Movies

Written when the Italian legend was at the height of his powers, the screenplay for Michelangelo Antonioni’s “Technically Sweet,” which he planned to shoot between “Zabriskie Point” and “The Passenger,” looks set to be finally brought to the big screen. Set in Sardinia and the Amazon jungle, “Technically Sweet” is set up at Brazil’s Gullane,
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Leading arthouse outfit The Match Factory is continuing its successful partnership with Laura Bispuri as it boards sales on her latest film, “The Peacock’s Paradise.” The film stars Cannes best actress winner Dominique Sanda and Venice best actress winner Alba Rohrwacher, Bispuri’s long-time collaborator. The Match Factory previously represented the director’s “Sworn Virgin,” which played
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Wyatt Oleff, who starred in Netflix comedy “I Am Not OK With This” and appeared in the “It” franchise, “Ugly Betty’s” Michael Urie and Nathan Stewart-Jarrett, who will star in the Jordan Peele co-written and produced “Candyman” and HBO Max’s “Generation,” will topline drama-comedy “Our Last Summer,” executive produced by Alan Ball (“American Beauty,” “Six
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The Texas-born movie theater chain Alamo Drafthouse has announced that it will keep its COVID-19 safety measures in place, despite Texas Gov. Greg Abbott’s executive order lifting the mask mandate and reopening the state. In a statement posted to its official Twitter account on Tuesday, Alamo Drafthouse reaffirmed its COVID-19 precautions and took a stance
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There can be a fine line between a good idea and a terrible one followed through with utter conviction, and it’s along said line that “The Scary of Sixty-First” dances with heedless, wicked abandon. A brash, gutsy, morbidly funny first feature from actor-filmmaker-podcaster Dasha Nekrasova, it runs on a premise that could have been written
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Navigating the precarious aspects of growing up while simultaneously buried deep in the throes of grief is one young woman’s struggle in director Jessie Barr’s “Sophie Jones.” This meaningful drama, co-written and starring Barr’s sister Jessica, taps into the immediacy of being a teenager and the intimacy of sorrow, yielding astute insights. The pair set
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Buenos Aires-based FilmSharks Int’l has scooped up worldwide rights to Paraguayan filmmaker Simon Franco’s “Charlotte,” a dramedy starring the grande dame of Spanish cinema, Angela Molina. “Charlotte” is produced by Franco’s Paraguay-based Lemon Cine, along with Argentina’s Pelicano Cine and FAM Contenidos. In addition, Lemon Cine has acquired the remake rights to Chilean comedy “Sin
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Did Jeffrey Epstein kill himself, or was he murdered before the wealthy sex offender could point a finger and potentially implicate any of the high-profile, well-heeled predators in his orbit? That’s the premise of Dasha Nekrasova’s provocative directorial debut “The Scare of Sixty-First.” It’s a subject of intense interest to Nekrasova, an actor and host
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Mexican filmmaker Fernando Frias’ latest feature, “I’m No Longer Here,” has garnered a host of awards since it was minted at the Sundance Screenwriters lab. Now streaming on Netflix, the film’s depiction of a nearly extinct countercultural movement framed against an immigration drama has won accolades from Oscar-winning directors Guillermo del Toro and Alfonso Cuaron.
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Rob Schneider is taking his comedic wits into the vocal booth. Schneider, Dolph Lundgren (“Creed II”) and Nicholas Turturro (“BlacKkKlansman,” “NYPD Blue”) have joined family comedy “Pups Alone.” The “Saturday Night Live” alum will lend his voice to the live-action feature alongside a cast that includes Jennifer Love Hewitt (“Ghost Whisperer,” “9-1-1”), Keith David (“The
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It’s been eight years since twin brother directing duo Ramon and Silvan Zürcher’s “The Strange Little Cat” caught the eye of audiences around the world, playing at major festivals in Turkey, India, Argentina, Portugal and beyond. The pair has finally returned, this time to Berlin, where their second feature of a trilogy on human togetherness,
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Paris-based Le Pacte has closed a raft of sales on Olivier Peyon’s “Tokyo Shaking” and Nadine Loiseau’s “Three Times Nothing,” both of which are screening at the Berlin Festival’s virtual European Film Market. A hot title on Le Pacte’s slate, “Tokyo Shaking” sold to Germany and Austria (ZDF), Israel (New Cinema), Canada (Axia Films), Spain
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MADRID — Flushed by Netflix success with “Below Zero,” Spain brings an extraordinary gamut of movie titles to Berlin. Some highlights: “All the Moons,” (Igor Legarreta) A France-Spain co-production, “All the Moons” tracks two vampires in the northern Spain during the last Carlist war. S.A. Filmax “Ane is Missing,” (David Pérez Sañudo) A 2021 best picture Goya
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Berlinale Talents is in itself one of the biggest, if temporary hubs, for burgeoning creatives in film and TV. Here, Variety spreads the net slightly wider to spotlight 10 on the rise writers or directors. Miguel Ángel Blanca writer-director  Director of two features to date, including sci-fi thriller “I Want the Eternal,” Blanca’s films skew
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Amidst a global pandemic that presented governments with a clear ethical dilemma between protecting their citizens’ well-being and the heartbeat of the economy, Spain’s government announced last May a robust hike in tax incentives that converted its tourism-driven economy into eye candy for big shoots and international productions. Now, Spain’s film and TV industries are
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MADRID — A new order of global streamers is powering the biggest revolution in film-TV business models in the last 100 years. COVID-19 merely accelerated that seismic change, which cannot but wreak a disruptive effect on sales agents’ traditional business. Spain’s top sales companies are adapting their strategies to a more competitive and complex market,
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With big-budget blockbusters like “Wonder Woman 1984” and “Mulan” launching simultaneously online and in theaters, streaming has “pushed into its own white space” and is unlikely to vacate that space any time soon, according to Ampere Analysis’ Guy Bisson. Speaking during a European Film Market opening session at Berlinale, Bisson outlined some of the major
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