Few nations in the world have developed such a spread of film commissions as Spain, a country forged out of its regions, whose governments have energetically bought in to the benefits of foreign and local shoots. As the country moves ever more onto the big-shoot locations industry radar, the Spain Film Commission is experiencing rapid
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No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing
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Steven Spielberg brought his semi-autobiographical film, “The Fabelmans,” to the Toronto International Film Festival on Sept. 10, his first feature ever to debut at TIFF. To say that Spielberg is performing at the top of his game is no hyperbole. This dramatic opus, which pulls at the heartstrings, could bring Spielberg his third directing statuette
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One of the biggest crowdpleasers of the Toronto International Film Festival has arrived. “,” a high-class horror comedy written by Seth Reiss and Will Tracy and directed by Mark Mylod, held its rollicking world premiere at the Royal Alexandra Theatre on Saturday. Mylod, the in-demand TV director who has helmed key episodes of “Game of
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Steven Spielberg’s “The Fabelmans” earned a roaring standing ovation at the Toronto International Film Festival on Saturday, as the crowd of movie lovers cheered loudly for the Oscar-winning auteur as he made his first appearance at the gathering.  “I’m really glad we came to Toronto,” a visibly moved Spielberg said after taking the stage as
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It’s in the nature of cinema that when a hugely popular and beloved movie is grand enough, the sequel to it almost has to try to top it in a go-big-or-go-home way. For a long time, each new James Bond adventure was more lavishly scaled, baroque, and stunt-tastic than the last. “The Godfather Part II”
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UTA Emmys Party, Sept. 9 This year’s Emmy host, Kenan Thompson, led UTA’s pre-Emmy bash on Friday night at the Rooftop at Waldorf Astoria in Beverly Hills. Intermittent rain made it a bit of a wet affair — and the evening humidity was not kind to attendees wearing suit jackets. But the rooftop afforded magnificent
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“Glass Onion: A Knives Out” from writer and director Rian Johnson is another uproarious take on the whodunit series that outdoes its predecessor in nearly every way. Turning in killer performances, Janelle Monae and Edward Norton lead an invigorating ensemble that makes this awards observer hope Netflix will put every available dollar behind making this
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Consider “Glass Onion” another triumphant case for detective Benoit Blanc. As evidenced by the enthusiastic reaction to the premiere screening Saturday, Rian Johnson has again charmed the masses at the Toronto Film Festival with “Glass Onion: A Knives Out Mystery,” the hotly anticipated sequel to the 2019 hit whodunit. Johnson briefly addressed moviegoers before the
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Who didn’t have a crush on Michael Moscovitz in 2001’s “The Princess Diaries”? Mia Thermopolis’s sweet, slightly awkward love interest — played by Robert Schwartzman — liked her well before she was ever Genovian royalty, had a cool band (Schwartzman’s actual band, Rooney), and even knew how to fix cars. Fans will recall the devastation
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It isn’t that people’s first instincts are bad in “Victim,” Slovak director Michal Blaško’s compelling, apprehensive feature debut. A distraught Ukrainian mother travelling back to her adopted home in the Czech Republic to be by her injured son’s hospital bedside, for example, will find someone willing to drive her when her bus is delayed. It’s
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Jennifer Lawrence brought serious starpower to the Toronto International Film Festival on Saturday, appearing at the world premiere of her new film “Causeway.” But despite the big, Hollywood name “Causeway” was a quieter character study. Lawrence stars in and produces the film, in which she plays a soldier returning to civilian life in New Orleans.
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Disney+ has unveiled a teaser for “The Santa Clauses” original series, with Tim Allen once again donning Santa’s classic suit for the fourth installment of “The Santa Clause” franchise. The new teaser premiered during the D23 Expo. In the limited series, Scott Calvin (Allen) is ready to step down from his Santa duties and provide
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In his Toronto International Film Festival premiere “,” Ralph Fiennes plays Slowik, a celebrity chef who runs an exclusive restaurant that caters to the ultra-rich. And while the darkly comic horror film eventually reveals some macabre twists regarding what’s on Slowik’s menu, Fiennes says he got into the character via more mundane inspirations. “One of
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With its seventh edition coming to an end, Venice’s Book Adaptation Rights Market (BARM) is already eyeing the future. The three-day event – taking place during the Italian fest – is now recognized as the third most important annual rendezvous by the publishers, states Pascal Diot, head of industry sidebar Venice Production Bridge. “It’s starting
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Marvel Studios is celebrating Halloween with style. The studio has unveiled details and the first trailer for “Werewolf by Night,” the upcoming MCU Halloween special set to premiere Oct. 7 on Disney+ this fall. Gael García Bernal stars in the special as Jack Russell, known in Marvel Comics as the Werewolf by Night. Created by
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The God of Mischief has returned, and with some new friends!  Marvel Studios pulled the curtain back on Season 2 of “Loki” during the D23 Expo on Saturday. “They are shooting right now in the UK as we speak,” Marvel president Kevin Feige announced… but then slyly revealed that the cast hopped a plane to
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Veteran Italian auteur Gianni Amelio rose to prominence with Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which won the 1992 Cannes Grand Prix. He won the Venice Golden Lion in 1998 with period drama “The Way We Laughed” and competed again in Venice with “A Lonely Hero” in 2013. Amelio’s more recent work comprises
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The white men speak in subtitles, while the proud members of various African tribes express themselves in English in “The Woman King,” a clear sign of where our allegiances belong in director Gina Prince-Bythewood’s sweeping early-19th-century war movie — an Africa-set epic of the kind not seen since “Zulu,” only this time, the task of
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