Movies

Before there were superhero films, there were don’t-get-mad-get-even films. You might say that the two genres have nothing to do with each other. But in the early-to-mid-’70s, when the revenge film as we know it was coming into being with “Dirty Harry,” “Walking Tall,” and “Death Wish,” part of the premise of the new pulp
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Emerald Fennell, the Oscar-nominated director of “Promising Young Woman,” is taking on a different kind of vigilante. She has been tapped to write “Zatanna,” a big-screen adaptation of the DC Comics heroine. The movie, from Warner Bros.’ DC Films, is set to be released theatrically. J.J. Abrams’ Bad Robot is producing through his overall deal
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Cinema Guild has acquired North American rights to Ramon Zürcher and Silvan Zürcher’s “The Girl and the Spider,” which world premiered at the Berlinale in the Encounters section, and won best director. “The Girl and the Spider” was co-written and directed by Ramon Zürcher, and written and produced by Silvan Zürcher. It marks the Swiss
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In today’s Global Bulletin, Home Team hires Jessica Hill as a senior development executive; Beyond Productions appoints Hamo Forsyth as creative director for factual programming; Sky News launches “The Daily Climate Show”; and Dandelooo picks up Teidees’ “Jasmine and Jambo” for international distribution. HIRING Dominic Buchanan and Bennett McGhee’s new production company Home Team has
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ARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival. The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier. Radlmaier’s script was
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“Borat Subsequent Moviefilm” and “Promising Young Woman” took top narrative film honors on Sunday at the 73rd annual Writers Guild of America Awards. Kal Penn hosted the virtual presentation that cemented “Borat” and “Promising Young Woman” as among the frontrunners for Oscar screenplay wins next month. Amazon Studios’ “Borat” prevailed for adapted screenplay for a
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For 45 years, Hollywood has churned out sequels to more or less any movie that makes a big enough splash at the box office. The rationale has always been simple: The fans want it. Starting in the mid-’70s, with “Jaws” and “Rocky” and “Star Wars,” fan service became the model, the engine, the economic blueprint
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Disney’s animated adventure “Raya and the Last Dragon” led the domestic box office in its third weekend, illustrating the appeal of family films as Hollywood attempts to mount a moviegoing revival. “Raya and the Last Dragon” collected $5.2 million from 2,261 theaters through Sunday, representing a scant 5% decline from its sophomore outing. Disney can
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Both critical and celebratory, Jennifer Holness’ packed and penetrating documentary “Subjects of Desire” provides a superb overview of how Black culture has influenced, and been influenced by, contemporary beauty ideals from Civil War times to #BlackGirlMagic and beyond. Solidly if modestly presented — occasionally the photo-montage-and-voiceover sections feel a little bit PowerPointy — this energetic
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The documentary as true-life suspense mystery came to the fore, and might have been invented, by Errol Morris, when he released “The Thin Blue Line” in 1988. It was the rare nonfiction film that had a demonstrable real-world impact (its twisty investigation into the case of a convicted killer, Randall Adams, led to Adams’ conviction
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HBO Max has announced that “Tenet” will hit the streaming platform on May 1. Good news for anyone experiencing time linearly: Tenet is streaming May 1 on HBO via HBO Max! ⌛️ pic.twitter.com/dGbxGLOwyu — HBO Max (@hbomax) March 20, 2021 Christopher Nolan’s thriller first came to theaters in August of last year, several months before
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Slick, unsettling Danish law-enforcement thriller “Shorta” — or as it’s been generically retitled in the United States, “Enforcement” — opens with a familiar “I can’t breathe” moment as a team of police scramble to restrain a 19-year-old Muslim man, suggesting that what happened to Eric Garner in Staten Island, and to George Floyd in Minneapolis,
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The Giannis Antetokounmpo movie at Disney is taking shape, with Variety learning exclusively that the film has found three of its leads. Newcomer Uche Agada will star as the NBA great in the film, which is titled “Greek Freak” in honor of the nickname Antetokounmpo earned for his otherworldly basketball skills. In addition, Yetide Badaki
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MGM is in negotiations to acquire “Combat Control,” starring Jake Gyllenhaal and directed by Sam Hargrave (“Extraction”). Hargrave and Shelby Malone will serve as associate producers alongside executive producers Gyllenhaal and Ryan Cassells. The Hideaway Entertainment president Matthew Rhodes, CEO Jonathan Gray and VP Kristy Grisham will produce and co-finance the project. Rhodes, who formerly led
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Imagine a magical weapon straight out of science fiction: a machine of gratifying, cartoonish proportions that unleashes a magic potion eradicating the scourge of the past and bringing families safely together. Except it’s not a Marvel prop, it’s an electrostatic disinfectant sprayer — a goofy but crucial piece of protective equipment that will become a
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Just when you’d finished the dark and murky four-hour marathon that is HBO’s “Allen v. Farrow” docuseries, along comes Zack Snyder with a dark and murky four-hour director’s cut of “Justice League,” the super-friends reunion that underwhelmed critics and fans alike in its 2017 theatrical cut, now expanded/restored to Snyder’s full vision. Personally, I found
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