Movies

George Clooney and Grant Heslov are developing John Grisham’s baseball-themed novel “Calico Joe” as a movie with Clooney attached to direct. Clooney and Heslov will also produce under their Smokehouse Pictures banner alongside Bob Dylan’s Grey Water Park Productions. The script’s development is being financed by ZQ Entertainment, the newly-launched production company from former CAA agent
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Don’t be fooled by the cheery ring of the Disney-esque title “The Kid Detective.” Severely misrepresenting the mature essence of writer and first-time director Evan Morgan’s smart crime caper, this innocent-sounding name might just be the result of poor creative judgment. Then again, it might also be purposely designed to pull the rug out from
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United Talent Agency has elevated 19 agents and executives to partner, the largest partnership class in the company’s history. The promotions come from numerous divisions, including television literature, news and broadcast, podcasts, endorsements and voiceover. “These are leaders across our business making substantial contributions to the growth, evolution and resilience of our company,” UTA Co-President
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Disney’s live-action “Mulan” was supposed to be a huge win for under-represented groups in Hollywood. The $200 million-budgeted film is among the most expensive ever directed by a woman, and it features an all-Asian cast — a first for productions of such scale.  Despite well-intentioned ambitions, however, the film has exposed the difficulties of representation
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The Lumière Festival’s Classic Film Market (MIFC) in Lyon, France, is spotlighting efforts in Portugal to digitize and preserve the nation’s film heritage as part of this year’s country focus. Portugal is a good representation of what is happening in Europe, according to MIFC program coordinator Gérald Duchaussoy. The Cinemateca Portuguesa has agreements with rights
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The trailer for “Bruce Springsteen’s Letter to You” has arrived, and it promises a film that, besides being a making-of about his forthcoming album with the E Street Band, is in some ways an unofficial sequel to “Springsteen on Broadway,” with plenty of voiceover from the man about his feelings on music and brotherhood. “I’m
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Deon Taylor (“The Intruder,” “Black and Blue”) is to direct the horror-thriller “Grave Hill” for CJ Entertainment, the Korean studio behind Oscar winner “Parasite.” The film is an English-language remake of the hit Vietnamese horror film “The Housemaid.” The original romance-horror “Housemaid,” which premiered in the U.S. in 2017, explores racial and social themes. “Grave
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Kristin Scott Thomas made her Hollywood debut in the 1986 Prince vehicle “Under the Cherry Moon.” It was not an acclaimed breakthrough. “It was what people like to call ‘a turkey,’” Thomas says in a crisp British accent that actually makes the word “turkey” sound elegant and prestigious. The reviews were vicious. “After being told
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Romania has chosen Alexander Nanau’s documentary “Collective” to be its official entries in the International Feature Film category of the 93rd Academy Awards, while Ecuador has selected Paul Venegas’ “Emptiness” and Algeria has entered Djaâfar Gacem’s “Héliopolis.” Meanwhile, Bosnia and Herzegovina has confirmed that Jasmila Zbanic’s “Quo Vadis, Aida?” will represent the country in the
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It’s either an in-joke or an irony that the not-terribly-terrifying villain of “A Babysitter’s Guide to Monster Hunting” is named The Grand Guignol, for Rachel Talalay’s perky, clean-cut kiddie-horror steers as far clear as possible of the macabre gore and gruesomeness implied by the name. In this tale of an underground babysitter syndicate dedicated to
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BAFTA and Golden Globe winner Bill Nighy (“Love Actually,” “Emma”) will headline the cast of “Living,” alongside Aimee Lou Wood, known for her breakout role in Netflix’s “Sex Education.” The screenplay by Nobel and Booker Prize winner Kazuo Ishiguro (“The Remains of The Day”) is an English-language adaptation of the 1952 classic “Ikiru,” written by
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“Last night I dreamt I went to Manderley again,” begins both Daphne du Maurier’s 1938 best-seller “Rebecca” and nearly every adaptation of the Gothic novel that has followed, including Alfred Hitchcock’s atmospheric 1940 best picture winner. With such a definitive version already on the books, why reboot “Rebecca”? Well, as the opening line itself suggests,
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