Paris-based sales and co-production banner Have A Good One (HAGO), has boarded two new series, “Sex (re) Education” (“Septième Ciel”) and “Caro Nostra,” in the run up to Mipcom, the Cannes TV market. “Sex (re) Education” is a 10-part half-hour comedy series directed by Alice Vial, who won the Cesar Award in 2018 with her
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Buenos Aires-based FilmSharks Int’l has snapped up worldwide rights to Portugal’s first stop motion animated feature “My Grandfather’s Demons,” the debut animated pic by Nuno Beato. According to FilmSharks CEO Guido Rud, it was able to outbid other contenders for the toon, which had its world premiere at Annecy. “One of the hardest tasks for
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The films of legendary Greek writer-director Theo Angelopoulos – whose “Eternity and a Day” won the Palme d’Or in Cannes in 1998 – are being screened at a two-month tribute in the Hammer Museum’s Billy Wilder Theater near the UCLA campus in Westwood. The career retrospective opened on October 14 and will continue through December
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Homecoming, a patriotic rescue movie, dominated the mainland China box office for the third successive weekend. Overall numbers remained anemic in the first full week after the National Day holiday period, sometimes referred to as a ‘Golden Week’. “Homecoming” garnered $12.1 million (RMB85.6 million) between Friday and Sunday, according to data from consultancy and research
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Taiwan-based development and production operation Organic Media is teaming up with Los Angeles-based sales agency and content aggregator Shoreline Entertainment in a strategic pact that sees Shoreline take responsibility for much of Organic’s sales function. The pairing will make its debut at this week’s MIPCOM TV rights market in Cannes. It will follow that with
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While the Busan International Film Festival was busily hailing a return to normality the slump at South Korea’s commercial box office deepened dramatically over the most recent weekend. Cinemagoing nationwide was worth only $4.20 million between Friday and Sunday, the lowest weekend total since April and a time before Korean cinemas shed their COVID restrictions.
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G4 is shutting down — again. Comcast Spectacor, the cable and entertainment giant’s sports and esports division, told G4 TV employees Sunday that the gaming network was shutting down effective immediately. The decision has resulted in 45 staff members of G4 TV losing their jobs. In a memo, obtained by Variety, Comcast Spectacor chairman and CEO
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Keke Palmer has thrown her name in the hat for “Sister Act 3.” No, not a formal audition, but she showed off her vocal chops by singing a snippet of “Joyful, Joyful” on the carpet at the Academy Museum Gala in Los Angeles on Saturday evening. “I’m your girl,” Palmer said. “I’m ready.” “Sister Act”
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The 66th annual British Film Institute (BFI) London Film Festival announced winners Saturday evening for a competition group representing a diverse selection of stories ranging from period pieces to eerie thrillers. Writer-director Marie Kreutzer’s “Corsage,” was recognized with the festival’s highest honor — the best film award — continuing the historical drama’s festival praise after
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Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s
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Here are the new movies trailers from this week! What are you excited to see? ► Buy Movie Tickets: https://www.fandango.com/?cmp=Trailers_YouTube_Desc Subscribe to the channel and click the bell icon to be notified of all the hottest trailers: http://bit.ly/2CNniBy 00:00 M3gan 02:27 Glass Onion: A Knives Out Mystery 03:06 Spirited 04:29 Enola Holmes 2 06:27 The
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Jalmari Helander’s WWII action thriller “Sisu” has made good on its upbeat reception at Toronto Midnight Madness – Variety called it “outrageously entertaining” – winning the top award at this year’s Sitges – International Fantastic Film Festival of Catalonia which is showing, like genre itself, clear signs of expansion.  The over 70,000 tickets sold at 2022’s Sitges were 10%
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“Halloween Ends” slayed the box office competition, collecting $41.25 million from 3,901 North American theaters in its opening weekend. The movie had a softer start than expected (projections were closer to $50 million to $55 million) but it’s still impressive considering its simultaneous release on Peacock likely cut into ticket sales. It’s the first movie
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Limonero Films, an independent boutique distributor of factual programming and documentaries, is launching a selection of documentaries and factual entertainment series at the Mipcom TV market. The titles are “Women Behind the Wheel,” produced by Dartmouth Films in the U.K., the wildlife titles “Wild Icons of Iberia” and “Heroines of the Savannah,” both by Azor
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A restored version of Iván Zulueta’s ground-breaking 1979 film “Arrebato” (“Rapture”) is screening at the Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, thanks to Los Angeles distributor Altered Innocence and Madrid’s Mercury Films. The cult film, considered a milestone in Spanish cinema from the post-Franco years, is seen as metaphor for how
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Palestine’s Fresco Films has boarded Tamara Erde and Mathias Énard’s TV one-off “Breaking Bread,” with France’s Haut et Court Doc already locked as the main producer. Tony Copti will produce alongside Emma Lepers. Attempting to explore the Israeli-Palestinian conflict through food, “Breaking Bread” will try to answer one question: Does gastronomy separate us or bring
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Italy’s storied Titanus studio, producers of myriad golden era Cinema Italiano works, is getting a reboot and reviving its production side with several projects in development, including a contemporary sequel of Dario Argento’s supernatural chiller “Phenomena.”  Established in 1904 by Gustavo Lombardo, Titanus was a true Italian major, which during the 1960s forged a partnership
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Is there a better way to prove the virtue of the cinematic experience than to get 5,000 people on their feet giving a film a standing ovation?  Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.” 
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The Lumière Festival’s International Classic Film Market (MIFC) in Lyon, France, is celebrating its 10th edition this year with a wide-ranging program focusing on bolstering classic film distribution, the prospects of new commercial territories, film education and a focus on Spain’s heritage film sector. The MIFC, which runs Oct. 18-21, kicks off with a keynote
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Following the success of Emmy-nominated “Tindler Swindler,” director Felicity Morris is already at work on Netflix’s miniseries “All American Nightmare,” she said at Rome’s MIA. Morris, previously at Raw TV, started her own company Ladywell Films with “Tinder Swindler” producer Bernadette Higgins. “It felt like the right time to do my own thing,” she said.
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