Television

October 12, 2018 3:00PM PT ABC is developing a comedy series based on Sara Saedi’s memoir “Americanized,” Variety has learned. The single-camera series, which will be executive produced by Reese Witherspoon, tells the story of a loving and off-beat Iranian family who’s been living with a huge secret: they’re undocumented immigrants. It is described as a window
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To call “The Conners” one of the fall’s most anticipated shows is less a commentary on its potential quality than describing the sensation of steeling oneself against an oncoming train. The curiosity factor and difficulty levels are high with this one; there’s not much precedent for a show emerging from the ashes of losing its
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Claudia Schmitt, VP international sales and acquisitions, kids and family entertainment, at Munich-based distributor Beta Film, talks about their MipJunior slate, led by animated series “The Rubbish World of Dave Spud.” How important is humor in “The Rubbish World of Dave Spud”? “Dave Spud” is a comedy adventure. And the humor is at the heart
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When Ted Sarandos said over the summer that Netflix’s young adult film “The Kissing Booth” was “one of the most-watched movies in the country, and maybe the world,” ears pricked up across the industry. The comment from the Netflix content chief underlined that the YA audience, far from being lost to TV, is tuning in.
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SPOILER ALERT: Do not read if you have not yet watched “The Haunting of Hill House,” streaming now on Netflix. When telling a genre story, writer/director Mike Flanagan has one rule: play with perspective. The man behind “Hush,” “Absentia,” “Gerald’s Game” and the upcoming “Shining” sequel “Doctor Sleep” has become accustomed to having to “constantly escalate
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Welcome to “Remote Controlled,” a podcast from Variety featuring the best and brightest in television, both in front of and behind the camera. In this week’s episode, Variety’s executive editor of TV, Debra Birnbaum, speaks with the filmmakers behind “Making a Murderer,” Laura Ricciardi and Moira Demos, about Season 2 of the hit documentary, which returns to Netflix on
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In what could only be seen as further evidence of the increasing globalization of content, plus Viacom’s drive to produce for and with third-party companies, Nickelodeon Latin America, a Viacom International Studios (VIS) unit, has kicked off production on its Latino fictional music series 60-episode “Club 57” in Italy. Nickelodeon Latin America’s first co-production with
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October 12, 2018 1:00AM PT Werner Herzog is making “Fireball,” a feature documentary about meteorites and comets and their influence on mythology and religion. Production is underway, and international buyers will get a first look at the Mipcom market in Cannes next week. “Fireball” reunites the legendary filmmaker with Prof. Clive Oppenheimer. Werzog and geoscientist
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Oscar-nominated actress Berenice Bejo (“The Artist”) is set to headline “Josephine and Napoleon,” an English-language period drama series created by British showrunner Tony Saint (“Das Boot”). Now in development, the eight-part series is being produced by the well-established British company Ecosse Films (“Hampstead,” “Mistresses”) and Pascal Breton’s Paris-based Federation Entertainment (“The Bureau,” “Marseille”) for the
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October 11, 2018 3:30PM PT CBS has given freshman drama “FBI” a full season order. The series details the inner workings of the New York office of the Federal Bureau of Investigation. It stars Missy Peregrym, Zeeko Zaki, Ebonée Noel, Jeremy Sisto, and Sela Ward. It is the first freshman CBS show to be picked up for a full
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