Television

Netflix’s “Squid Game” and “The Guilty” have debuted on BARB, the U.K. television audience measurement currency, as the organization has revealed a “once-in-a-generation upgrade.” Subscription video-on-demand (SVOD) and video-sharing platform measurement has been introduced in BARB’s service bouquet. BARB is now able to measure the reach and total time spent viewing SVOD services such as
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“Gangs of London” producer Pulse Films has secured the rights to Anna Whitehouse and Matt Farquharson’s Sunday Times-bestselling novel “Underbelly.” Released early in August, the book tells the story of two women, Lo and Dylan, who are living parallel lives while being worlds apart. Lo is a middle-class mother with perfectly polished Instagram posts, while
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You take the good, you take the bad, you take them both and there you have: “The Facts of Life.” But there’s no bad, only good — no, make that great — casting here for next week’s “Live in Front of a Studio Audience” remake of the classic 1980s sitcom. Joining the previously announced Ann
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“Pen15,” Hulu’s comedy series created by Maya Erskine and Anna Konkle, will end with its second season. The remaining episodes of the now final season will debut on the streamer on Dec. 3. A Hulu representative confirmed the news to Variety, stating that Erskine and Konkle “feel the story they wanted to tell has come to an
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Christopher Walken series “The Outlaws” has been renewed for a second season. Walken will also return as Frank Sheldon. Created by Stephen Merchant (“The Office”) and Elgin James (“Mayans M.C.”) the comedy thriller follows seven convicts completing community service in Bristol, U.K. The second season, which has already wrapped and is due to air next
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Ivanna Sakhno has been cast in the Ahsoka Tano series at Disney Plus, Variety has confirmed. Sakhno will appear in the series opposite Rosario Dawson, who will play Tano, and Natasha Liu Bordizzo, who was recently announced as the “Star Wars Rebels” character Sabine Wren. Details on the character Sakhno is playing are being kept under wraps,
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In this social media age, experiential events have become a crucial part of entertainment marketing plans. Instagram-friendly pop-ups had become common in recent years — Netflix turning a Baskin-Robbins location into the Scoops Ahoy ice cream parlor from “Stranger Things” or Amazon Prime Video taking over the Hollywood Athletic Club to promote its Emmy contenders,
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Portuguese producers are looking to strike gold with a hit series that could follow in the footsteps of European shows such as “Money Heist,” “Hierro,” “The Bridge,” “Trapped” or “Skam.” They have several advantages: Portugal has competitive production costs which can compensate for more limited budgets; they’re fast learners, as shown by the rapid development
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Italian playwright Stefano Massini’s sweeping saga of family and finance “The Lehman Trilogy,” which is a hot ticket on Broadway in a Sam Mendes-directed adaptation, is being developed as a TV series for the international market by Italy’s Fandango, the prominent shingle behind Elena Ferrante skein “The Lying Life of Adults” for Netflix. Fandango chief
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Fictional detective Ellery Queen is set to make a return to television – this time as a woman. Incendo and BlackBox Multimedia have optioned the TV adaption rights to the collection of novels and short stories in which Queen, originally written as a male character, appears. The two companies will co-develop and co-produce a modernized,
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BBC Studios Drama Productions has set a development partnership with Nigerian television pioneer Mosunmola “Mo” Abudu, founder and CEO of global entertainment network EbonyLife Media. The partnership will kick off with action-adventure series “Reclaim,” written by BAFTA Breakthrough Brit Rowan Athale (“The Rise”), based on an original idea by Mo Abudu, Heidi Uys and Bode
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David Tenant’s upcoming series “Around the World in 80 Days” hasn’t yet hit screens but producers are so confident in the show they’ve already greenlit a second season, with Ashley Pharoah (“Life on Mars”) returning as showrunner. Variety also hears Tenant is almost certain to reprise his role as adventurer Phileas Fogg for season 2.
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The tumultuous events surrounding the making of Bernardo Bertolucci’s 1973 film “Last Tango in Paris” will be the subject of a limited series to be co-directed by Lisa Brühlmann (“Killing Eve”) and José Padilha (“Narcos”). The series, titled “Tango,” is part of the international first-look agreement between CBS Studios and Stampede Ventures, an independent entertainment
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Paris-based production banner Cinetévé is powering up several international-driven premium series across different genres, including the contemporary Afghanistan-set “Kabul,” procedural “Birdwatcher,” mystery thriller “L’ile prisonnière,” feminist dramedy “Split” and a French adaptation of “On the Spectrum.” “Kabul,” co-developed by Cinétévé’s Thomas Saignes, Fabienne Servan Schreiber, Matthias Weber and Thibault Gast at 2425 Films, is a
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SPOILER ALERT: Do not read if you have not watched the seventh episode of “Succession” Season 3, titled “Too Much Birthday.” An easy, comically tall target for jokes at his expense, Greg doesn’t get to celebrate many victories in “Succession,” but at Kendall’s 40th birthday party, he finally notches a win and asks out Comfry,
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The first edition of ONSeries Lisboa (Nov. 25-26) brought streaming platforms, international broadcasters and co-producers to Lisbon for a two-day event that showcased Portugal’s new TV series aimed at the international market. Nuno Artur Silva, Portugal’s secretary of state for cinema, audiovisual and the media emphasized the economic potential of the country’s audiovisual sector and
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Italian producer Domenico Procacci, after shepherding more than 100 movies and several TV series, including Netflix’s upcoming Elena Ferrante adaptation “The Lying Life of Adults,” via his Fandango shingle, is debuting as a director with six-part documentary series “The Team.” Variety speaks to Procacci exclusively about what prompted him to go behind the camera for
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When “Nash Bridges” came to an end in 2001, series star Don Johnson felt like they “didn’t get a chance to finish the story.” The detective drama had been on the air for six seasons, but “political circumstances” between producer Paramount Network Television and network CBS kept it from getting renewed, the actor recalls. (Paramount
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As the days grow shorter and families hunker down cozily in front of the TV, British holiday programming has grown into a dependable export around the world, thanks to the success of Christmas specials for shows like “The Office” and “Gavin & Stacey.” “Demand for British content is higher than ever across the board,” says
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“Seinfeld” remains one of the definitive TV sitcoms of all time, forever altering the way comedy could be approached and what was acceptable behavior from characters you watched week in and week out. The show started off with a minuscule six-episode order at NBC (not exactly a vote of confidence) and yada yada yada ended
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