Movies

Pixar technical artist Dylan Sisson will discuss the studio’s RenderMan technology and the art of movie magic during the VIEW Conference’s latest free PreVIEW event Friday, July 24, beginning at 2:30 p.m. PT. Sisson will talk about the ever-evolving RenderMan software, created by Pixar and used by visual effects and animations studios worldwide. The surfaces
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After a quarter of a century, costume designer Mona May’s work on director Amy Heckerling’s 1995 classic teen movie, “Clueless,” remains iconic. “Everybody was into grunge fashion when we made this,” she recalls. “We were having to look to the future and bring it to the table. We were inventing pretty much everything.” As Clueless
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Only this week officially confirmed as going ahead, the Shanghai International Film Festival has announced some of the first titles to be selected. The festival will run 25 July to Aug. 2 combining a mixture of theatrical screenings in front of live audiences, outdoor screenings and online streaming. It will include a conference series known
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Sardinia, a longtime a magnet for international productions spanning from James Bond classic “The Spy Who Loved Me” to George Clooney-directed TV series “Catch-22,” is ready for its close up again. Following a hiatus due to the coronavirus crisis, the Italian island known for its emerald coast and ancient monuments is now hosting shoots for
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Veteran producer Lucas Foster (“Ford v Ferrari,” “Mr. and Mrs. Smith”) has teamed with Australian safety expert Jon Heaney to launch safety advisory company Film Industry Risk Management. The pair recently co-operated on the successful production of “Children of the Corn” through the coronavirus pandemic and industry shutdown in New South Wales. The company is
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“I’ve never been to Lebanon,” Lebanese-American high-schooler Marjoun (Veracity Butcher) tells us in voiceover. “Just here: Arkansas.” There’s the slightest uninflected irony in her delivery of that last word, suggesting that her story will archly observe the conundrum of many a second-generation immigrant: belonging to a place that often fails to recognize you as one
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Throughout the U.S.’s decades-long war in Afghanistan, Americans have seen (perhaps even been part of) a scene played out thousands of times in airport terminals and on military tarmacs. While the permanent fixture aspect of the airport reunion should vex, the emotion of it never gets old. It gets another powerful closeup in “Father Soldier
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An open letter calling for the immediate release of Egyptian film producer Moataz Abdelwahab was published Friday, cosigned by the International Coalition for Filmmakers at Risk (ICFR) and its founding institutions, which include the European Film Academy, International Documentary Film Festival Amsterdam, International Film Festival Rotterdam and the Human Rights Film Network, among others. The
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The Rome Film Festival has announced plans to hold a physical edition from Oct. 15-25, featuring several titles from the Cannes Film Festival’s Official Selection, alongside a roster of other pics including David Bowie origin pic “Stardust” and local crowdpleaser “Mi Chiamo Francesco Totti” (“My Name is Francesco Totti”), a doc about the A.S. Roma
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The Australian federal government will offer some $280 million ($400 million AUD) to attract large inbound foreign film productions. The measure was announced Friday local time by Prime Minister Scott Morrison. The new Location Incentive plan will provide cash grants over the next seven years. It is in addition to Australia’s Location Offset system, under
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