank,” “News of the World” and “Tenet” are joining American Cinematheque for a virtual Q&A on Saturday at 1 p.m. PT. Sponsored by Variety, the online conversation will bring together production designers and set decorators from this year’s critically-acclaimed films to discuss their craft
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The U.K’s Department for Digital, Culture, Media and Sport (DCMS) and the British Film Institute (BFI) have formally launched an export booster fund to replace the European tap that ran dry with Brexit. Grants disbursed from Creative Europe’s MEDIA program were worth an average of €18.5 million ($22.2 million) a year to the cultural and
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Justin Simien, the director of “Dear White People” and “Bad Hair,” has been tapped to direct Disney’s “The Haunted Mansion” remake. Though taking inspiration from the spooky theme park ride, plot details have been kept under wraps for the upcoming live-action movie. The Haunted Mansion theme park ride, which first opened in 1969, takes guests
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George Gershwin, the noted composer of “Rhapsody in Blue” and “An American in Paris,” will be the inspiration for a new musical drama from Martin Scorsese and John Carney. Scorsese is producing the movie “Fascinating Rhythm,” named after one of Gershwin’s most recognizable songs, with Irwin Winkler. Carney, the filmmaker behind “Once” and “Sing Street,”
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In response to recent and explosive allegations about producer Scott Rudin’s workplace behavior, the Producers Guild of America is forming a task force to combat bullying in Hollywood. “We are deeply disturbed and disheartened by the continuing allegations of workplace harassment and abuse in our industry, and stand with those who speak out against such
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Money can buy outside help, opportunity and material possessions, but not happiness in “My Wonderful Wanda,” a punchy satire from Swiss auteur Bettina Oberli (“Late Bloomers”). Taking a wry but empathetic approach to the phenomenon of care migration, Oberli and her co-writer Cooky Ziesche focus on the changing relationship between one privileged Swiss family and
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After putting a youthful, female-centric spin on vampiredom in “Bleed With Me,” Canadian director Amelia Moses does the same favor for werewolves in “Bloodthirsty.” This sophomore feature is likewise a slow-burning tale set among three primary characters in a remote setting. But this time the script is by producer Wendy Hill-Tout and her daughter, singer-songwriter
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The 2021 Sheffield Doc/Fest will open with the European premiere of Ahmir “Questlove” Thompson’s “Summer of Soul” and close with the world premiere of Mark Cousins’ “The Story of Looking.” “Summer of Soul (…Or When The Revolution Could Not Be Televised)” explores the 1969 Harlem Cultural Festival, which celebrated African American music and culture, and
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Roberto Rossellini, besides being Italian Neorealism’s most acclaimed film director, was also the father of a nonconformist, cosmopolitan and slightly crazy family that includes Hollywood stars such as Isabella Rossellini, another daughter who converted to Islam, and a son who has chosen to live on a desert island in Sweden.  The Rossellini family also comprises
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Warner Bros. released a trailer for the third “Conjuring” film that sees the return of Patrick Wilson and Vera Farmiga. “The Conjuring: The Devil Made Me Do It” follows the real-life case of Arne Cheyenne Johnson, who defended himself against a manslaughter prosecution by claiming that he was the victim of demonic possession. Supernatural investigators
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The world premiere of Pan Nalin’s “The Last Film Show” (Chhello Show), which opens the Tribeca Film Festival’s Spotlight section, promises to be a welcome return to a big-screen cinema experience after a year blighted by COVID-19. The partly autobiographical drama takes Nalin back to his roots in Saurashtra, Gujarat, western India, where “The Last
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On the release of what was to be the late Monte Hellman’s final feature film in 2011, critic Steve Erickson noted “Monte Hellman is the ultimate outlaw filmmaker.” A decade earlier, filmmaker-critic Kent Jones wrote that “anything written in America about Monte Hellman … cinema’s most under-appreciated great director … must be a defense.” Decades before Jones’ astute
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