Get in losers, we’re going to Paramount+ to watch “Mean Girls” again. The 2024 movie musical will stream on Paramount+ beginning March 5, following its January theatrical release. An adaptation of the Broadway musical based on the 2004 film, Tina Fey’s latest rendition of the high school comedy surpassed $100 million at the global box
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Paul Dano is familiar with the comic book movie genre thanks to his acclaimed performance as Riddler opposite Robert Pattinson in “The Batman.” The Matt Reeves-directed tentpole was a box office hit with $772 million worldwide. That’s a mighty sum for the superhero genre, which took more than a few punches last year as entires
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Greta Gerwig’s “Barbie” took home multiple awards at the 14th Music Supervisors Guild Awards, held March 3 at Los Angeles’ Wiltern Theatre. The event celebrates outstanding achievement in the craft of music supervision, acknowledging work across film, television, documentaries, advertising, trailers and video games. George Drakoulias of “Barbie” won best music supervision for a film budgeted
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After a years-long investigation, the European Commission levied a fine against Apple of €1.8 billion — about $1.95 billion — for “abusing its dominant position on the market for the distribution of music streaming apps” to iPhone and iPad users. The EU said Monday its investigation into Apple, which was kicked off by a complaint
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Mexican director Lila Avilés, whose meteoric rise on the international stage, with just two feature films, both of which have represented Mexico at the Oscars, is among eight women storytellers selected by Mattel to be immortalized with Barbie dolls in their likeness. Avilés joins Academy Award-winning actors Helen Mirren and Viola Davis along with Canadian
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Indie Spanish film studio Filmax has picked up international sales rights to “Alumbramiento” (‘Birth’), the sophomore feature by Pau Teixidor (“Purgatorio”), set up at Aquí y Allí Films, the production house run by Pedro Hernández Santos  and behind “Something is About to Happen,” and “Life and Nothing More.”  Co-written by Teixidor and Lorena Iglesias (“Towards Bruce
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Malaga-based writer-producer Ezekiel Montes is teaming with director Sergio Siruela on “Aullar,” a thriller centering on a father-daughter relationship. Elena Martínez, who worked with Montes on the appreciable 2021 crime thriller “A Dead Man Cannot Live” and Rafa Russo’s 2023 drama “Devoción,” stars in the film as a strong and independent woman struggling to make
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UPDATE: Actor turned right-wing political activist Laurence Fox‘s misogynistic rant on episode of “Dan Wootton Tonight” on U.K. channel GB News has fallen afoul of media regulator Ofcom. Comments made during the program by Fox targeting female political journalist, Ava Evans, prompted 8,867 complaints to Ofcom with viewers expressing concerns that his remarks were sexist,
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The estate of the late Sinéad O’Connor has denounced Donald Trump’s use of the singer-songwriter’s performance of “Nothing Compares 2 U” at his campaign rallies. Trump most recently played the song at events in Maryland and North Carolina in the past week. In a statement to Variety, O’Connor’s estate and label Chrysalis Records demanded that
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Ireland appears to be everywhere on screen at the minute — and it isn’t just a trend. Where 2022 and 2023 had “The Banshees of Inisherin,” Paul Mescal, “The Quiet Girl” and short film “The Irish Goodbye” making noise throughout awards season, plus John Carney’s “Flora and Son” being snapped up in Sundance by Apple
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Seriesmakers, a joint initiative of Series Mania, Europe’s biggest TV festival, and European film-TV powerhouse Beta Group, has revealed the 10 top-notch project lineup of the second edition of its novel and high-powered mentoring program for filmmakers making their TV creator debut.  This year’s Seriesmakers features in development drama series from Oscar winner Kevin Macdonald
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Rolling off “The Three Musketeers,” Pathé and Dimitri Rassam’s Chapter 2 (a Mediawan company) have unveiled the teaser and poster for their next period epic, “The Count of Monte-Cristo,” starring Pierre Niney (“Yves Saint Laurent,” “Black Box”) in the title role. Based on Alexandre Dumas’ literary masterpiece, the film tells the story of a young
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The anticipated goldrush for African creators sparked by Netflix’s 2016 entry into the market hasn’t entirely come to fruition, though the influx of investment from local and global streaming platforms has nevertheless been transformative for Africa’s screen industries. Budgets, production values and outputs are rising, and breakout hits — such as Netflix’s Nigerian thriller “The
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Giants of U.K. TV and streaming have combined for the fourth iteration of The TV Collective’s groundbreaking Breakthrough Leaders program. The program aims to identify and empower 50 exceptional individuals from Black, Asian and global majority (a collective term for people of Indigenous, African, Asian, Latin American descent, who constitute some 85% of the global
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MALAGA — Opening last Friday with “Dragonkeeper,” also in competition, Spain’s Malaga Festival, its biggest dedicated event for movies from Spain and Latin America,  is studded by latest films by Isaki Lacuesta – “Saturn Return,” reportedly fun, broad audience and radical – David Trueba – “The Good Man,” small scale but almost certainly ingratiating – and
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Two Spanish female stars who have broken out to huge global audiences in Netflix hits – “Nowhere” and “A Perfect Story” lead Anna Castillo and Ester Expósito, highly prominent in “Elite” in early seasons – are set to star in dramedic vampire thriller “Death to Love,” (“Que muera el amor”), the first series created by
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South African rural community thriller “Snake,” the closing film of the 6th Joburg Film Festival, is a feature that wouldn’t have been made if it wasn’t for streamer money. Based on the heart-wrenching 2011 book by Tracey Farren, who also penned the screenplay, a powerless farm girl Stella, played by 9-year-old Lamiyah Barnard, becomes the
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Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.” The awards were handed
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Christopher Nolan’s “Oppenheimer” topped the dramatic feature editing category at the American Cinema Editors’ 74th ACE Eddie Awards, while “The Holdovers” won the category for best edited comedic feature during Sunday’s ceremony at UCLA’s Royce Hall. Jennifer Lame edited “Oppenheimer,” which also took top honors at last week’s SAG Awards and Producers Guild Awards. The
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The #MeToo movement has claimed another casualty. Spain’s Málaga Film Festival, unspooling March 1-10, has canceled the participation of U.S.-born director Julio Hernandez Cordon’s vampire drama “The Day is Long and Dark” (“El día es largo y oscuro”) at the festival, citing “complaints regarding acts of gender violence.” In a press release issued on Feb.
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“Dune: Part Two” is turbocharging the international box office. Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year. The movie, starring
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