Movies

For the Power of Pride issue, Variety talked to eight LGBTQ couples in entertainment about their love stories. To read more, click here.  Greg Berlanti — the prolific TV producer behind such hits as “Riverdale” and “Supergirl” — couldn’t have scripted meeting his husband better if he’d written it himself. At a 2013 rooftop Pride party, a
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Director Rapman endured the unthinkable around the U.K. release of his feature film debut, “Blue Story,” about warring South London gangs. After a brawl broke out at a Birmingham cinema following the film’s release, exhibitors Vue and Showcase temporarily pulled “Blue Story” from screens claiming a spate of other incidents, and sparking a national debate
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Like many of us stuck at home, moviedom — or our recent virtual version of it — has been rummaging through the archives intrigued by films it never quite made the time for. So consider the streaming of  Leilah Weinraub’s “Shakedown” (which premiered at the Berlin Film Festival in 2018) an example of a movie
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Forget everything you think you know about filmmaking and narrative continuity. Forget production values and matching eyelines. Divorce yourself from your over-reliance on the 180-degree rule and your addiction to sumptuous cinematography and slick — or even barely adequate — visual effects. Instead, for 65 glorious, gonzo minutes, put aside the troubles of this crazy
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“12 Years a Slave” and “Shame” director Steve McQueen has dedicated his pair of Cannes-selected films to George Floyd. McQueen’s films “Mangrove” and “Lovers Rock” — both part of the director’s BBC-commissioned “Small Axe” anthology, consisting of five feature-length stories — have been selected for Cannes, which revealed its line-up today despite not going ahead
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Pixar’s “Soul,” Wes Anderson’s star-packed “The French Dispatch” and Steve McQueen’s “Mangrove” and Lover’s Rock” are among the 56 movies which will receive a Cannes 2020 label as part of the festival’s eclectic Official Selection. Also included in this year’s lineup, are Cannes regulars such as Francois Ozon’s anticipated “Summer 85,” Naomi Kawase’s “True Mothers”
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Studio Ghibli’s latest feature animation, “Aya to Majo,” (literally, “Aya and the Witch”), will air on NHK during winter 2020, NHK announced today. Based on “Earwig and the Witch,” a children’s novel by Diana Wynne Jones, the film is the first by Ghibli to be animated in 3D3G. The director is Goro Miyazaki, Hayao Miyazaki’s son,
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Opening up multiple shoot possibilities during COVID-19 and beyond, top Spanish producer Adrian Guerra is bowing Orca Studios, a new Spain-based virtual production facility that uses the same LED volume technology employed by ILM on its Stagecraft system for “The Mandalorian” – hailed by some as the biggest technological step-forward since green screen. Head of
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Mediawan, the integrated European media group which owns Italy’s Palomar, is rolling out a new screening and distribution platform to fast-track dealmaking and make up for the raft of physical markets that are being canceled due to the coronavirus crisis. The platform will showcase programs produced and/or sold by Mediawan’s companies and will be aimed
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When you’re a child, one of the most maddening things adults always say is how fast children grow up. If you’ve only lived a few years, it takes forever: The powers and privileges that come with being older are at once tantalizing and infinitely far away. Yet when the child’s lifetime is a fraction of
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Chinese social drama film “Damp Season” was this week named as the Grand Prize winner at the Jeonju International Film Festival. The well-established Korean festival has been held in largely virtual form this year in reaction to the coronavirus outbreak. At the end of April, festival organizers confirmed that JIFF would go ahead May 28
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In today’s film news roundup, Lionsgate executive Corii Berg joins the USC Board of Trustees, Night Fox Entertainment unveils a trilogy and Newark-based documentary “Why Is We Americans” gets a premiere. NEW TRUSTEE The University of Southern California Board of Trustees has elected Lionsgate executive vice president and general counsel Corii Berg as its newest
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Donna Langley, chairman of Universal Filmed Entertainment Group, has called on Los Angeles County authorities to resume all film and television production, following the submission of a 22-page blueprint outlining coronavirus safety guidelines. Representing the wider industry on a conference call with the county’s Economic Resilience Task Force on Tuesday, Langley highlighted a white paper
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Thirteen can be a petulant age, but hell hath no fury like the pubescent heroine of “Becky,” who has the ill luck to confront a gang of escaped cons — though that’s definitely worse luck for them, as it turns out. Offering fairly brutal action on the verge of black comedy, this indie thriller from
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Lea Seydoux, the French star of Wes Anderson’s “The French Dispatch,” will headline “Party of Fools” (“Le Bal des Folles”), a high-profile period drama-thriller to be directed by Arnaud des Pallières. The female-driven movie is produced by two of France’s biggest producers, Philippe Rousselet and Jonathan Blumental, at the Paris-based company Prelude. The pair previously
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