Movies

Australian production designer Steven Jones-Evans was tasked with creating a haunted house that would tell a tale of family horror in Natalie Erika James’ directorial debut, “Relic,” now at drive-ins and available on demand July 10. In the IFC Midnight film, shot Down Under, Robyn Nevin plays Edna, an elderly woman who disappears from her
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Universal Pictures’ “Jurassic World: Dominion” has resumed shooting this week in the U.K. with the studio denying a press report of a production halt due to positive COVID-19 tests among the crew. “Any reports indicating that Jurassic World: Dominion has halted production are categorically untrue,” said a Universal spokesperson. “The production is in its fifth day of
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When director David Dobkin brought the 2005 comedy “Wedding Crashers” to the marketing team at New Line Cinema, he didn’t get the reception he thought he would. Marketing head Russell Schwartz thought that Vince Vaughn and Owen Wilson’s characters were too misogynistic, since their main aim seemed to be crashing weddings to look for girls.
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Julia Sawalha has shared an open letter via her social media profiles expressing disappointment and anger at being left out of Aardman Animations’ upcoming “Chicken Run” sequel, confirmed as a Netflix pickup at June’s Annecy festival. Sawalha voiced Ginger in the Oscar-nominated original, which remains the top grossing stop-motion feature ever, 20 years after its
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At the risk of overgeneralizing, why is it that cheapie musicals are so much more charming to watch on screen than they are when some friend invites you to whatever way-off-Broadway show they’ve managed to get mixed up in? Heck, these tiny film projects are often more endearing than the relatively big-budget ones the Hollywood
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The organizers of Sundance Film Festival: London, the U.K. iteration of the Park City indie pic fiesta, are to hold a boutique event online, running Aug. 7-9. Sundance London, organized by Sundance Institute and Picturehouse Cinemas, was due to run May 28-31, but was postponed due to the COVID pandemic. The festival will now present
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“Babyteeth” follows a terminally ill teenager who falls in love with a local drug dealer, and although it’s centered on adolescents, it’s not necessarily targeted to them, director Shannon Murphy said on the Variety Critics Corner presented by Karlovy Vary International Film Festival. “I definitely didn’t want to be making a teen film,” she said.
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Prolific hitmaker Joko Anwar (“Satan’s Slaves,” “Impetigore”) further cements his reputation as one of the non-English-speaking world’s foremost fantasy filmmakers with “Gundala,” an action-packed and emotionally satisfying adaptation of the treasured Indonesian comicbook created by Harya “Hasmi” Suraminata. Set in a bleak future-now Jakarta, where the lightning-powered superhero is the city’s last hope against corrupt
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Beautiful compositions enlivened with pleasing colors can’t distract from multihyphenate Praveen Morchhale’s tiresomely explanatory screenplay for “Widow of Silence.” No one can question the film’s excellent intentions, designed to shine light on the nightmarish situation of women in Kashmir whose husbands have been arrested or killed during decades of conflict but are in legal limbo
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Four Vietnam vets reunite for a mission, one that will lean on their wartime exploits but also expose more than a few old tensions. No, this is not a revisit of “Da 5 Bloods” but a brief description of the genial, cliché-encumbered, Aussie comedy “Never Too Late.” Directed by Mark Lamprell, it opens in virtual
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Snarled loops of time travel have proved a surprisingly versatile and rewarding fantasy-cinema trope in recent years, from the big-budget likes of “Edge of Tomorrow” to such enterprising indies as “Predestination,” not to mention comedies (“Palm Springs”), horror (“Happy Death Day”), romance (“Before I Fall”) and more. “Volition” makes a worthy addition to that roster:
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A cigar is never just a cigar where Sigmund Freud is concerned. The father of psychoanalysis serves as a supporting character in “The Tobacconist” — and none other than the great Bruno Ganz embodies the iconic smoker, making this one of the German actor’s last (and least bombastic) performances. Ganz, whom many will recognize from
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Canadian government funding org Telefilm has launched an investigation into one of its top film executives following allegations of misconduct. Telefilm has faced extensive backlash in the last week after Canadian independent filmmaker Pavan Moondi, who is now based in Los Angeles, raised questions about the org’s selection criteria for funding and demanded clarity around
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“I’m not here to challenge the accuracy of the costumes,” says costume designer Julie Weiss, whose credits include, “12 Monkeys,” “Frida” and “American Beauty.” Weiss is talking about the countless uniforms she needed for “Greyhound,” the Aaron Schneider film starring Tom Hanks as Navy Commander Ernest Krause. Streaming on Apple TV Plus from July 10,
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In “Archive,” an isolated scientist methodically pursues an artificial-intelligence ideal, developing a sequence of human-android beings and recycling their various parts until the ultimate prototype is achieved. In his handsome debut feature, writer-director Gavin Rothery follows a similarly nifty process of assembly and reassembly, repurposing elements from assorted sci-fi successes — a bit of “Ex
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The Cesar Academy, which distributes France’s equivalent to the Oscars, has unveiled new rules aimed at ramping up diversity and parity within its board. The new guidelines were put together with the help of a mediator appointed by France’s National Film Board (CNC) following an industry consultation. Under those new rules, the Cesar Academy will
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After a fierce bidding war, Sony Pictures and SK Global have acquired the film rights to bestselling author Kevin Kwan’s new novel “Sex and Vanity,” which became an instant New York Times bestseller after its release on June 30. Published by Doubleday, this is Kwan’s first novel since the release of his “Crazy Rich Asians”
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Elizabeth Debicki can keep a secret. Maybe it comes from her stint in the Marvel Cinematic Universe, where she made a memorable appearance as a gold-painted alien in “Guardians of the Galaxy Vol. 2.” Or from dabbling in the world of espionage in AMC’s adaptation of John le Carré’s spy thriller “The Night Manager.” Maybe
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It’s 2020 and “Love and Basketball” director Gina Prince-Bythewood has achieved a Hollywood first — she’s the first Black woman to direct an action-comic book film, and her editor, Terilyn Shropshire (“When They See Us”) has the same distinction. “It’s whack,” comments Prince-Bythewood of the historic moment. “The Old Guard,” which premieres on Netflix July
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