Movies

The International Documentary Association has announced the winners of the 36th annual IDA Documentary Awards, with “Crip Camp” taking home the top prize. The ceremony was hosted by actor Willie Garson, with musical entertainment from Ruby Ibarra, who performed the theme from “A Thousand Cuts.” Directed by Nicole Newnham and Jim LeBrecht, “Crip Camp” received
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Tom MacDougall has been promoted to president of Walt Disney Music. The longtime studio vet will report to Disney Studios Content Chairman Alan Bergman. Following Disney’s acquisition of Fox and the studio’s recent content and distribution reorganization, Disney Studios Content is consolidating music production for live-action and animated films across Disney, Disney Animation, Pixar, Blue
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The cast and director of “The Mauritanian,” based on a true story of the torture and trial of a suspected 9/11 terrorist, want audiences to take away lessons of empathy, love and justice from the film. Academy Award-winning director Kevin Macdonald, along with stars Jodie Foster, Benedict Cumberbatch, Shailene Woodley and Tahar Rahim joined Variety
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Nominees for the Hollywood Music in Media Awards are being unveiled Friday, with a packed slate of songs and scores in film, TV and videogame categories. Names in contention range from Alexandre Desplat, James Newton Howard and Trent Reznor/Atticus Ross as returning veterans in the score divisions to stars like Taylor Swift, H.E.R., Brandi Carlile,
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For Anthony and Joe Russo, choosing their next project after making the all-time highest-grossing film “Avengers: Endgame,” was not easy. But after reading the novel “Cherry” by Nico Walker, the filmmaking duo saw a personal connection to the opioid epidemic that they witnessed first-hand within their community and their own family. From a script by
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“Tyger Tyger,” a thriller starring Dylan Sprouse that’s set during a deadly pandemic, has secured a distributor. Gravitas Ventures nabbed worldwide rights to the film and plans to release it in select theaters and drive-ins, as well as on digital platforms, on Feb. 26. Kerry Mondragon wrote and directed the movie, which was presciently filmed
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Netflix has nabbed worldwide rights to “Heart of Stone,” a Gal Gadot-led espionage thriller that was developed by Skydance Media. “Heart of Stone” marks the second major movie that Skydance has siphoned off this week. On Tuesday, Amazon Studios emerged as the frontrunner for “The Tomorrow War,” a science-fiction spectacle starring Chris Pratt. Amazon is
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A short competition player at this year’s MyFrenchFilmFestival, “Blue Fear” is the colorfully animated brainchild of filmmakers Marie Jacotey and Lola Halifa-Legrand, neither of which had any experience in the artform before working on the short together. “Blue Fear” uses traditional 2D animation to tell the story of a couple on the roads of Provence,
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Maxime Roy, an accomplished actor and filmmaker involved in five productions over the past two years, whose short “Beautiful Loser” was nominated for a César, is participating in this year’s MyFrenchFilmFestival with his latest short “Sole Mio,” finishing its worldwide festival lifecycle having previously played at Palm Springs in the U.S., Huesca in Spain and
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The Berlin Film Festival’s European Film Market (EFM) is gearing up for its upcoming online edition, for which it has announced 35 promising feature film projects from 25 countries selected for its co-production market. The EFM on Friday also unveiled details of the digital platform on which business will be done. The Berlinale Co-Production Market
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“Les Parfums,” a romantic comedy-drama starring Emmanuelle Devos (“Read My Lips”) and Grégory Montel (“Call My Agent!”), has been acquired by Distrib Films for U.S. distribution. Global rights for the film are handled by Pyramide Films International. The film, directed by Gregory Magne, tells the story of Anne Walberg, a celebrity in the world of
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Changes in local financing coupled with new opportunities in global distribution have pushed the French industry towards a more international outlook, argued panelists at a Tuesday round table presented as part of UniFrance’s Rendez-vous With French Cinema. “[For certain French producers] ‘international’ used to mean who would take care of their talent when they travelled,”
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Speaking at a panel organized as part of UniFrance’s Rendezvous With French Cinema market on Tuesday, festival directors Vanja Kaludjercic of Rotterdam, Carlo Chatrian of Berlin, and Mickaël Marin of Annecy made clear that in order to survive this challenging moment their events needed to adapt. For one thing, they needed to separate their identities
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