Movies

IFC’s horror movie “The Wretched” is leading the small weekend box office with an estimated $186,000 at 59 movie theaters. It drew a respectable $3,153 per theater average during the Friday-Sunday period. Currently, 348 of the 5,400 North American theaters are open, including 169 drive-ins, according to Comscore. Last week, only 21 drive-ins were open,
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Supported by the Tribeca Film Institute, winner of the IFF Panama’s Primera Mirada pix-in-post showcase and selected for Cannes Film Market last year before world premiering at January’s Rotterdam Film Festival, Ana Elena Tejera’s “Panquiaco” opened this year’s IFF Panama festival on Wednesday.  That marks further recognition for a hybrid documentary-fiction film which talks about belonging and plumbs
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The Oscar-nominated animators at Laika Studios are the latest participants in the viral fight challenge social media trend. The animation house posted the short video to the company’s Twitter and TikTok accounts on Saturday, following the breakout success of the previous choreographed fight video from Hollywood stars and stunt performers. The setup of the looping
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Traditionally, the long Memorial Day weekend is the territory where Indiana Jones and Star Wars movies — or else massive tentpoles such as “Mission: Impossible” and “Aladdin” — plant the stake for a blockbuster summer season. But there’s nothing traditional about the release schedule this year. With the coronavirus pandemic still posing a public health
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Netflix’s animated movie “The Willoughbys” was watched by 37.6 million households in its first month on the platform, the company said Friday. Directed by Kris Pearn, it’s the second original film from the streamer’s animation division that aims to provide the kind of family content it has been offering from competitors for years. While Netflix
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Making the classics hip for a new generation is a storytelling tradition nearly as embedded as the classics themselves: Screens and stages have been so flooded over the decades with updated, dressed-down interpretations of Shakespeare plays, or sundry Greek and Roman myths, that it’s tempting to label traditionalism the new revisionism. Even within this heavily
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Costa Rican documentary “Los Últimos,” by Álvaro Torres Crespo, won the $10,000 IFF Panama Film Match Award, in the first edition of IFF Panama Film Match – the Panama Film Festival’s Cinematographic Co-Production Forum for Central America and the Caribbean, supported by the IDB Lab. Initially planned as an integral part of the on-site film
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A year ago, Pinar Toprak made history by becoming the first female composer to score a movie that made better than $150 million at the box office. “Captain Marvel” ultimately took in more than $425 million domestically. This week, Toprak returns with music for another female superhero: “Stargirl,” toplining Brec Bassinger as Courtney Whitmore, a
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Streaming service MUBI, which offers a limited curated selection of films, has introduced a new section called Library, allowing members to rediscover hundreds of films that previously featured on its site. The Library section is available to subscribers at no additional cost. The collection spans MUBI releases, past specials, retrospectives, double bills and other exclusives.
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Italian auteur Marco Bellocchio, recently the big winner at Italy’s David di Donatello awards with elegant mob drama “The Traitor,” is busy with a trio of projects involving personal and also national history, all shepherded by his now regular producer Simone Gattoni. Gattoni, partner with Bellocchio in Rome’s Kavac Film, and among Variety’s 10 Producers to
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Veteran Hollywood communications executive Julie Fontaine is exiting her post at Netflix, insiders told Variety. Fontaine joined the streamer in 2017 as vice president of film publicity, where she worked closely with a group of executives including motion picture head Scott Stuber, indie film and documentary head Lisa Nishimura, vice president Tendo Nagenda, and awards
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The entertainment industry’s efforts to develop safety protocols for restarting production is predictably becoming a brawl among the major studios and Hollywood unions that has delayed the presentation of the industry’s back-to-work plan to state and local officials. As Variety has reported, jumpstarting production amid the coronavirus pandemic will be complicated and expensive. The industry task force
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“The Kissing Booth 2,” the sequel to Netflix’s popular teen rom-com, will debut on the streaming service this summer. The follow-up — again starring Joey King, Joel Courtney and Jacob Elordi — drops on Netflix on July 24. King shared the news Thursday night during a live event on YouTube, where she was joined by
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That Bruce Willis grimace. It’s almost as much a trademark as his smirk. When the actor’s mouth tightens and his eyes squint in “Survive the Night,” you’d like to think it’s because his character is feeling the pain. Emotionally, Frank’s estranged from his son. After a run-in with the movie’s two baddies, the retired sheriff
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In today’s film news roundup, Tom Hardy’s “Capone” racks up $2.5 million in VOD sales, “The Pollinators” finds a home and Miramax hires Wolfgang Hammer. ‘CAPONE’ RESULTS Vertical Entertainment’s Tom Hardy movie “Capone” has earned the company its best VOD release with a 10-day run amassing over $2.5 million in gross on-demand sales. “Capone” was
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A solid Brit gangster film more in the old-school vein of “Get Carter” and “Mona Lisa” than the dog-on-hind-legs Guy Ritchie idiom, “Villain” provides a snug fit for Craig Fairbrass as a convict whose return to society naturally runs smack into familiar trouble. Title notwithstanding, our protagonist is an upstanding kind of tough guy —
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