Movies

By her own admission, Christine Vachon is not a nostalgic person. This would normally make a conversation about the 25th anniversary of her pioneering independent film company Killer Films a challenge but, luckily, recent events have changed her perspective. Vachon attended September’s Venice Intl. Film Festival, for which she served as a juror, an event
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Endeavor Content has set a three-film development deal with producer Heather Rae, committing to movie scripts from Indigenous filmmakers. The new pact was announced on Oct. 12, Indigenous Peoples’ Day. Along with Rae, Crystal EchoHawk of IllumiNative and Bird Runningwater of Sundance Institute are advising on the projects. Research from IllumiNative — a woman-led racial
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Gerard Butler’s apocalyptic thriller “Greenland” will premiere directly on premium video-on-demand platforms starting Dec. 18. The movie, from STXfilms, was initially supposed to debut on the big screen, but it’s skipping theaters in the U.S. due to the pandemic. “Greenland” will cost $19.99 to rent for a 48-hour period. The movie, about a family fighting
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Michael B. Jordan’s award-winning films “Just Mercy,” and “Fruitvale Station” will serve as opening night screenings for the inaugural Social Justice Now Film Festival (SJNFF). Both films will play on Wednesday, Oct. 21st at Paramount’s Drive-In Theater, sponsored by Amazon Studios. Jordan serves as a co-ambassador for the film festival, which runs Oct. 21-25, alongside
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HanWay Films is handling international sales, distribution and marketing for multi-Grammy Award nominee and pop superstar Sia’s feature directorial debut “Music,” starring Oscar nominee and Golden Globe winner Kate Hudson (“Almost Famous,” “Deepwater Horizon”). The film also stars Tony and Grammy Award winner Leslie Odom Jr. (“Hamilton,” “One Night in Miami”), alongside Sia protégé and
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Arthouse platform Kabinett has snagged Argentine filmmaker Alejandro Fadel’s first purely experimental film, “The Enigmatic Element,” available since Oct. 10. The genre is not quite a novelty to Fadel who is best known for his first two fiction films, “Los Salvajes” and “Murder Me, Monster,” both of which had their world premieres in Cannes. “While they
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Breaking Glass Pictures has picked up North American distribution rights to Chilean producer Omar Zuñiga’s directorial feature debut, “The Strong Ones” (“Los Fuertes”). Meikincine Entertainment handled the sale. Winner of the Grand Jury Prize for Best International Narrative Feature and the Audience Award at OutFest LA as well as Best Narrative Film at Florida’s OutShine Film Festival,
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Dreamville Records has announced the formation of Dreamville Ventures, a multi-disciplinary media company, and Dreamville Studios, a content studio that will produce original and co-produced content. Coming aboard to lead the new division is Damien Scott, president of Dreamville, and Candace Rodney, who serves as Dreamville executive vice president and president of Dreamville Studios. J. Cole,
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Pulsar Content has closed multiple pre-sales on Arseny Sukhin’s science-fiction horror movie “Superdeep” in the run up to its world premiere at Sitgès. Inspired by true events, the movie stars Milena Radulivic (“The Balkan Line”) and Nikita Duvbanov, and is set in 1984, when inexplicable screams were recorded in Kola Superdeep Borehole, the biggest secret
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European cinema operators have said they’re devastated by Disney’s decision to release Pixar’s “Soul” directly on streamer Disney Plus, saying the move has “shocked and dismayed” them and deprived many audiences across the continent from watching the film. A statement from the International Union of Cinemas (UNIC), which represents European cinema operators, said: “The vast
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The beleaguered exhibition sector in the U.K. took a further hit with Vue Cinemas switching to a weekends-only model for around a quarter of its 87 sites. “We remain committed to ensuring that Vue has a long-term future, to protecting the livelihoods of our staff and keeping our doors open to ensure our cinemas continue
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London-based Noah Media Group is joining forces with Paris-headquartered Federation Entertainment on “Arsène Wenger: Invincible,” a feature documentary portraying the French soccer pioneer who changed the landscape of the English Premier League. “Arsène Wenger: Invincible” is being directed by Gabriel Clarke, the British filmmaker whose BBC docu “Steve McQueen: The Man & Le Mans” was part
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Frances Price married well, if one’s notion of success in that department is defined more by financial comfort than by romance. Her marriage wasn’t so much loveless as moneyful, and that arguably works out better for the wealthy Manhattan wife Michelle Pfeiffer so memorably embodies in Azazel Jacobs’ “French Exit,” a sophisticated closing night choice
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Filmmaker-friendly platform Mowies.com, founded by Colombian producers Alejo Arango (“Al Final del Espectro”), Santiago Zapata (“Monos”) and their chief technology officer, Sergio Restrepo, has picked up the catalogs of Alebrije, LatAm Films and Morbido, along with some Anima Studios shows. “We’re so pleased to join Mowies with some of our most notable titles like “Amar Te
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Shooting black-and-white still photography has long been a passion for “Clemency” cinematographer Eric Branco. So it seemed serendipitous when he received an inbox message that included a script for Radha Blank’s “The-Forty-Year-Old Version” with a title page that read, “A New York tale in black and white.” Blank, a writer-producer on Spike Lee’s Netflix series
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John David Washington has joined Christian Bale and Margot Robbie in David O. Russell’s untitled new film at New Regency. Russell will direct from his own script. Plot details are being kept under wraps. Executive are planning to start production in Los Angeles in January. Emmanuel “Chivo” Lubezki will serve as cinematographer. The film will be distributed via
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