In 1921, the film industry was dominated by silent black-and-white projects shot with boxy, wood-bodied 120 cameras using 35mm film. It was two years before the 16mm would be invented, and a few more before camera bodies would shift to metal and synchronized sound would become an option. When depicting this period for a pivotal
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Although the coronavirus pandemic put the careers of countless up-and-coming musicians on hold, it didn’t stop their creative drive. By the end of March, music-sharing platform SoundCloud reported that there had been a 50 percent increase in uploads, with many songs related to the socially distanced circumstances. The surge inspired SoundCloud CEO Kerry Trainor to
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When director David Dobkin brought the 2005 comedy “Wedding Crashers” to the marketing team at New Line Cinema, he didn’t get the reception he thought he would. Marketing head Russell Schwartz thought that Vince Vaughn and Owen Wilson’s characters were too misogynistic, since their main aim seemed to be crashing weddings to look for girls.
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Universal Pictures’ “Jurassic World: Dominion” has resumed shooting this week in the U.K. with the studio denying a press report of a production halt due to positive COVID-19 tests among the crew. “Any reports indicating that Jurassic World: Dominion has halted production are categorically untrue,” said a Universal spokesperson. “The production is in its fifth day of
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Australian production designer Steven Jones-Evans was tasked with creating a haunted house that would tell a tale of family horror in Natalie Erika James’ directorial debut, “Relic,” now at drive-ins and available on demand July 10. In the IFC Midnight film, shot Down Under, Robyn Nevin plays Edna, an elderly woman who disappears from her
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Shout! Factory, a specialty distributor and channels operator, will become a major North American home for the iconic Japanese “Ultraman” shows following a deal with Alliance Entertainment / Mill Creek Entertainment. The multi-year alliance provides Shout! Factory and its multi-platform streaming service, Shout! Factory TV with exclusive SVOD and AVOD digital rights in the U.S.
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When Elle King and Variety last met, the Los Angeles-born-and-bred singing, songwriting, banjo-playing shouter had just commenced a 2018 tour for the (then) recently released “Shake the Spirit” album. While King’s rough, poppy debut album, 2015’s “Love Stuff” and its top 10 single “Ex’s & Oh’s,” earned her two Grammy nominations, her ragged voice and
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Julia Sawalha has shared an open letter via her social media profiles expressing disappointment and anger at being left out of Aardman Animations’ upcoming “Chicken Run” sequel, confirmed as a Netflix pickup at June’s Annecy festival. Sawalha voiced Ginger in the Oscar-nominated original, which remains the top grossing stop-motion feature ever, 20 years after its
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On “The Adventures of Moon Man & Slim Shady,” a new tag-team single with Kid Cudi, Eminem slams New Orleans Saints quarterback Drew Brees, police violence and offers some characteristically intricate rhymes about the coronavirus pandemic, George Floyd, protests and the messed-up state of the world. In a dig most likely inspired by Brees’ comments
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At the risk of overgeneralizing, why is it that cheapie musicals are so much more charming to watch on screen than they are when some friend invites you to whatever way-off-Broadway show they’ve managed to get mixed up in? Heck, these tiny film projects are often more endearing than the relatively big-budget ones the Hollywood
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Last year’s film “Hustlers” depicted the strip club as the staging-ground for the revolution, with its arch-capitalist dancers redistributing the wealth of their New York financier clients. It was a fantasy that had the surprising twist of having really happened, and a story that popped with eagerness for the next big set piece to unfold.
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Maybe Movies’ “Zombillenium” and ”Champions,” from Spain’s Morena and Películas Pendelton, feature among 90 series lined up to participate at this year’s Cartoon Forum which is scheduled to take place on site in France’s Toulouse over Sept. 14-17. France’s Maybe Movies, producers of “Calamity,” this year’s Annecy Cristal best feature winner, along with 2 Minutes will adapt
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Before Krysta White heads to her job as an attraction host at the Animal Kingdom Park in Orlando, Fla., she takes her temperature at home. The 32-year-old makes sure she’s feeling well, checking against a list of symptoms — coughing, shortness of breath, muscle pain, sore throat, nausea, diarrhea or vomiting — that would prohibit
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The organizers of Sundance Film Festival: London, the U.K. iteration of the Park City indie pic fiesta, are to hold a boutique event online, running Aug. 7-9. Sundance London, organized by Sundance Institute and Picturehouse Cinemas, was due to run May 28-31, but was postponed due to the COVID pandemic. The festival will now present
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In the latest episode of Variety Artisans presented by HBO, “High Fidelity” cinematographer Carmen Cabana explains how she used color to capture character emotions and how she set up different scenes of the series. “I found that the poetry and the opportunity in the show presented itself in terms of colors,” said Cabana. “Because when
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Prolific hitmaker Joko Anwar (“Satan’s Slaves,” “Impetigore”) further cements his reputation as one of the non-English-speaking world’s foremost fantasy filmmakers with “Gundala,” an action-packed and emotionally satisfying adaptation of the treasured Indonesian comicbook created by Harya “Hasmi” Suraminata. Set in a bleak future-now Jakarta, where the lightning-powered superhero is the city’s last hope against corrupt
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“Babyteeth” follows a terminally ill teenager who falls in love with a local drug dealer, and although it’s centered on adolescents, it’s not necessarily targeted to them, director Shannon Murphy said on the Variety Critics Corner presented by Karlovy Vary International Film Festival. “I definitely didn’t want to be making a teen film,” she said.
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Four Vietnam vets reunite for a mission, one that will lean on their wartime exploits but also expose more than a few old tensions. No, this is not a revisit of “Da 5 Bloods” but a brief description of the genial, cliché-encumbered, Aussie comedy “Never Too Late.” Directed by Mark Lamprell, it opens in virtual
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Beautiful compositions enlivened with pleasing colors can’t distract from multihyphenate Praveen Morchhale’s tiresomely explanatory screenplay for “Widow of Silence.” No one can question the film’s excellent intentions, designed to shine light on the nightmarish situation of women in Kashmir whose husbands have been arrested or killed during decades of conflict but are in legal limbo
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