Rome’s MIA market, the growing showcase for international TV series, feature films and documentaries, is on track to hold its sixth edition both physically and online on Oct.14-18 in the Italian capital. The new-concept mart – whose acronym stands for Mercato Internazionale Audiovisivo, or International Audiovisual Market – has secured a calendar spot as an important
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Grasshopper Film has picked up North American distribution rights to Paul Felten and Joe DeNardo’s “Slow Machine,” ahead of the film’s premiere at the 58th annual New York Film Festival this week. Set to release theatrically next year, the film is billed as a “miniature epic” of paranoia, espionage, subterfuge, music and performance on 16mm.
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Italian sales company True Colours has taken international sales on two spanking new Cinema Italiano titles with strong cast elements in the leadup to Rome’s MIA market: “The Girl and the Giants,” a dark fable starring Valeria Golino, and Rome-set psychological thriller “The Guest Room,” toplining International Emmy-nominated Guido Caprino. True Colours chief Gaetano Maiorino
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“Wonder Woman 1984” director Patty Jenkins has warned that shutting cinemas down and keeping audiences away from movie theaters “will not be a reversible process.” “We could lose movie theater-going forever,” said Jenkins in an interview with news agency Reuters. The Gal Gadot-starring “Wonder Woman 1984” has been delayed three times due to the global
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This week, Barcelona-based filmmaker Kike Maíllo’s “A Perfect Enemy” will world premiere at Catalonia’s Sitges Film Festival, playing in the event’s Official Fantastic Competition. Ahead of its Oct. 16 premiere, sales agent Pulsar Content has given Variety access to the film’s international trailer. An adaptation of Amélie Nothomb’s bestselling novel “Cosmétique de l’Ennemi,” the film
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Fatima Salaria, managing director of Fremantle-backed outfit Naked, is the new executive chair of The Edinburgh TV Festival and its umbrella charity The TV Foundation, taking over from So Television co-founder Graham Stuart who is leaving after three years in the position. Salaria (pictured, left) will oversee the festival and foundation’s executive committee and work
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Arthouse streaming service Mubi has snapped up rights to Toronto International Film Festival title “Shiva Baby” for the U.K., Ireland, Germany, Austria, India, Turkey and Latin America. Written and directed by Canadian filmmaker Emma Seligman, “Shiva Baby” follows a young bisexual Jewish woman at a shiva — a mourning tradition in the Jewish community —
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Variety's Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Following Academy Awards history, buzz, news, reviews and sources, the Oscar predictions are updated regularly with the current year's contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long:
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Variety's Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Following Academy Awards history, buzz, news, reviews and sources, the Oscar predictions are updated regularly with the current year's contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long:
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Variety's Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Following Academy Awards history, buzz, news, reviews and sources, the Oscar predictions are updated regularly with the current year's contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long:
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Sid Gentle Films, the BAFTA and Emmy award-winning producers behind “Killing Eve” and “The Durrells,” headed by Sally Woodward Gentle (pictured below), has acquired the rights to develop Cash Carraway’s “Skint Estate” for TV, and has lined up a lead writer for previously announced “Taking Up Space.” Both projects are in formal development with British
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Lena Waithe’s single-camera comedy “Twenties” has found its U.K. home at BBC Three, where it will debut this fall. A key title in ViacomCBS International Studios (VIS) Distribution’s original scripted content slate, the show has also sold to New Zealand SVOD platform Neon where it streams this month. The British public service broadcaster has acquired
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Uday Shankar will step down as president, The Walt Disney Company Asia Pacific and chairman, Star & Disney India, effective Dec. 31, 2020. He will now pursue an entrepreneurial career. Shankar will work with Rebecca Campbell, chair of Disney’s direct-to-consumer and international segment to identify his successor. Shankar was in his role from February 2019.
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When it comes to low-budget horror movies, even the good ones tend to slip by unnoticed, which probably explains why “Salem” creators Brannon Braga and Adam Simon were drawn to a brand name like Clive Barker’s “Books of Blood” to package their otherwise generic Hulu horror anthology. Less a proper feature than the ersatz pilot
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Sen. Kamala Harris blasted the Trump administration’s “incompetent” response to COVID-19 at Wednesday night’s debate, calling it the “greatest failure” of any administration. Vice President Mike Pence defended the administration and accused Harris and Joe Biden of seeking to pack the Supreme Court if Judge Amy Coney Barrett is confirmed. The debate had a calmer
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“For Life” star Nicholas Pinnock has been made a producer on the second season of the ABC legal drama from Hank Steinberg and Curtis “50 Cent” Jackson, Variety has learned exclusively. The British actor stars as a man who has lost everything after being unjustly convicted and incarcerated; he subsequently earns a law degree and
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Chicago deep dish staple Lou Malnati’s Pizzeria is not too happy with Netflix’s newest show, “Emily in Paris.” The restaurant sent out a media statement today expressing their disappointment with the series, which threw an insult at the chain in its premiere episode. Created by “Sex and the City’s” Darren Star, “Emily in Paris” stars
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Facebook, trying to further instill confidence that its powerful platform won’t interfere with the 2020 U.S. elections, announced an expanded set of policies — including prohibiting ads after polls close Nov. 3. Among other steps: Facebook said it will remove posts from anyone to engage in poll watching “when those calls use militarized language or
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