Movies

Will pink and black loom large this week in Las Vegas? After all, this Monday kicks off CinemaCon, the annual exhibition industry trade show and weeklong opportunity for studios and theater operators to wax poetic about the magic of going to the movies. And in 2023, there was no greater manifestation of the claim that the
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Bollywood heist comedy “Crew,” starring Kareena Kapoor Khan, Tabu and Kriti Sanon, is a hit and producers Ektaa R Kapoor and Rhea Kapoor are looking at a sequel. Directed by Rajesh A Krishnan (“Lootcase”) and written by hit “Veere Di Wedding” duo Nidhi Mehra and Mehul Suri, the film is produced by Balaji Motion Pictures
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BRIGHT SPARKS IN HONG KONG “Snow in Midsummer,” which quietly probes the 1969 massacre of Malaysian Chinese during post-election turmoil, was named the winner of the best film for young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Liang Ming was named best director for “Carefree Days,” while the film’s female lead Lyu
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Amanda Plummer of “Pulp Fiction” and “Star Trek: Picard” fame and veteran thesps James Russo and Ulrich Thompson (“The Celebration”) have joined Uwe Bolls’s forthcoming migrant crisis thriller “Run.” Set to start shooting in Croatia on April 17, the film focuses on a group of desperate migrants as they reach the Italian coast after a
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“Godzilla x Kong: The New Empire” dominated the domestic box office again, looming large over newcomers “Monkey Man” and “The First Omen.” Warner Bros. and Legendary Entertainment’s monster tentpole added $31.7 million from 3,948 theaters in its second weekend of release. Ticket sales dropped a standard (for a tentpole of its size and scale) 60%
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On the heels of its successful world launch at IDFA, the critically-acclaimed anti-colonial pic “Our Land, Our Freedom,” sold by First Hand Films, has landed a deal with BBC Africa Eye. “Our Land, Our Freedom,” a Kenyan/U.S./Portuguese co-production, and the upcoming India-set “Kalari,” to be pitched in Visions du Réel docu festival’s Swiss Preview showcase,
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“The People’s Joker,” a scandalous IP-on-acid coming-out comic-book psychodrama, is a movie that has all the earmarks of an underground/ midnight/guerrilla-cinema sensation. Vera Drew, who directed and co-wrote it, plays the title character, a mentally fractured aspiring stand-up comedian who bills herself as Joker the Harlequin. She wears a green wig parted down the middle,
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“Hire different.” That was the challenge posed to the entertainment industry by Judi Uttal, president of the Orange County Aspergers Support Group, at the inaugural Autism in Entertainment Conference on Friday morning. As head chair, she welcomed in a colorful audience of over 100 skilled neurodivergent filmmakers, ready and willing to take their shot at
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Derek Cianfrance, director and co-writer of “The Place Beyond the Pines,” told IndieWire at the New Directors/New Films festival that Bradley Cooper almost bowed out of the production after receiving a rewritten script. Just before principle photography began, Cianfrance brought in screenwriter Darius Marder to rewrite “every word” of “The Place Beyond the Pines.” Cooper
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As the star of “Sixteen Candles,” “Pretty in Pink” and “The Breakfast Club,” Molly Ringwald understands why she’s still considered “the patron saint of teenagers.” Commercially successful and critically acclaimed, those films — and her performances — depicted adolescents with an emotional sophistication like few films before them. But Ringwald was bringing that complexity to
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It’s a primate face-off at the box office this weekend, plus some old-fashioned Antichrist horror on the side. Legendary Entertainment and Warner Bros.’ “Godzilla x Kong: The New Empire” looks to stick on top of domestic charts, holding off the opening weekend bows of Universal’s beat-em-up “Monkey Man” and 20th Century Studios’ horror revival “The
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MipDoc keynote speaker Dawn Porter is coming to Cannes to discuss not only the challenging doc marketplace, but also how to work and prosper within it. In the last few years the doc industry has favored a handful of big-name filmmakers, like Porter, who are commissioned to make one-off films or docuseries. Over the last
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Charter Communications is about to play a guest-star role in the corporate drama surrounding Paramount Global. As if Shari Redstone’s media empire wasn’t under enough pressure, Paramount Global now is in the final few weeks of its most recent carriage agreement with Charter, the nation’s second largest cable operator behind Comcast. The two companies are
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“The Antisocial Network: Memes to Mayhem” is a documentary about 4Chan, the popular imageboard website that became the Petri dish in which QAnon — the mother of all crackpot conspiracy theories — came into being. The story of 4Chan makes for a fascinating chapter in the evolution of Internet culture. But chances are we wouldn’t
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Documentary filmmaking has never been a profession one enters into to get rich — though for a brief period it seemed possible. Cable expanded documentary’s reach to wider audiences in the 1980’s and 1990’s, and films like “Fahrenheit 9/11,” “March of the Penguins,” and “An Inconvenient Truth” became legitimate box-office breakthroughs, but nonfiction features on
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Key to the ongoing conversations about Latino representation in the U.S. entertainment industry is the need for the diversification of stories, which in turn would breed valuable specificity. Rather than expecting one production to speak strongly to every single subset of the vast Latino community, projects should reflect the unique microcosms and experiences that speak
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Outplay Films‘ “Turtles,” directed by David Lambert, has landed U.S. distribution with Dark Star Pictures. The film, which stars Dave Johns, Olivier Gourmet and Brigitte Poupart, follows a long-married couple who are headed for divorce. The official synopsis reads: “Since Thom and Henri met 35 years ago, their love for each other has never faltered.
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Not many would consider it hard labor to stand in the shadow of Jennifer Lopez. Few, perhaps, could stand as still and as long as documentary filmmaker Jason Bergh. For nearly a decade, Bergh has recorded the multi-hyphenate star behind the scenes as she has charted new paths as a content producer and beauty mogul,
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One or more individuals have been fraudulently posing as officials from “The Drew Barrymore Show” in attempts to scam talent and other guests involved with the star’s talk show, Variety can report exclusively. The ruse, which did not originate from the syndicated series or its producer CBS Media Ventures and Paramount Global, has been flaunting
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If you’ve been anywhere near a television in the last couple of years, odds are you’re already familiar with Dominic Burgess. The British actor broke through in 2017’s “Feud: Bette and Joan” as actor Victor Buono, before popping up in a number of memorable appearances — playing everything from serial killer John Wayne Gacy in
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Robert Downey Jr. played a Method actor in Ben Stiller’s comedy “Tropic Thunder” and things got meta on set. In a new GQ video interview, Downey’s co-star Danny McBride remembered accidentally hearing Downey going Method himself and staying in character as he went to take a bathroom break in between takes. McBride played an explosives
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Carla Gugino recently told BuzzFeed that her beloved role in Robert Rodriguez’s 2001 family action film “Spy Kids” was “physically totally impossible.” The actor was 27 years old when she filmed the movie and played Ingrid Cortes, the mother of two spies. By Gugino’s math, the character didn’t add up. “It is so funny because
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Film icon Pam Grier has teamed with Village Roadshow Pictures to develop a project based on her bestselling 2010 memoir, “Foxy: My Life in Three Acts.” Known as the queen of 1970s Blaxploitation classics like “Coffy” and “Foxy Brown,” plus Quentin Tarantino’s Oscar-nominated film “Jackie Brown,” Grier is enjoying her latest act thanks to movies
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Olivia Wilde, Margot Robbie and “X-Men” producer Simon Kinberg are joining forces for a feature adaptation of “Avengelyne,” a comic book character from “Deadpool” co-creator Rob Liefeld. Wilde, whose filmmaking credits include “Booksmart” and “Don’t Worry Darling,” is attached to direct. Robbie’s company LuckyChap and her partners Tom Ackerley and Josie McNamara are producing. Kinberg,
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