Movies

Canadian exhibition chain Cineplex has announced it will commence legal proceedings against Cineworld and seek damages after the U.K.-based exhibitor pulled its $2.1 billion takeover deal. Cineworld back away from the Cineplex agreement on June 12, citing alleged breaches of the merger agreement and a “material adverse effect” without providing details. “Cineworld’s decision to abandon
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Gaumont has acquired French distribution and international sales rights to Melanie Laurent’s period mystery thriller “The Mad Women’s Ball” which is being produced by Alain Goldman’s Legende Films. Based on the award-wining novel by Victoria Mas “Le Bal des folles,” “The Mad Women’s Ball” will be headlined by up-and-coming French actress Lou de Laâge (pictured)
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Producers Phil Lord and Chris Miller and director Mike Rianda offered an in-depth look at Sony Pictures Animation’s upcoming feature “Connected” on the first day of Annecy 2020 Online, this year’s digital version of the Annecy Intl. Animation Festival and accompanying Mifa market. The animated comedy, which Sony is releasing Stateside on Oct. 23, follows Katie,
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“Jurassic World: Dominion” will resume filming on July 6 in the United Kingdom, Variety has confirmed. Pre-production on the big-budget sequel was halted in March as the coronavirus swept across the globe, upending economic activity and delaying work on most major movies and television shows. “Jurassic World: Dominion” was four weeks into its 20-week production
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Celebrated Turkish auteur Nuri Bilge Ceylan, winner of the Cannes Palme d’Or in 2014 for “Winter Sleep” among many other accolades, is known to be rather reclusive. But he had no hesitation in accepting to preside over the jury of the International Migration Film Festival’s first edition, thus contributing significantly to its launch. He took questions
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WestEnd Films has launched international sales on “Lamya’s Poem,” an animated feature by Alexander Kronemer, which will be part of Annecy’s Works in Progress panel at the digital version of the world’s largest animation festival and market that begins Monday. WestEnd builds on an established reputation representing prestigious independent arthouse animated features, such as Oscar-nominated
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Whether in “I Lost My Body,” a boy-girl love story which takes place as the suitor’s severe hand crawls towards its owner, or with “The Summit of the Gods,” an epic account of two crazed climbers’ attempt to scale Everest’s South-West face in winter without oxygen, France is pushing back the boundaries of animation as
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Sandcastle Studios’ “Jungle Beat: The Movie,” produced in collaboration with South Africa’s Sunrise Productions, had big theatrical plans for its post-festival life. But all that changed when the world went into lockdown in response to the COVID-19 pandemic. “When the pandemic came, we realized theatrical wasn’t going to happen, so we started thinking about putting
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COVID-19 looks set to accelerate the biggest paradigm shift in French animation in the last two decades: Global streaming platforms’ ever larger presence in finance and distribution. How France’s auteur-driven animation movie and TV industry dovetails with the market interests and industry practices of Netflix, Disney Plus, HBO Max, Warner Media and Apple TV Plus
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As the Annecy Intl. Animation Film Festival deals with the benefits and struggles of going digital, perhaps no American studio has backed 2020’s online version more than Netflix, which will host three highly-anticipated panels for upcoming projects, among them a masterclass from stop-motion master Henry Selick and his composer Bruno Coulais. An unannounced surprise, the
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The long line of Hollywood tough guys appearing alongside cute kids continues with “My Spy,” a passable PG-13 action-comedy in which big ’n’ brawny Dave Bautista plays a CIA man whose nose-diving career and damaged emotions are rehabilitated by a clever nine-year-old girl with an aptitude for espionage and a matchmaking plan for her widowed
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Colo Tavernier O’Hagan, the revered screenwriter of award-winning films by Bertrand Tavernier and Claude Chabrol, died from cancer on June 13, according to a statement from the Lumière Institute in Lyon. Throughout her prolific career spanning film and TV, Tavernier O’Hagan was a life-long, inspiring collaborator to her former husband, Bertrand Tavernier, on many of
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This year’s online Annecy Festival includes a Territory Focus on South-East Asia, co-organized by Annecy and the French Embassy. This is the second edition of the initiative, part of Annecy’s MIFA, market, which aims to kickstart animation projects from Indonesia, Malaysia, Singapore and the Philippines. Projects developed this year include animated shorts, features and TV
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The Wallflowers’ 1996 hit “One Headlight” wasn’t just a song choice that set a mood for the trailer of “The King of Staten Island.” It appears in the film itself, in a quick but telling barroom scene that gets at how near-strangers can bond over music… even if it’s music they don’t quite remember well
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Queen Latifah has long been a trailblazer for women in the industry, transitioning from rapper to actor to producer to entrepreneur, while emphasizing the importance of having a seat at the table when it comes to business. And with her latest venture, the Queen Collective — a mentorship initiative designed to give multicultural women directors
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